The Extraordinary (MQA x UHQCD)

~ Veröffentlichung von Nat King Cole (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Anmerkung

Reissue in Hi-Res CD format (UHQCD format x MQA technology). Using 192kHz/24bit master tapes in 2014. The DSD master is available in 176.4kHz/24bit high resolution (perfect for MQA-enabled audio players / Not digitally distributed up to this time). Green color label coating. *The disc can also be played on regular CD players in UHQCD 44.1kHz/16bit resolution. However, MQA-enabled hardware/software is necessary to harness the full potential of this Hi-Res CD.

Anmerkung zuletzt geändert am 2022-02-19 19:17 UTC.

Titelliste

1▼HQCD
Nr.TitelKünstlerBewertungLänge
1L-O-V-E
Techniker(in):
Ryan Robinson (engineer)
Mix:
Joel Iwataki
assistierendes Editing:
Sam Zeines
vocals:
Nat King Cole (am 1964-06-03)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-03)
recording of:
L‐O‐V‐E (am 1964-06-03)
Texter:
Milton Gabler
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Nat King Cole52:33
2Walkin’
alto saxophone:
Skeets Herfurt (am 1951-09-04) und Wilbur Schwartz (am 1951-09-04)
baritone saxophone:
Chuck Gentry (am 1951-09-04)
Bass:
Phil Stephens (bass and tuba player) (am 1951-09-04)
Bongos und Conga:
Jack Costanzo (am 1951-09-04)
Gitarre:
Barney Kessel (am 1951-09-04)
Klavier:
Jimmy Rowles (am 1951-09-04)
Posaune:
Ed Kusby (am 1951-09-04), Murray McEachern (am 1951-09-04), Pullman “Tommy” Pederson (am 1951-09-04) und Jimmy Priddy (am 1951-09-04)
Schlagzeug:
Alvin Stoller (am 1951-09-04)
Tenorsaxophon:
Fred Fallensby (am 1951-09-04) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1951-09-04)
Trompete:
Johnny Best (jazz trumpeter) (am 1951-09-04), Conrad Gozzo (am 1951-09-04), Manny Klein (am 1951-09-04) und Ray Linn (am 1951-09-04)
vocals:
Nat King Cole (am 1951-09-04)
conductor:
Billy May (am 1951-09-04)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-09-04)
recording of:
Walkin'
Texter und Komponist(in):
Mary Lou Williams (American jazz pianist and composer) (in 1951)
Nat King Cole2:49
3(I Would Do) Anything for You
recording of:
I Would Do Anything for You
Komponist(in):
Alexander Hill (Alex Hill, 20th century US jazz pianist), Claude Hopkins und Bobby Williams (jazz composer)
Nat King Cole1:45
4The Song Is Ended (But the Melody Lingers On)
recording of:
The Song Is Ended (but the Melody Lingers On)
Texter:
Irving Berlin
Komponist(in):
Irving Berlin (in 1927)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
Nat King Cole2:46
5Unforgettable
Produzent(in):
Lee Gillette
Klavier:
Nat King Cole (in 1961)
vocals:
Nat King Cole (in 1961)
conductor:
Ralph Carmichael (in 1961)
recording of:
Unforgettable (in 1961)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
Nat King Cole3.853:27
6Walkin’ My Baby Back Home
alto saxophone:
Skeets Herfurt (am 1951-09-04) und Wilbur Schwartz (am 1951-09-04)
baritone saxophone:
Chuck Gentry (am 1951-09-04)
Bass:
Phil Stephens (bass and tuba player) (am 1951-09-04)
Bongos und Conga:
Jack Costanzo (am 1951-09-04)
Gitarre:
Barney Kessel (am 1951-09-04)
Klavier:
Jimmy Rowles (am 1951-09-04)
Posaune:
Ed Kusby (am 1951-09-04), Murray McEachern (am 1951-09-04), Pullman “Tommy” Pederson (am 1951-09-04) und Jimmy Priddy (am 1951-09-04)
Schlagzeug:
Alvin Stoller (am 1951-09-04)
Tenorsaxophon:
Fred Fallensby (am 1951-09-04) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1951-09-04)
Trompete:
Johnny Best (jazz trumpeter) (am 1951-09-04), Conrad Gozzo (am 1951-09-04), Manny Klein (am 1951-09-04) und Ray Linn (am 1951-09-04)
