Four Classic Albums

~ Veröffentlichung von June Christy (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD: Something Cool / Misty Miss Christy
Nr.TitelBewertungLänge
1Something Cool
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1953-08-14)
baritone saxophone:
Chuck Gentry (am 1953-08-14)
Bassposaune:
George Roberts (american bass trombone) (am 1953-08-14)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-08-14)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1953-08-14)
Posaune:
Milt Bernhart (am 1953-08-14), Herbie Harper (am 1953-08-14) und Tommy Pederson (am 1953-08-14)
Trompete:
Maynard Ferguson (am 1953-08-14), Conrad Gozzo (am 1953-08-14) und Shorty Rogers (trumpet) (am 1953-08-14)
vocals:
June Christy (am 1953-08-14)
conductor:
Pete Rugolo (am 1953-08-14)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-14)
recording of:
Something Cool (am 1953-08-14)
Texter und Komponist(in):
Billy Barnes (composer and lyricist)
44:21
2It Could Happen to You
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18, am 1960-04-27)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18, am 1960-04-27)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-27)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1960-04-27)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18, am 1960-04-27), Harry Klee (am 1954-01-18) und Paul Horn (am 1960-04-27)
Klavier:
Russ Freeman (pianist) (am 1954-01-18) und Joe Castro (am 1960-04-27)
Posaune:
Milt Bernhart (am 1954-01-18, am 1960-04-27), Harry Betts (am 1954-01-18), Tommy Pederson (am 1954-01-18) und Frank Rosolino (am 1960-04-27)
Rohrblattinstrumente:
Buddy Collette (am 1960-04-27) und Chuck Gentry (am 1960-04-27)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-18) und Larry Bunker (am 1960-04-27)
Trompete:
Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18, am 1960-04-27), Shorty Rogers (trumpet) (am 1954-01-18), Frank Beach (trombone, trumpet) (am 1960-04-27) und Conte Candoli (am 1960-04-27)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18) und Phil Stephens (bass and tuba player) (am 1960-04-27)
Waldhorn:
John Graas (am 1954-01-18) und Vincent DeRosa (am 1960-04-27)
vocals:
June Christy (am 1954-01-18, am 1960-04-27)
conductor:
Pete Rugolo (am 1954-01-18, am 1960-04-27)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18) und Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-27)
recording of:
It Could Happen to You (am 1954-01-18)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
41:58
3Lonely House
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18) und Harry Klee (am 1954-01-18)
Klavier:
Russ Freeman (pianist) (am 1954-01-18)
Posaune:
Milt Bernhart (am 1954-01-18), Harry Betts (am 1954-01-18) und Tommy Pederson (am 1954-01-18)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-18)
Trompete:
Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18) und Shorty Rogers (trumpet) (am 1954-01-18)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18)
Waldhorn:
John Graas (am 1954-01-18)
vocals:
June Christy (am 1954-01-18)
conductor:
Pete Rugolo (am 1954-01-18)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18)
recording of:
Lonely House (from “Street Scene”) (am 1954-01-18)
Texter:
Langston Hughes
Komponist(in):
Kurt Weill (composer)
basiert auf:
Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan)
44:00
4This Time the Dream's on Me
Produzent(in):
Lee Gillette
Altflöte:
Harry Klee (am 1955-05-10) und Bud Shank (am 1955-05-10)
alto saxophone:
Bud Shank (am 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (am 1955-05-10)
Bass:
Harry Babasin (am 1955-05-10)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1955-05-10)
Holzblasinstrumente:
Harry Klee (am 1955-05-10)
Klavier:
Claude Williamson (am 1955-05-10)
Posaune:
Milt Bernhart (am 1955-05-10), Harry Betts (am 1955-05-10) und Frank Rosolino (am 1955-05-10)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1955-05-10)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1955-05-10)
Trompete:
Maynard Ferguson (am 1955-05-10), Conrad Gozzo (am 1955-05-10) und Shorty Rogers (trumpet) (am 1955-05-10)
Tuba:
Paul Sarmento (jazz tubist) (am 1955-05-10)
Waldhorn:
Vincent DeRosa (am 1955-05-10)
vocals:
June Christy (am 1955-05-10)
conductor:
Pete Rugolo (am 1955-05-10)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-05-10)
41:33
5The Night We Called It a Day
Produzent(in):
Lee Gillette
Altflöte:
Harry Klee (am 1955-05-10) und Bud Shank (am 1955-05-10)
alto saxophone:
Bud Shank (am 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (am 1955-05-10)
Bass:
Harry Babasin (am 1955-05-10)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1955-05-10)
Holzblasinstrumente:
Harry Klee (am 1955-05-10)
Klavier:
Claude Williamson (am 1955-05-10)
Posaune:
