The Best of 1980–1990

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Always on My Mind
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987, nel 1991)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 42)
registrazione cover di:
Always on My Mind
autore:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
registrazione di:
Always on My Mind
autore:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
Pet Shop Boys4.33:58
2Wake Me Up Before You Go-Go
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984, nel 2006) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
video musicali:
Wake Me Up Before You Go di Wham! (British pop-duo)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 28) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 269)
registrazione di:
Wake Me Up Before You Go‐Go
paroliere e compositore:
George Michael
editore:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:53
3We Don’t Need Another Hero
assistente tecnico:
Mike Ging
tecnico e tecnico di missaggio:
John Hudson (producer, recording and mixing engineer)
produttore:
Terry Britten
sassofono :
Tim Cappello
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1985), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
video musicali:
We Don’t Need Another Hero di Tina Turner
registrazione di:
We Don’t Need Another Hero
paroliere e compositore:
Terry Britten e Graham Lyle
editore:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company), Myaxe Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.554:18
4Don’t You Love Me Anymore
registrazione di:
Don’t You Love Me Anymore
autore:
Albert Hammond e Diane Warren (US songwriter)
Joe Cocker4:01
5Love Is a Battlefield
produttore:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Peter Coleman e Peter Coleman (British engineer & producer)
tecnico di missaggio:
Neil Giraldo (multi-instrumentalist, songwriter, producer) e Peter Coleman (British engineer & producer)
batteria :
Myron Grombacher
chitarra basso :
Roger Capps
chitarra elettrica :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce:
Pat Benatar
voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1983) e Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1984)
registrata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti (nel 1983)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
registrazione di:
Love Is a Battlefield
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
Pat Benatar4.14:10
6Still Loving You
produttore:
Dieter Dierks
batteria :
Herman Rarebell (drummer, Germany)
chitarra acustica :
Rudolf Schenker
chitarra basso :
Francis Buchholz
chitarra elettrica [lead guitar] e chitarra elettrica [rhythm guitar] :
Matthias Jabs e Rudolf Schenker
chitarra slide :
Matthias Jabs
voce di accompagnamento:
Francis Buchholz, Klaus Meine e Rudolf Schenker
voce principale:
Klaus Meine
arrangiatore:
Dieter Dierks
diritti fonografici (℗) detenuti da:
Breeze Music (nel 1984) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1984)
registrazione di:
Still Loving You
paroliere:
Klaus Meine
compositore:
Rudolf Schenker
editore:
Arabella Musikverlag GmbH
Scorpions2.54:55
7Kayleigh
tecnico di registrazione:
Thomas Stiehler (dal 1985-03 al 1985-05)
produttore:
Chris Kimsey
tecnico di missaggio:
Mark Freegard e Chris Kimsey
batteria e percussione :
Ian Mosley (dal 1985-03 al 1985-05)
chitarra :
Steve Rothery (dal 1985-03 al 1985-05)
chitarra basso :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (dal 1985-03 al 1985-05)
tastiera :
Mark Kelly (Marillion keyboardist) (dal 1985-03 al 1985-05)
voce principale:
Fish (Derek William Dick, ex‐Marillion frontman) (dal 1985-03 al 1985-05)
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1985)
remix di:
Kayleigh (alternative mix) di Marillion (British progressive rock band)
edit di:
Kayleigh di Marillion (British progressive rock band)
registrazione di:
Kayleigh (dal 1985-03 al 1985-05)
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
editore:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. e Marillion Music
Marillion4.353:37
8Running Up That Hill
assistente tecnico:
Pearse Dunne
tecnico:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench e Nigel Walker (UK producer/engineer/guitarist)
produttore:
Kate Bush
tecnico di missaggio:
Brian Tench
balalaika :
Paddy Bush
basso :
Del Palmer
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra :
Alan Murphy (UK session guitarist)
voce:
Kate Bush
diritti fonografici (℗) detenuti da:
EMI America Records (holding – file NO releases here!) (nel 1985), EMI Korea (nel 1985), EMI Records (not for release label use!) (nel 1985), EMI Records Group N.A. (nel 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985), Noble & Brite Ltd. (nel 1985), Novercia Ltd. (nel 1985), Oasis (nel 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (nel 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (nel 2006), Noble and Brite (nel 2011) e Noble & Brite Ltd (nel 2018)
registrata presso:
Wickham Farm Home Studio in Welling, Bexley, London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
video musicali:
Running Up That Hill (music video) di Kate Bush
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 7), Billboard Year-End Hot 100 singles of 2022 (numero: 23), Billboard Hot 100: 2026-01-17 (numero: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 60), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 279)
registrazione di:
Running Up That Hill
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.954:59
9Girl You Know It’s True
produttore:
Frank Farian
diritti fonografici (℗) detenuti da:
Hansa (nel 1988)
è stato produttore per:
Far Music Production
registrazione cover di:
Girl You Know It's True
autore:
Ky Adeyemo, Bill Pettaway, Jr. (R&B songwriter, musician, producer), Rodney Holloman (Numarx), Kevin Lyles (executive / songwriter) e Sean Spencer (American DJ and record producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e MCA Music Ltd.
