The Real Thing

~ Release by Carol Sloane (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1I Can't Believe That You're in Love With Me
assistant recording engineer:
Lance Neal (from 1990-05-24 until 1990-05-25)
recording engineer:
Scott Noll (from 1990-05-24 until 1990-05-25)
producer:
Helen Keane
bass [acoustic bass]:
Rufus Reid (jazz bassist / composer) (from 1990-05-24 until 1990-05-25)
drums (drum set):
Grady Tate (from 1990-05-24 until 1990-05-25)
keyboard [keyboards]:
Mike Renzi (from 1990-05-24 until 1990-05-25)
vocals:
Carol Sloane (US jazz vocalist) (from 1990-05-24 until 1990-05-25)
remixer:
Danny Kopelson
arranger:
Mike Renzi
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Home Base Recording in New York, New York, United States (from 1990-05-24 until 1990-05-25)
recording of:
I Can’t Believe That You’re in Love With Me (in 1990-05)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
4:05
2The Real Thing
assistant recording engineer:
Lance Neal (from 1990-05-24 until 1990-05-25)
recording engineer:
Scott Noll (from 1990-05-24 until 1990-05-25)
producer:
Helen Keane
bass [acoustic bass]:
Rufus Reid (jazz bassist / composer) (from 1990-05-24 until 1990-05-25)
drums (drum set):
Grady Tate (from 1990-05-24 until 1990-05-25)
keyboard [keyboards]:
Mike Renzi (from 1990-05-24 until 1990-05-25)
vocals:
Carol Sloane (US jazz vocalist) (from 1990-05-24 until 1990-05-25)
remixer:
Danny Kopelson
arranger:
Mike Renzi
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Home Base Recording in New York, New York, United States (from 1990-05-24 until 1990-05-25)
recording of:
Real Thing (in 1990-05)
writer:
Gerry Mulligan and Mel Tormé (“The Velvet Fog”)
4:59
3Just A-Sittin' and A-Rockin'
assistant recording engineer:
Lance Neal (from 1990-05-24 until 1990-05-25)
recording engineer:
Scott Noll (from 1990-05-24 until 1990-05-25)
producer:
Helen Keane
bass [acoustic bass]:
Rufus Reid (jazz bassist / composer) (from 1990-05-24 until 1990-05-25)
drums (drum set):
Grady Tate (from 1990-05-24 until 1990-05-25)
keyboard [keyboards]:
Mike Renzi (from 1990-05-24 until 1990-05-25)
vocals:
Carol Sloane (US jazz vocalist) (from 1990-05-24 until 1990-05-25)
remixer:
Danny Kopelson
arranger:
Mike Renzi
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Home Base Recording in New York, New York, United States (from 1990-05-24 until 1990-05-25)
recording of:
Just A‐Sittin’ and A‐Rockin’ (in 1990-05)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
3:26
4Early Autumn
assistant recording engineer:
Lance Neal (from 1990-05-24 until 1990-05-25)
recording engineer:
Scott Noll (from 1990-05-24 until 1990-05-25)
producer:
Helen Keane
bass [acoustic bass]:
Rufus Reid (jazz bassist / composer) (from 1990-05-24 until 1990-05-25)
drums (drum set):
Grady Tate (from 1990-05-24 until 1990-05-25)
keyboard [keyboards]:
Mike Renzi (from 1990-05-24 until 1990-05-25)
vocals:
Carol Sloane (US jazz vocalist) (from 1990-05-24 until 1990-05-25)
remixer:
Danny Kopelson
arranger:
Mike Renzi
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Home Base Recording in New York, New York, United States (from 1990-05-24 until 1990-05-25)
recording of:
Early Autumn (in 1990-05)
lyricist:
Johnny Mercer (in 1949)
composer:
Ralph Burns (in 1949) and Woody Herman (in 1949)
5:42
5I Wish I Knew
assistant recording engineer:
Lance Neal (from 1990-05-24 until 1990-05-25)
recording engineer:
Scott Noll (from 1990-05-24 until 1990-05-25)
producer:
Helen Keane
bass [acoustic bass]:
Rufus Reid (jazz bassist / composer) (from 1990-05-24 until 1990-05-25)
drums (drum set):
Grady Tate (from 1990-05-24 until 1990-05-25)
keyboard [keyboards]:
Mike Renzi (from 1990-05-24 until 1990-05-25)