Milt Bernhart (am 1955-05-10), Harry Betts (am 1955-05-10) und Frank Rosolino (am 1955-05-10)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1955-05-10)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1955-05-10)
Trompete:
Maynard Ferguson (am 1955-05-10), Conrad Gozzo (am 1955-05-10) und Shorty Rogers (trumpet) (am 1955-05-10)
Tuba:
Paul Sarmento (jazz tubist) (am 1955-05-10)
Waldhorn:
Vincent DeRosa (am 1955-05-10)
vocals:
June Christy (am 1955-05-10)
conductor:
Pete Rugolo (am 1955-05-10)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-05-10)
34:51
6Midnight Sun
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1953-12-27)
baritone saxophone:
Chuck Gentry (am 1953-12-27)
Bass:
Joe Mondragon (am 1953-12-27)
Posaune:
Tommy Pederson (am 1953-12-27)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-12-27)
Trompete:
Frank Beach (trombone, trumpet) (am 1953-12-27) und Conrad Gozzo (am 1953-12-27)
vocals:
June Christy (am 1953-12-27)
conductor:
Pete Rugolo (am 1953-12-27)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-27)
recording of:
Midnight Sun (am 1953-12-27)
Texter:
Johnny Mercer (in 1954)
Komponist(in):
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) und Lionel Hampton (in 1947)
33:17
7I'll Take Romance
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-19)
baritone saxophone:
Chuck Gentry (am 1954-01-19)
Bass:
Joe Mondragon (am 1954-01-19)
Bassposaune:
George Roberts (american bass trombone) (am 1954-01-19)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-01-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-19)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-19), Paul Horn (am 1954-01-19) und Harry Klee (am 1954-01-19)
Klavier:
Joe Castro (am 1954-01-19) und Russ Freeman (pianist) (am 1954-01-19)
Posaune:
Milt Bernhart (am 1954-01-19), Harry Betts (am 1954-01-19), Frank Rosolino (am 1954-01-19) und Tommy Pederson (am 1954-01-19)
Rohrblattinstrumente:
Buddy Collette (am 1954-01-19) und Chuck Gentry (am 1954-01-19)
Schlagzeug:
Larry Bunker (am 1954-01-19) und Shelly Manne (US jazz drummer) (am 1954-01-19)
Trompete:
Frank Beach (trombone, trumpet) (am 1954-01-19), Conte Candoli (am 1954-01-19), Maynard Ferguson (am 1954-01-19), Conrad Gozzo (am 1954-01-19) und Shorty Rogers (trumpet) (am 1954-01-19)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-19) und Phil Stephens (bass and tuba player) (am 1954-01-19)
Waldhorn:
Vincent DeRosa (am 1954-01-19) und John Graas (am 1954-01-19)
vocals:
June Christy (am 1954-01-19)
conductor:
Pete Rugolo (am 1954-01-19)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-19) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-19)
recording of:
I’ll Take Romance (am 1954-01-19)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Ben Oakland
22:23
8A Stranger Called the Blues
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-19)
baritone saxophone:
Chuck Gentry (am 1954-01-19)
Bass:
Joe Mondragon (am 1954-01-19)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-19)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-19)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-19) und Harry Klee (am 1954-01-19)
Klavier:
Russ Freeman (pianist) (am 1954-01-19)
Posaune:
Milt Bernhart (am 1954-01-19), Harry Betts (am 1954-01-19) und Tommy Pederson (am 1954-01-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-19)
Trompete:
Maynard Ferguson (am 1954-01-19), Conrad Gozzo (am 1954-01-19) und Shorty Rogers (trumpet) (am 1954-01-19)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-19)
Waldhorn:
John Graas (am 1954-01-19)
vocals:
June Christy (am 1954-01-19)
conductor:
Pete Rugolo (am 1954-01-19)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-19)
recording of:
A Stranger Called the Blues (am 1954-01-19)
Verfasser(in):
Mel Tormé (“The Velvet Fog”) und Robert Wells (songwriter)
44:00
9I Should Care
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18)
Bassposaune:
George Roberts (american bass trombone) (am 1954-01-18)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-01-18) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18), Paul Horn (am 1954-01-18) und Harry Klee (am 1954-01-18)
Klavier:
Joe Castro (am 1954-01-18) und Russ Freeman (pianist) (am 1954-01-18)
Posaune:
Milt Bernhart (am 1954-01-18), Harry Betts (am 1954-01-18), Frank Rosolino (am 1954-01-18) und Tommy Pederson (am 1954-01-18)
Rohrblattinstrumente:
Chuck Gentry (am 1954-01-18)
Schlagzeug:
Larry Bunker (am 1954-01-18) und Shelly Manne (US jazz drummer) (am 1954-01-18)
Trompete:
Frank Beach (trombone, trumpet) (am 1954-01-18), Conte Candoli (am 1954-01-18), Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18) und Shorty Rogers (trumpet) (am 1954-01-18)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18) und Phil Stephens (bass and tuba player) (am 1954-01-18)
Waldhorn:
Vincent DeRosa (am 1954-01-18) und John Graas (am 1954-01-18)
