Messe h‐Moll, BWV 232

~ Release by Johann Sebastian Bach; Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung, Rudolf Lutz (see all versions of this release, 1 available)

Annotation

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(As of 2020-03-26).

Northern America: 🇨🇦 Canada (ca) 🇺🇸 United States (us)
Southern Asia: 🇦🇫 Afghanistan (af)

Annotation last modified on 2020-03-26 21:22 UTC.

Tracklist

1▶Digital Media

2▼Digital Media
#	Title	Artist	Rating	Length
1	Messe h‐Moll, BWV 232: XIII. Credo “Credo in unum Deum” choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:18
2	Messe h‐Moll, BWV 232: XIV. Credo “Patrem omnipotentem” choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		1:45
3	Messe h‐Moll, BWV 232: XV. Credo “Et in unum Dominum” choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		4:20
4	Messe h‐Moll, BWV 232: XVI. Credo “Et incarnatus est” choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:48
5	Messe h‐Moll, BWV 232: XVII. Credo “Crucifixus” choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen” part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:48
6	Messe h‐Moll, BWV 232: XVIII. Credo “Et resurrexit” choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		3:35
7	Messe h‐Moll, BWV 232: XIX. Credo “Et in Spiritum Sanctum” choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		4:52
8	Messe h‐Moll, BWV 232: XX. Credo “Confiteor” choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		4:13
9	Messe h‐Moll, BWV 232: XXI. Credo “Et expecto” choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		1:59
10	Messe h‐Moll, BWV 232: XXII. Sanctus “Sanctus” choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) partial recording of: h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:45
11	Messe h‐Moll, BWV 232: XXIII. Sanctus “Pleni sunt coeli” choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) partial recording of: h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		1:58
12	Messe h‐Moll, BWV 232: XXIV. Osanna in excelsis choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:22
13	Messe h‐Moll, BWV 232: XXV. Benedictus choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		3:34
14	Messe h‐Moll, BWV 232: XXVI. Osanna repetatur choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:23
15	Messe h‐Moll, BWV 232: XXVII. Agnus Dei choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		4:40
16	Messe h‐Moll, BWV 232: XXVIII. Dona nobis pacem choir vocals: Chor der J. S. Bach-Stiftung orchestra: Orchester der J. S. Bach-Stiftung conductor: Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Dona nobis pacem part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:56

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purchase for download:	https://itunes.apple.com/fr/album/id1221918758 [info]
stream for free:	https://open.spotify.com/album/7FsXj6VxUMD8xxekrAtYgd [info] https://www.deezer.com/album/15778950 [info]

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Release information

Barcode:: 7640151160227
Format:: 2×Digital Media
Length:: 1:40:04

Additional details

Type:: Album
Packaging:: None
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Release events

Albania
2016-03-30
Algeria
2016-03-30
(show 206 more)
Zimbabwe
2016-03-30

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Last updated on 2026-02-10 16:20 UTC