vocals:
Carol Sloane (US jazz vocalist) (from 1990-05-24 until 1990-05-25)
remixer:
Danny Kopelson
arranger:
Mike Renzi
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Home Base Recording in New York, New York, United States (from 1990-05-24 until 1990-05-25)
recording of:
I Wish I Knew (in 1990-05)
lyricist:
Mack Gordon
composer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
3:42
6Makin' Whoopee
assistant recording engineer:
Lance Neal (from 1990-05-24 until 1990-05-25)
recording engineer:
Scott Noll (from 1990-05-24 until 1990-05-25)
producer:
Helen Keane
bass [acoustic bass]:
Rufus Reid (jazz bassist / composer) (from 1990-05-24 until 1990-05-25)
drums (drum set):
Grady Tate (from 1990-05-24 until 1990-05-25)
keyboard [keyboards]:
Mike Renzi (from 1990-05-24 until 1990-05-25)
vocals:
Carol Sloane (US jazz vocalist) (from 1990-05-24 until 1990-05-25) and Grady Tate (from 1990-05-24 until 1990-05-25)
remixer:
Danny Kopelson
arranger:
Mike Renzi
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Home Base Recording in New York, New York, United States (from 1990-05-24 until 1990-05-25)
recording of:
Makin’ Whoopee! (in 1990-05)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
4:28
7Something to Live For
assistant recording engineer:
Lance Neal (from 1990-05-24 until 1990-05-25)
recording engineer:
Scott Noll (from 1990-05-24 until 1990-05-25)
producer:
Helen Keane
bass [acoustic bass]:
Rufus Reid (jazz bassist / composer) (from 1990-05-24 until 1990-05-25)
drums (drum set):
Grady Tate (from 1990-05-24 until 1990-05-25)
keyboard [keyboards]:
Mike Renzi (from 1990-05-24 until 1990-05-25)
vocals:
Carol Sloane (US jazz vocalist) (from 1990-05-24 until 1990-05-25)
remixer:
Danny Kopelson
arranger:
Mike Renzi
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Home Base Recording in New York, New York, United States (from 1990-05-24 until 1990-05-25)
recording of:
Something to Live For (1938 Billy Strayhorn jazz composition) (in 1990-05)
lyricist and composer:
Billy Strayhorn
6:46
8I Hear Music
assistant recording engineer:
Lance Neal (from 1990-05-24 until 1990-05-25)
recording engineer:
Scott Noll (from 1990-05-24 until 1990-05-25)
producer:
Helen Keane
bass [acoustic bass]:
Rufus Reid (jazz bassist / composer) (from 1990-05-24 until 1990-05-25)
drums (drum set):
Grady Tate (from 1990-05-24 until 1990-05-25)
keyboard [keyboards]:
Mike Renzi (from 1990-05-24 until 1990-05-25)
vocals:
Carol Sloane (US jazz vocalist) (from 1990-05-24 until 1990-05-25)
remixer:
Danny Kopelson
arranger:
Mike Renzi
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Home Base Recording in New York, New York, United States (from 1990-05-24 until 1990-05-25)
recording of:
I Hear Music (Dancing on a Dime) (in 1990-05)
lyricist:
Frank Loesser
composer:
Burton Lane
publisher:
Sony/ATV Harmony
sub-publisher:
Sony Music Publishing France
2:51
9Too Late Now
assistant recording engineer:
Lance Neal (from 1990-05-24 until 1990-05-25)
recording engineer:
Scott Noll (from 1990-05-24 until 1990-05-25)
producer:
Helen Keane
bass [acoustic bass]:
Rufus Reid (jazz bassist / composer) (from 1990-05-24 until 1990-05-25)
drums (drum set):
Grady Tate (from 1990-05-24 until 1990-05-25)
keyboard [keyboards]:
Mike Renzi (from 1990-05-24 until 1990-05-25)
vocals:
Carol Sloane (US jazz vocalist) (from 1990-05-24 until 1990-05-25)
remixer:
Danny Kopelson
arranger:
Mike Renzi
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Home Base Recording in New York, New York, United States (from 1990-05-24 until 1990-05-25)
recording of:
Too Late Now (Royal Wedding / On a Clear Day) (in 1990-05)
lyricist:
Alan Jay Lerner
composer:
Burton Lane
publisher:
Chappell & Co.
