Best of Lounge Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Cocktail Time
2▶CD: Electro Swing
3▼CD: Vintage Lounge
Nr.TitelKünstlerBewertungLänge
1My Babe Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.93:36
2I’ve Got You Under My Skin
recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Frank Sinatra3:41
3Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.23:20
4Let’s Call the Whole Thing Off
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong4:10
5Them There Eyes
alto saxophone:
George Dorsey (am 1949-08-29) und Johnny Mince (am 1949-08-29)
Gitarre:
Everett Barksdale (am 1949-08-29)
Klavier:
Horace Henderson (am 1949-08-29)
Kontrabass:
George Duvivier (am 1949-08-29)
Posaune:
Mort Bullman (am 1949-08-29) und Henderson Chambers (am 1949-08-29)
Rohrblattinstrumente:
Eddie Barefield (am 1949-08-29)
Schlagzeug:
Cozy Cole (am 1949-08-29)
Tenorsaxophon:
Budd Johnson (am 1949-08-29) und Freddie Williams (am 1949-08-29)
Trompete:
Tony Faso (am 1949-08-29), Bernie Privin (am 1949-08-29) und Dick Vance (US jazz trumpeter and arranger) (am 1949-08-29)
vocals:
Billie Holiday (am 1949-08-29)
conductor:
Sy Oliver (am 1949-08-29)
arranger:
Sy Oliver (am 1949-08-29)
recording of:
Them There Eyes (am 1949-08-29)
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
Billie Holiday42:48
6Summertime
vocals:
Sarah Vaughan (am 1949-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1949-12-21)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:16
7My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker2:17
8Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:45
9Take the ‘A’ Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
Duke Ellington2:53
10Petite Fleur
Sidney Bechet3:17
11Chery!
recording of:
Cheryl
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp/BMI (BMI)
Miles Davis & Charlie Parker2:58
12Love Me or Leave Me
alto saxophone:
Hymie Shertzer (am 1941-08-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1941-08-07)
Klarinette:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1941-08-07)
Klavier:
Teddy Wilson (am 1941-08-07)
Kontrabass:
Johnny Williams (jazz bassist) (am 1941-08-07)
Schlagzeug:
J.C. Heard (am 1941-08-07)
Tenorsaxophon:
Irving “Babe” Russin (am 1941-08-07)
Trompete:
Emmett Berry (am 1941-08-07)
Sologesang:
Billie Holiday (am 1941-08-07)
recording of:
Love Me or Leave Me (am 1941-08-07)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Billie Holiday3:18
13Du jazz dans le ravin
Produzent(in):
Denis Bourgeois (Producer)
vocals:
Serge Gainsbourg (von 1958-06-10 bis 1958-07-03)
Orchester:
Alain Goraguer et son orchestre (von 1958-06-10 bis 1958-07-03)
conductor:
Alain Goraguer (von 1958-06-10 bis 1958-07-03)
arranger:
Alain Goraguer
aufgenommen bei:
Studio Blanqui (ex-Studio Blanqui, Philips) in Paris, Île-de-France, Frankreich (von 1958-06-10 bis 1958-07-03)
recording of:
Du jazz dans le ravin (von 1958-06-10 bis 1958-07-03)
Texter und Komponist(in):
Serge Gainsbourg
Serge Gainsbourg4.352:09
14Stompin’ at the Savoy
Michel Legrand3:44
15Hallelujah I Love Her So
recording of:
Hallelujah, I Love Her So
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music und Unichappell Music, Inc.
Ray Charles2:34
16It’s Only a Paper Moon
cover recording of:
It’s Only a Paper Moon
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
Nat King Cole3:05
17You Make Me Feel So Yoгng
Rosemary Clooney2:51
18Black Coffee
Sologesang:
Sarah Vaughan (am 1949-01-20)
Orchester:
Joe Lipman & His Orchestra (am 1949-01-20)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Black Coffee (1948 song) (am 1949-01-20)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Sarah Vaughan4.53:14
19Lullaby of Birdland
recorded in:
New York, New York, Vereinigte Staaten (am 1954-06-04)
Gitarre:
Everett Barksdale (am 1954-06-04)
Klavier:
Hank Jones (piano) (am 1954-06-04)
Kontrabass:
Sandy Block (Jazz bassist, band leader) (am 1954-06-04)
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer) (am 1954-06-04)
Tenorsaxophon:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-06-04)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-06-04, in 1956)
Orchester:
Sy Oliver and His Orchestra (am 1954-06-04)
conductor:
Sy Oliver (am 1954-06-04)
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (am 1954-06-04)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Ella Fitzgerald42:49
20It Takes Two to Tango
Orchester:
Don Redman and His Orchestra
recording of:
Takes Two to Tango
Verfasser(in):
Al Hoffman (in 1952) und Dick Manning (American songwriter) (in 1952)
Pearl Bailey3:01
4▶CD: Brazilian Sounds
5▶CD: Chic & Glamour
6▶CD: Spirit of Chill‐Out

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