Milli Vanilli24:15
10The Look
programmazione:
Anders Herrlin (nel 1988-08) e Clarence Öfwerman (nel 1988-08)
tecnico:
Anders Herrlin e Alar Suurna
produttore:
Clarence Öfwerman
tecnico di missaggio:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman e Alar Suurna
batteria e charleston :
Pelle Alsing (nel 1988-08)
chitarra basso :
Anders Herrlin (nel 1988-08)
chitarra classica :
Erik Borelius (nel 1988-08)
chitarra elettrica :
Jonas Isacsson (nel 1988-08)
chitarra slide :
Janne Oldaeus (nel 1988-08)
sassofono :
Erik Häusler (nel 1988-08)
tastiera :
Clarence Öfwerman (nel 1988-08)
voce di accompagnamento:
Marie Fredriksson (nel 1988-08), Per Gessle (Swedish singer and guitarist) (nel 1988-08) e Clarence Öfwerman (nel 1988-08)
voce principale:
Marie Fredriksson (nel 1988-08) e Per Gessle (Swedish singer and guitarist) (nel 1988-08)
diritti fonografici (℗) detenuti da:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) e EMI Svenska AB (not for release label use!)
registrata presso:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1988-08)
mixata presso:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia
registrazione di:
The Look (nel 1988-08)
paroliere e compositore:
Per Gessle (Swedish singer and guitarist)
editore:
Jimmy Fun Music
Roxette3.63:58
11The Way to Your Heart
registrazione di:
The Way to Your Heart
autore:
Jan Leyers (Belgian singer & songwriter) e Paul Michiels (Belgian singer & songwriter, cfr Soulsister)
editore:
EMI Music Publishing Belgium e Siren Music (Belgian publisher)
Soulsister3:49
12Right Here Waiting
tecnico e tecnico di missaggio:
David Cole (American recording engineer and producer)
produttore:
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) e Richard Marx
chitarra :
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
tastiera :
Jeffery (C. J.) Vanston
voce principale:
Richard Marx
arrangiatore:
Jeffery CJ Vanston e Richard Marx
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1989)
video musicali:
Right Here Waiting di Richard Marx
registrazione di:
Right Here Waiting
paroliere:
Richard Marx
compositore:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) e Richard Marx
editore:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. e EMI Songs Ltd.
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.84:24
13The Tide Is High
assistente tecnico:
Gary Boatner (engineer) e Doug Schwartz (mastering engineer)
tecnico:
Lenise Bent
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (nel 1980)
chitarra :
Frank Infante (nel 1980) e Chris Stein (nel 1980)
chitarra basso :
Nigel Harrison (nel 1980)
percussione ospite :
Alex Acuña (nel 1980), Ollie E. Brown (US drummer, session musician & record producer) (nel 1980) e Emil Richards (nel 1980)
tastiera :
Jimmy Destri (nel 1980)
timpani :
Chris Stein (nel 1980)
voce di accompagnamento [girl-group backup vocals]:
The ‘B’ Girls e Deborah Harry
voce principale:
Deborah Harry (nel 1980)
arrangiatore strumenti:
Jimmie Haskell
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2001), Capitol Records (imprint of Capitol Records, Inc.) (nel 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2001) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2001)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (nel 1980)
registrazione cover di:
The Tide Is High (nel 1980)
autore:
John Holt (nel 1967)
autore aggiunto:
Howard Barrett (nel 1967) e Tyrone Evans (nel 1967)
editore:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group e Sparta Florida Music Group Ltd.
Blondie4.154:40
14Vienna
registrazione dal vivo di:
Vienna
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox4:59
15Kids in America
tecnico di registrazione:
Jeo (dal 1980 al 1981)
programmazione:
Jörn‐Uwe Fahrenkrog‐Petersen (dal 1980 al 1981) e Derek von Krogh (dal 1980 al 1981)
tecnico:
Steve Stewart (engineer, guitarist of The Enid)
produttore:
Ricky Wilde
batteria :
Bernhard Hahn (dal 1980 al 1981), Chris North (UK drummer of The Enid) (dal 1980 al 1981) e Tobias Wörner (dal 1980 al 1981)
chitarra :
Thomas Hahn (dal 1980 al 1981), Charlotte Hatherley (dal 1980 al 1981), Francis Lickerish (dal 1980 al 1981), Steve Stewart (engineer, guitarist of The Enid) (dal 1980 al 1981), James Stevenson (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
chitarra basso :
Martin Russell (recording engineer, producer, composer & musician) (dal 1980 al 1981) e Derek von Krogh (dal 1980 al 1981)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (dal 1980 al 1981), Robert John Godfrey (member of The Enid) (dal 1980 al 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (dal 1980 al 1981), Derek von Krogh (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
tastiera aggiunto:
Nick Priessnitz (dal 1980 al 1981)
voce:
Kim Wilde (dal 1980 al 1981)
voce di accompagnamento:
D. Janz (dal 1980 al 1981), M. Janz (dal 1980 al 1981), N. Janz (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
voce principale:
Charlotte Hatherley (dal 1980 al 1981) e Kim Wilde (dal 1980 al 1981)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1996, nel 2001), EMI France (nel 1993) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrata presso:
Amira Studio (dal 1980 al 1981), RAK Studios in London (Greater London), England, Regno Unito (dal 1980 al 1981), Soundmastaz Studios (dal 1980 al 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germania (dal 1980 al 1981) e The Lodge Recording Studio in Northampton, Northamptonshire, England, Regno Unito (dal 1980 al 1981)
mixata presso:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germania, RAK Studios in London (Greater London), England, Regno Unito e Studio 77 in Stuttgart, Baden-Württemberg, Germania
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 55)
registrazione di:
Kids in America (dal 1980 al 1981)
autore:
Marty Wilde e Ricky Wilde
editore:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Rickim Music Ltd.
Kim Wilde4.13:27
16The Final Countdown
produttore:
Kevin Elson
diritti fonografici (℗) detenuti da:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (nel 1986), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
The Final Countdown
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe4.053:59
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Gruppo di pubblicazioni

parte di:The Best of 1980–1990 (numero: 1) (ordine: 1)
Discogs:https://www.discogs.com/master/108726 [info]