| # | Title | Artist | Rating | Length |
|---|
| 1 | The Sun Ain't Gonna Shine Anymore | The Walker Brothers | | 3:15 |
| 2 | We've Gotta Get Out of This Place | The Animals | 3.8 | 3:12 |
| 3 | Pictures of Matchstick Men | Status Quo | 3.5 | 3:10 |
| 4 | Sunny Afternoon | The Kinks | 4.5 | 3:34 |
| 5 | (If Paradise Is) Half as Nice | Amen Corner | | 2:47 |
| 6 | Summer in the City- additional electric piano:
- Artie Schroeck
- lead vocals:
- John Sebastian
- conductor:
- Michael Kamen
- phonographic copyright (℗) by:
- Buddah Records (in 1966), Kama Sutra (in 1966), Sony Music Entertainment (in 1966) and Sony Music Entertainment Inc. (in 1966)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 393)
- recording of:
- Summer in the City
- writer:
- Steve Boone, John Sebastian and Mark Sebastian
- publisher:
- Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. , Bug Music , Copyright Control , EMI Music Publishing , EMI Music Publishing Ltd. , Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. , Trio Music and Trio Music Co., Inc.
| The Lovin’ Spoonful | 4.8 | 2:40 |
| 7 | Be My Baby- miscellaneous support:
- Phil Spector (task: under license of)
- engineer:
- Larry Levine
- producer:
- Phil Spector
- vocals:
- Ronnie Spector (in 1963-07)
- performer:
- The Ronettes
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Phil Spector Records (in 1963)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 19), Rolling Stone: 500 Greatest Songs of All Time (number: 22) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 22)
- recording of:
- Be My Baby (in 1963-07)
- writer:
- Jeff Barry, Ellie Greenwich and Phil Spector
- publisher:
- ABKCO Music, Inc. , Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. and Trio Music Co., Inc. (in 1963)
- sub-publisher:
- ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan , Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Warner Tamerlane Publishing Corp. (in 1963), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Ronettes | 4.15 | 2:41 |
| 8 | Then He Kissed Me- engineer:
- Larry Levine (in 1963-07)
- producer:
- Phil Spector
- lead vocals:
- LaLa Brooks (in 1963-07)
- arranger:
- Jack Nitzsche (in 1963-07)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 11), Billboard: The 500 Best Pop Songs (number: 254) and Rolling Stone: 500 Greatest Songs of All Time (number: 493)
- recording of:
- Then He Kissed Me (in 1963-07)
- writer:
- Jeff Barry, Ellie Greenwich and Phil Spector
- publisher:
- ABKCO Music, Inc. , Malt Shoppe Music, Mother Bertha Music Inc., Steeplechase Music, Trio Music Co., Inc. and Universal–Songs of PolyGram International, Inc.
| The Crystals | 4.65 | 2:39 |
| 9 | Leader of the Pack | The Shangri‐Las | 4.5 | 2:48 |
| 10 | I Got You Babe | Sonny & Cher | 4 | 3:09 |
| 11 | First Cut Is the Deepest | P.P. Arnold | 4 | 3:14 |
| 12 | Israelites | Desmond Dekker | 4 | 2:34 |
| 13 | If I Had a Hammer | Trini Lopez | 4 | 2:59 |
| 14 | Come on Over to My Place | The Drifters | | 2:27 |
| 15 | Judy in Disguise (with Glasses) | John Fred & His Playboy Band | 3.85 | 2:55 |
| 16 | Twist and Shout- cover recording of:
- Twist and Shout
- writer:
- Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
- publisher:
- EMI Music Publishing , EMI Music Publishing Ltd. , Progressive Music Publishing Company Inc., Progressive Music, Inc , Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. , Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell
- part of:
- Baby It’s You!
