Weihnachtskantaten, BWV 122, 110, 57

~ Release by J.S. Bach; Vasilijka Jezovek, Sarah Connolly, Mark Padmore, Peter Kooy, Collegium Vocale, Philippe Herreweghe (see all versions of this release, 4 available)

Annotation

Reissue

Annotation last modified on 2025-07-17 14:34 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Kantate "Das neugeborne Kindelein", BWV 122: I. Choral "Das neugeborne Kindelein"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": I. Coro "Das neugeborne Kindelein" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach3:08
2Kantate "Das neugeborne Kindelein", BWV 122: II. Aria (B) "O Menschen, die ihr täglich sündigt"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": II. Aria (Bass) "O Menschen, die ihr täglich sündigt" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach5:12
3Kantate "Das neugeborne Kindelein", BWV 122: III. Recitativo (S) "Die Engel, welche sich zuvor"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": III. Recitativo (Sopran) "Die Engel, welche sich zuvor" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:22
4Kantate "Das neugeborne Kindelein", BWV 122: IV. Aria (S, A, T) "Ist Gott versöhnt und unser Freund"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
alto vocals:
Sarah Connolly (mezzo-soprano) (in 1995-12)
choir vocals:
Collegium Vocale Gent (in 1995-12)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
tenor vocals:
Mark Padmore (British tenor) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": IV. Terzetto (Sopran, Alt, Tenor) con Choral (Coro Alt) "Ist Gott versöhnt" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach2:12
5Kantate "Das neugeborne Kindelein", BWV 122: V. Recitativo (B) "Dies ist ein Tag, den selbst der Herr gemacht"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": V. Recitativo (Bass) "Dies ist ein Tag, den selbst der Herr gemacht" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:11
6Kantate "Das neugeborne Kindelein", BWV 122: VI. Choral "Es bringt das rechte Jubeljahr"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": VI. Choral "Es bringt das rechte Jubeljahr" (in 1995-12)
lyricist:
Cyriacus Schneegaß
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Breitkopf 389 Choralgesänge (number: 57)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach0:48
7Kantate "Unser Mund sei voll Lachens", BWV 110: I. Chor "Unser Mund sei voll Lachens"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": I. Coro "Unser Mund sei voll Lachens" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
is based on:
Orchestersuite Nr. 4 D-Dur, BWV 1069: I. Ouverture
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach6:39
8Kantate "Unser Mund sei voll Lachens", BWV 110: II. Aria (T) "Ihr Gedanken und ihr Sinnen"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
tenor vocals:
Mark Padmore (British tenor) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": II. Aria (Tenor) "Ihr Gedanken und ihr Sinnen" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach4:24
9Kantate "Unser Mund sei voll Lachens", BWV 110: III. Recitativo (B) "Dir, Herr, ist niemand gleich"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": III. Recitativo (Bass) "Dir, Herr, ist niemand gleich" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach0:31
10Kantate "Unser Mund sei voll Lachens", BWV 110: IV. Aria (A) "Ach Herr, was ist ein Menschenkind"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
tenor vocals:
Mark Padmore (British tenor) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": IV. Aria (Tenor) "Ach Herr, was ist ein Menschenkind" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach4:32
11Kantate "Unser Mund sei voll Lachens", BWV 110: V. Duetto (S, T) "Ehre sei Gott in der Höhe"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
tenor vocals:
Mark Padmore (British tenor) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": V. Duetto (Sopran, Tenor) "Ehre sei Gott in der Höhe" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
is based on:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach3:46
12Kantate "Unser Mund sei voll Lachens", BWV 110: VI. Aria (B) "Wacht auf, ihr Adern und ihr Glieder"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": VI. Aria (Bass) "Wacht auf, ihr Adern und ihr Glieder" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach3:42
13Kantate "Unser Mund sei voll Lachens", BWV 110: VII. Choral "Alleluja! Gelobt sei Gott"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": VII. Choral "Alleluja! Gelobt sei Gott" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Kaspar Füger (16th century hymnwriter) (in 1592)
part of:
Breitkopf 389 Choralgesänge (number: 380)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach1:06
14Kantate "Selig ist der Mann", BWV 57: I. Aria (B) "Selig ist der Mann"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": I. Aria (Bass). "Selig ist der Mann" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach3:36
15Kantate "Selig ist der Mann", BWV 57: II. Recitativo (S) "Ach! Dieser süße Trost"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": II. Recitativo (Soprano) "Ach! dieser süße Trost" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach1:27
16Kantate "Selig ist der Mann", BWV 57: III. Aria (S) "Ich wünschte mir den Tod"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": III. Aria (Soprano). "Ich wünschte mir den Tod, den Tod" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach5:35
17Kantate "Selig ist der Mann", BWV 57: IV. Recitativo (S, B) "Ich reiche dir die Hand"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": IV. Recitativo (Soprano, Basso) "Ich reiche dir die Hand" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach0:25
18Kantate "Selig ist der Mann", BWV 57: V. Aria (B) "Ja, ja, ich kann die Feinde schlagen"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": V. Aria (Basso) "Ja, ja, ich kann die Feinde schlagen" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach5:33
19Kantate "Selig ist der Mann", BWV 57: VI. Recitativo (S, B) "In meiner Schoß liegt Ruh und Leben"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VI. Recitativo (Soprano, Bass). "In meinem Schoß liegt Ruh' und Leben" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach1:30
20Kantate "Selig ist der Mann", BWV 57: VII. Aria (S) "Ich ende behende"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VII. Aria (Soprano) "Ich ende behende mein irdisches Leben" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach4:12
21Kantate "Selig ist der Mann", BWV 57: VIII. Choral "Richte dich, Liebste, nach meiner Gefallen"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VIII. Choral. "Richte dich, Liebste, nach meinem Gefallen und glaube" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ahasverus Fritsch (in 1668)
part of:
Breitkopf 389 Choralgesänge (number: 231)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach0:48