The Greatest Classical Masterworks

~ Release by The Royal Philharmonic Orchestra (see all versions of this release, 1 available)

Tracklist

1▶CD: Johann Sebastian Bach
2▶CD: Hector Berlioz
3▶CD: Leonard Bernstein
4▶CD: Johannes Brahms
5▶CD: Frédéric Chopin
6▶CD: Antonín Dvořák
7▶CD: Edward Elgar
8▶CD: Joseph Haydn
9▶CD: Gustav Holst
10▶CD: Gustav Mahler
11▶CD: Felix Mendelssohn Bartholdy
12▶CD: Wolfgang Amadeus Mozart
13▼CD: Carl Orff
#TitleArtistRatingLength
1Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:31
2Carmina Burana: Fortuna imperatrix mundi: II. Fortune plango vulnera
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:44
3Carmina Burana: I. Primo vere: III. Veris leta facies
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff4:02
4Carmina Burana: I. Primo vere: IV. Omnia sol temperat
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff1:59
5Carmina Burana: I. Primo vere: V. Ecce gratum
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:28
6Carmina Burana: Uf dem anger: VI. Tanz
producer:
Oliver Davis and Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:44
7Carmina Burana: Uf dem anger: VII. Floret silva
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:26
8Carmina Burana: Uf dem anger: VIII. Chramer, gip die varwe mir
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:43
9Carmina Burana: Uf dem anger: IX. Reie – Swaz hie gat umbe – Chume, chum geselle min – Swaz hie gat umbe
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff5:15
10Carmina Burana: Uf dem anger: X. Were diu werlt alle min
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:54
11Carmina Burana: II. In taberna: XI. Estuans interius
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:25
12Carmina Burana: II. In taberna: XII. Olim lacus colueram
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo tenor vocals:
John Graham Hall (tenor) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:23
13Carmina Burana: II. In taberna: XIII. Ego sum abbas
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:45
14Carmina Burana: II. In taberna: XIV. In taberna quando sumus
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:02
15Carmina Burana: III. Cours d'amours: XV. Amor volat undigue
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Boys of the Temple Church Choir, London (from 1995-10 until 1997-07)
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:38
16Carmina Burana: III. Cours d'amours: XVI. Dies, nox et omnia
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:19
17Carmina Burana: III. Cours d'amours: XVII. Stetit puella
producer:
Oliver Davis and Matthew Dilley
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:55
18Carmina Burana: III. Cours d'amours: XVIII. Circa mea pectora
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:12
19Carmina Burana: III. Cours d'amours: XIX. Si puer cum puellula
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:55
20Carmina Burana: III. Cours d'amours: XX. Veni, veni, venias
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:59
21Carmina Burana: III. Cours d'amours: XXI. In trutina
producer:
Oliver Davis and Matthew Dilley
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:14
22Carmina Burana: III. Cours d'amours: XXII. Tempus est iocundum
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Boys of the Temple Church Choir, London (from 1995-10 until 1997-07) and Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:19
23Carmina Burana: III. Cours d'amours: XXIII. Dulcissime
producer:
Oliver Davis and Matthew Dilley
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:41
24Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff1:59
25Carmina Burana: Fortuna imperatrix mundi: XXV. O Fortuna
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:34
14▶CD: Sergey Prokofiev
15▶CD: Sergey Rachmaninov
16▶CD: Nicolay Rimsky-Korsakov
17▶CD: Joaquín Rodrigo
18▶CD: Gioacchino Rossini: Overtures
19▶CD: Dmitry Shostakovich
20▶CD: Jean Sibelius
21▶CD: Richard Strauss
22▶CD: The Strauss Family
23▶CD: Igor Stravinsky
24▶CD: Peter I. Tchaikovsky
25▶CD: Richard Wagner
26▶CD: Beethoven / Schubert
27▶CD: Bizet / Grieg
28▶CD: Gershwin / Ravel / Debussy
29▶CD: Mussorgsky / Ravel
30▶CD: Vivaldi / Pachelbel / Bach