part of:
The 24th Academy Award for Best Original Song (number: 2)
3:59
10My Blue Heaven
assistant recording engineer:
Lance Neal (from 1990-05-24 until 1990-05-25)
recording engineer:
Scott Noll (from 1990-05-24 until 1990-05-25)
producer:
Helen Keane
bass [acoustic bass]:
Rufus Reid (jazz bassist / composer) (from 1990-05-24 until 1990-05-25)
drums (drum set):
Grady Tate (from 1990-05-24 until 1990-05-25)
keyboard [keyboards]:
Mike Renzi (from 1990-05-24 until 1990-05-25)
vocals:
Carol Sloane (US jazz vocalist) (from 1990-05-24 until 1990-05-25)
remixer:
Danny Kopelson
arranger:
Mike Renzi
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Home Base Recording in New York, New York, United States (from 1990-05-24 until 1990-05-25)
recording of:
My Blue Heaven (in 1990-05)
lyricist:
George A. Whiting (popular songwriter) (in 1924)
composer:
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
composed at:
New York Friars Club in New York, New York, United States (in 1924)
3:48
11You're Nearer
assistant recording engineer:
Lance Neal (from 1990-05-24 until 1990-05-25)
recording engineer:
Scott Noll (from 1990-05-24 until 1990-05-25)
producer:
Helen Keane
bass [acoustic bass]:
Rufus Reid (jazz bassist / composer) (from 1990-05-24 until 1990-05-25)
drums (drum set):
Grady Tate (from 1990-05-24 until 1990-05-25)
keyboard [keyboards]:
Mike Renzi (from 1990-05-24 until 1990-05-25)
vocals:
Carol Sloane (US jazz vocalist) (from 1990-05-24 until 1990-05-25)
remixer:
Danny Kopelson
arranger:
Mike Renzi
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Home Base Recording in New York, New York, United States (from 1990-05-24 until 1990-05-25)
recording of:
You’re Nearer (in 1990-05)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
3:26
12I'll Take Romance
assistant recording engineer:
Lance Neal (from 1990-05-24 until 1990-05-25)
recording engineer:
Scott Noll (from 1990-05-24 until 1990-05-25)
producer:
Helen Keane
bass [acoustic bass]:
Rufus Reid (jazz bassist / composer) (from 1990-05-24 until 1990-05-25)
drums (drum set):
Grady Tate (from 1990-05-24 until 1990-05-25)
keyboard [keyboards]:
Mike Renzi (from 1990-05-24 until 1990-05-25)
vocals:
Carol Sloane (US jazz vocalist) (from 1990-05-24 until 1990-05-25)
remixer:
Danny Kopelson
arranger:
Mike Renzi
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Home Base Recording in New York, New York, United States (from 1990-05-24 until 1990-05-25)
recording of:
I’ll Take Romance (in 1990-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Ben Oakland
3:22
13Maybe You'll Be There
assistant recording engineer:
Lance Neal (from 1990-05-24 until 1990-05-25)
recording engineer:
Scott Noll (from 1990-05-24 until 1990-05-25)
producer:
Helen Keane
bass [acoustic bass]:
Rufus Reid (jazz bassist / composer) (from 1990-05-24 until 1990-05-25)
drums (drum set):
Grady Tate (from 1990-05-24 until 1990-05-25)
keyboard [keyboards]:
Mike Renzi (from 1990-05-24 until 1990-05-25)
vocals:
Carol Sloane (US jazz vocalist) (from 1990-05-24 until 1990-05-25)
remixer:
Danny Kopelson
arranger:
Mike Renzi
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Home Base Recording in New York, New York, United States (from 1990-05-24 until 1990-05-25)
recording of:
Maybe You’ll Be There (in 1990-05)
lyricist:
Sammy Gallop
composer:
Rube Bloom (American songwriter, pianist and vocalist)
4:17

Credits

Release group

Wikidata:Q138149693 [info]