Midnight at the Mabel Mercer's / Once in a Blue Moon

~ Release by Mabel Mercer (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Just Once Around the Clock
recorded in:
New York, New York, United States (from 1956-06-17 until 1956-06-18)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (from 1956-06-17 until 1956-06-18)
vocals:
Mabel Mercer (from 1956-06-17 until 1956-06-18)
arranger:
George Cory
recording of:
Just Once Around the Clock
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Sigmund Romberg
2:51
2Poor Pierrot
recorded in:
New York, New York, United States (on 1956-06-17)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
double bass:
Milt Hinton (on 1956-06-17)
vocals:
Mabel Mercer (on 1956-06-17)
arranger:
George Cory
recording of:
Poor Pierrot (on 1956-06-17)
lyricist:
Otto Harbach
composer:
Jerome Kern
2:24
3Young and Foolish
recorded in:
New York, New York, United States (on 1956-06-17)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (on 1956-06-17)
vocals:
Mabel Mercer (on 1956-06-17)
arranger:
George Cory
recording of:
Young and Foolish
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music (UK)
3:27
4It's a Lie, It's a Fake!
recorded in:
New York, New York, United States (on 1956-06-17)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (on 1956-06-17)
vocals:
Mabel Mercer (on 1956-06-17)
arranger:
George Cory
recording of:
It's a Lie, It's a Fake!
lyricist:
William Engvick
composer:
Alex Fogarty
1:49
5Walk Up
recorded in:
New York, New York, United States (from 1956-06-17 until 1956-06-18)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (from 1956-06-17 until 1956-06-18)
vocals:
Mabel Mercer (from 1956-06-17 until 1956-06-18)
arranger:
George Cory
recording of:
Walk-Up
composer:
Bart Howard
2:27
6Is It Always Like This?
recorded in:
New York, New York, United States (on 1956-06-17)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (on 1956-06-17)
vocals:
Mabel Mercer (on 1956-06-17)
arranger:
George Cory
recording of:
Is It Always Like This
lyricist and composer:
Alec Wilder (American composer)
2:19
7Blame It on My Youth
recorded in:
New York, New York, United States (on 1956-06-17)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (on 1956-06-17)
vocals:
Mabel Mercer (on 1956-06-17)
arranger:
George Cory
recording of:
Blame It on My Youth
lyricist:
Edward Heyman
composer:
Oscar Levant
publisher:
Oscar Levant Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:20
8Wait 'til You See Her
recorded in:
New York, New York, United States (on 1956-06-17)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (on 1956-06-17)
vocals:
Mabel Mercer (on 1956-06-17)
arranger:
George Cory
recording of:
Wait Till You See Her
lyricist:
Lorenz Hart (in 1942)
writer:
Lorenz Hart and Richard Rodgers (composer)
composer:
Richard Rodgers (composer) (in 1942)
2:33
9He Was Too Good to Me
recorded in:
New York, New York, United States (from 1956-06-17 until 1956-06-18)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (from 1956-06-17 until 1956-06-18)
vocals:
Mabel Mercer (from 1956-06-17 until 1956-06-18)
arranger:
George Cory
recording of:
He Was Too Good to Me
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer)
publisher:
Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Williamson Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Simple Simon
3:38
10Wouldn't It Be Loverly
recorded in:
New York, New York, United States (from 1956-06-17 until 1956-06-18)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (from 1956-06-17 until 1956-06-18)
vocals:
Mabel Mercer (from 1956-06-17 until 1956-06-18)
arranger:
George Cory
recording of:
Wouldn’t It Be Loverly (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
1:55
11Lazy Afternoon
recorded in:
New York, New York, United States (from 1956-06-17 until 1956-06-18)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (from 1956-06-17 until 1956-06-18)
vocals:
Mabel Mercer (from 1956-06-17 until 1956-06-18)
arranger:
George Cory
recording of:
Lazy Afternoon (The Golden Apple, 1954)
orchestrator and composer:
Jerome Moross (American composer and conductor)
lyricist:
John Latouche
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC (ASCAP) and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
3:18
12Mandy, Make Up Your Mind
recorded in:
New York, New York, United States (from 1956-06-17 until 1956-06-18)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (from 1956-06-17 until 1956-06-18)
vocals:
Mabel Mercer (from 1956-06-17 until 1956-06-18)
arranger:
George Cory
recording of:
Mandy, Make Up Your Mind
lyricist:
Grant Clarke and Roy Turk
composer:
Arthur Johnston (American composer and songwriter) and George W. Meyer (Tin Pan Alley songwriter)
2:32
13Lonely Little Boy
recorded in:
New York, New York, United States (from 1956-06-17 until 1956-06-18)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (from 1956-06-17 until 1956-06-18)
vocals:
Mabel Mercer (from 1956-06-17 until 1956-06-18)
arranger:
George Cory
recording of:
Lonely Little Boy
composer:
Otis G. Clements
3:02
14Sonnet
recorded in:
New York, New York, United States (from 1956-06-17 until 1956-06-18)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (from 1956-06-17 until 1956-06-18)
vocals:
Mabel Mercer (from 1956-06-17 until 1956-06-18)
arranger:
George Cory
2:39
15Lucky to Be Me
recorded in:
New York, New York, United States (from 1956-06-17 until 1956-06-18)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (from 1956-06-17 until 1956-06-18)
vocals:
Mabel Mercer (from 1956-06-17 until 1956-06-18)
arranger:
George Cory
recording of:
On the Town: Lucky to Be Me
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Warner Bros. (holding: file NO releases) and Warner Bros. Music (publisher; do NOT use as release label)
part of:
On the Town
2:41
16Some Other Time
recorded in:
New York, New York, United States (from 1956-06-17 until 1956-06-18)
engineer:
Tom Dowd
producer:
Nesuhi Ertegun
bass:
Milt Hinton (from 1956-06-17 until 1956-06-18)
vocals:
Mabel Mercer (from 1956-06-17 until 1956-06-18)
arranger:
George Cory
recording of:
Some Other Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Music Publishing Company of America, Quaytor Productions LLC, Universal PolyGram International (SESAC), Warner Bros. (holding: file NO releases) and WC Music Corp.
2:37
17Once in a Blue Moon
2:44
18In the Spring of the Year
2:04
19Look at Him
2:45
20Guess I'll Go Back Home (This Summer)
4:00
21I'm Glad I'm Not Young Anymore
3:05
22My Shining Hour
3:45
23The Twelve Days of Christmas (LP version)
4:05
24Whenever Winds Blow
3:21
25Isn't He Adorable
2:45
26Isn't It a Pity
3:56
27If You Leave Paris
2:50
28Sunday in New York
2:38
29If Love Were All
2:49
30Sail Away
2:48