vocals:
June Christy (am 1954-01-18)
conductor:
Pete Rugolo (am 1954-01-18)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18)
recording of:
I Should Care (am 1954-01-18)
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
42:12
10Softly as in a Morning Sunrise
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-12-29)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (am 1954-12-29)
Bass:
Joe Mondragon (am 1954-12-29)
Bassposaune:
George Roberts (american bass trombone) (am 1954-12-29)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-12-29) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-12-29)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-12-29), Paul Horn (am 1954-12-29) und Harry Klee (am 1954-12-29)
Klavier:
Joe Castro (am 1954-12-29)
Posaune:
Milt Bernhart (am 1954-12-29), Herbie Harper (am 1954-12-29) und Frank Rosolino (am 1954-12-29)
Rohrblattinstrumente:
Chuck Gentry (am 1954-12-29)
Schlagzeug:
Larry Bunker (am 1954-12-29) und Shelly Manne (US jazz drummer) (am 1954-12-29)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1954-12-29)
Trompete:
Frank Beach (trombone, trumpet) (am 1954-12-29), Conte Candoli (am 1954-12-29), Conrad Gozzo (am 1954-12-29), Ollie Mitchell (am 1954-12-29) und Shorty Rogers (trumpet) (am 1954-12-29)
vocals:
June Christy (am 1954-12-29)
conductor:
Pete Rugolo (am 1954-12-29)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-12-29) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-12-29)
recording of:
Softly, as in a Morning Sunrise (The New Moon)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Teil von:
The New Moon: Act I
42:13
11I'm Thrilled
Produzent(in):
Lee Gillette
Altflöte:
Harry Klee (am 1955-05-10) und Bud Shank (am 1955-05-10)
alto saxophone:
Bud Shank (am 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (am 1955-05-10)
Bass:
Harry Babasin (am 1955-05-10)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1955-05-10)
Holzblasinstrumente:
Harry Klee (am 1955-05-10)
Klavier:
Claude Williamson (am 1955-05-10)
Posaune:
Milt Bernhart (am 1955-05-10), Harry Betts (am 1955-05-10) und Frank Rosolino (am 1955-05-10)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1955-05-10)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1955-05-10)
Trompete:
Maynard Ferguson (am 1955-05-10), Conrad Gozzo (am 1955-05-10) und Shorty Rogers (trumpet) (am 1955-05-10)
Tuba:
Paul Sarmento (jazz tubist) (am 1955-05-10)
Waldhorn:
Vincent DeRosa (am 1955-05-10)
vocals:
June Christy (am 1955-05-10)
conductor:
Pete Rugolo (am 1955-05-10)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-05-10)
recording of:
I’m Thrilled (am 1955-05-10)
Verfasser(in):
Sylvia Dee (American lyricist) und Sidney Lippman (American songwriter)
42:43
12That's All
cover recording of:
That’s All
Texter:
Alan Brandt
Komponist(in):
Alan Brandt und Bob Haymes
publisher:
Mixed Bag Music Inc. und Travis Music
3:21
13I Didn't Know About You
recording of:
I Didn’t Know About You
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1944)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944)
basiert auf:
Sentimental Lady
2:52
14Day-Dream
recording of:
Day Dream
Texter:
John Latouche (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) und Billy Strayhorn (in 1941)
2:59
15Sing Something Simple
2:15
16Maybe You'll Be There
recording of:
Maybe You’ll Be There
Texter:
Sammy Gallop
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
2:51
17Dearly Beloved
recording of:
Dearly Beloved (from “You Were Never Lovelier”)
Texter:
Johnny Mercer
Komponist(in):
Jerome Kern
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
1:36
18'round Midnight
recording of:
’Round Midnight
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
3:57
19A Lovely Way to Spend the Evening
recording of:
A Lovely Way to Spend an Evening
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Chappell Music (UK), Memory Lane Music Ltd. und Victoria Music Publishing Co. Ltd.
2:23
20The Wind
3:47
21This Year's Kisses
recording of:
This Year’s Kisses
Texter und Komponist(in):
Irving Berlin
2:03
22For All We Know
recording of:
For All We Know (1934 song)
Texter:
Sam M. Lewis (1930s lyricist) (in 1934)
Komponist(in):
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (beendet), Cromwell Music, Inc. (beendet), EMI Feist Catalog Inc. (beendet), Leo Feist, Inc. (beendet), Redwood Music Ltd. (Carlin) (beendet), Tro-Cromwell Music, Inc. (beendet), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company und Toy Town Tunes, Inc.
2:50
23There's No You
recording of:
There’s No You
Texter:
Thomas Montgomery Adair
Verfasser(in):
G. Durgom
Komponist(in):
Hal Hopper
publisher:
Barton Music Corp.
2:10
2▶CD: Gone for the Day / Ballads for Night People

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Veröffentlichung

ASIN:UK: B07DGPCJ7X [Info]