| The Isley Brothers | | 2:33 |
| 17 | Mustang Sally- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-10-13)
- engineer:
- Tom Dowd and Rick Hall
- producer:
- Rick Hall and Jerry Wexler
- drums (drum set):
- Roger Hawkins (from 1966-10-13 until 1966-10-14)
- electric bass guitar [electric bass]:
- Tommy Cogbill (from 1966-10-13 until 1966-10-14)
- guitar:
- Jimmy Johnson (from 1966-10-13 until 1966-10-14)
- guitar [lead guitar]:
- Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
- keyboard [piano, organ]:
- Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
- tenor saxophone:
- Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
- trumpet:
- Gene “Bowlegs” Miller (from 1966-10-13 until 1966-10-14)
- vocals:
- Wilson Pickett (from 1966-10-13 until 1966-10-14)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1992) and WEA International Inc. (in 1992)
- recorded at:
- Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 434)
- cover recording of:
- Mustang Sally (from 1966-10-13 until 1966-10-14)
- lyricist and composer:
- Sir Mack Rice
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
| Wilson Pickett | 4 | 3:07 |
| 18 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:27 |
| 19 | It's Not Unusual | Tom Jones | | 2:15 |
| 20 | Knock on Wood- recorded in:
- Memphis, Tennessee, United States (on 1966-07-13)
- producer:
- Steve Cropper
- baritone saxophone:
- probably Floyd Newman
- bass guitar [bass]:
- Duck Dunn (on 1966-07-13)
- drums (drum set) [drums]:
- Al Jackson (on 1966-07-13)
- guitar:
- Steve Cropper (on 1966-07-13)
- organ:
- Booker T. Jones (on 1966-07-13)
- piano:
- Isaac Hayes (on 1966-07-13) and Booker T. Jones (on 1966-07-13)
- tenor saxophone:
- probably Andrew Love (on 1966-07-13)
- trumpet:
- Wayne Jackson (on 1966-07-13)
- vocals:
- Eddie Floyd (on 1966-07-13)
- phonographic copyright (℗) by:
- WEA International Inc. (in 1967)
- recording of:
- Knock on Wood (on 1966-07-13)
- writer:
- Steve Cropper and Eddie Floyd
- publisher:
- East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. and Warner Chappell North America
- adaptations:
- Potkraj na les
| Eddie Floyd | 4 | 3:04 |
| 21 | Rescue Me | Fontella Bass | | 2:52 |
| 22 | (I Get the) Sweetest Feeling | Jackie Wilson | 4.5 | 2:55 |
| 23 | In the Midnight Hour | Wilson Pickett | 3 | 2:40 |
| 24 | Dancing in the Street- producer:
- William Stevenson
- baritone saxophone:
- Thomas Bowles (on 1964-06-29)
- bass guitar:
- James Jamerson (on 1964-06-29)
- drums (drum set):
- Marvin Gaye (on 1964-06-29)
- guitar:
- Joe Messina (on 1964-06-29), Robert White (on 1964-06-29) and Eddie Willis (on 1964-06-29)
- other instruments [tire iron]:
- Ivy Jo Hunter (on 1964-06-29)
- percussion, tambourine and vibraphone [vibes]:
- Jack Ashford (on 1964-06-29)
- tenor saxophone:
- Henry Cosby (on 1964-06-29)
- trombone:
- George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
- trumpet:
- Russell Conway (on 1964-06-29) and Herbert Williams (on 1964-06-29)
- background vocals:
- Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (on 1964-06-29)
- lead vocals:
- Martha Reeves (on 1964-06-29)
- publisher:
- EMI Music Publishing
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1964) and UMG Recordings, Inc. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 7), Rolling Stone: 500 Greatest Songs of All Time (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (number: 403)
- recording of:
- Dancing in the Street (on 1964-06-29)
- writer:
- I. Hunter, M. Gaye and W. Stevenson
- publisher:
- EMI Music , EMI Music Publishing , FCG Music, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Martha Reeves and the Vandellas | 3.55 | 2:39 |
| 25 | My Girl | Otis Redding | 3.8 | 2:55 |
| 26 | You'll Never Walk Alone | Gerry & the Pacemakers | | 2:39 |
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