vocals:
Nat King Cole (am 1951-09-04)
conductor:
Billy May (am 1951-09-04)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-09-04)
cover recording of:
Walkin’ My Baby Back Home (am 1951-09-04)
Texter:
Roy Turk (in 1930)
Komponist(in):
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Nat King Cole2:40
7I’m Gonna Sit Right Down (And Write Myself a Letter)
recording of:
I’m Gonna Sit Right Down and Write Myself a Letter
Texter:
Joe Young (US lyricist)
Komponist(in):
Fred Ahlert und Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) und Rytvoc, Inc. (ASCAP)
Nat King Cole2:36
8Midnight Flyer
recording of:
Midnight Flyer
Verfasser(in):
Robert Mosely (US rhythm & blues singer/songwriter) und Mayme Watts
Nat King Cole2:12
9Send for Me
Produzent(in):
Lee Gillette
Bass:
Charlie Harris (jazz bassist) (am 1957-05-14)
Gitarre:
John Collins (US jazz guitarist) (am 1957-05-14) und Al Hendrickson (am 1957-05-14)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-05-14)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1957-05-14)
Tenorsaxophon:
Plas Johnson (am 1957-05-14)
Hintergrundgesang:
The Herman McCoy Choir (am 1957-05-14)
vocals:
Nat King Cole (am 1957-05-14)
conductor:
Billy May (am 1957-05-14)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-05-14)
recording of:
Send for Me (am 1957-05-14)
Texter und Komponist(in):
Ollie Jones
Nat King Cole2:37
10Open Up the Doghouse (Two Cats Are Coming in)
alto saxophone:
Skeets Herfurt (am 1954-09-07) und Harry Klee (am 1954-09-07)
baritone saxophone:
Chuck Gentry (am 1954-09-07)
Bass:
Charlie Harris (jazz bassist) (am 1954-09-07)
Gitarre:
John Collins (US jazz guitarist) (am 1954-09-07)
Klavier:
Lew Brown (am 1954-09-07)
Posaune:
Ed Kusby (am 1954-09-07), Murray McEachern (am 1954-09-07) und Si Zentner (am 1954-09-07)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-09-07)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-09-07)
Trompete:
Johnny Best (jazz trumpeter) (am 1954-09-07), Conrad Gozzo (am 1954-09-07) und Manny Klein (am 1954-09-07)
vocals:
Nat King Cole (am 1954-09-07) und Dean Martin (American singer/actor) (am 1954-09-07)
Orchester:
Billy May & His Orchestra (am 1954-09-07)
conductor:
Billy May (am 1954-09-07)
arranger:
Billy May
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-07)
recording of:
Open Up the Doghouse (am 1954-09-07)
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer) und Marvin Fisher
Nat King Cole with Dean Martin2:26
11(Get Your Kicks on) Route 66
recorded in:
New York, New York, Vereinigte Staaten (am 1961-03-23)
Produzent(in):
Lee Gillette
Gitarre:
John Collins (US jazz guitarist) (am 1961-03-23)
Klavier:
Nat King Cole (am 1961-03-23)
Kontrabass:
Charlie Harris (jazz bassist) (am 1961-03-23)
vocals:
Nat King Cole (am 1961-03-23)
conductor:
Ralph Carmichael
recording of:
(Get Your Kicks on) Route 66 (am 1961-03-23)
Texter und Komponist(in):
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Burke-Van Heusen, Inc. (am 1946-04-22)
Nat King Cole2:55
12Love
Produzent(in):
Lee Gillette
arranger:
Richard Wess
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-04-07)
cover recording of:
Love (am 1961-04-07)
Verfasser(in):
Ralph Blane und Hugh Martin
publisher:
Leo Feist, Inc.
Nat King Cole2:01
13Papa Loves Mambo
Bass:
Joe Mondragon (am 1954-10-18)
Bratsche / Viola:
Alvin Dinkin (am 1954-10-18) und Stanley Harris (US big band viola player) (am 1954-10-18)
Cello:
Cy Bernard (am 1954-10-18) und Eleanor Slatkin (US cellist, b. Aller) (am 1954-10-18)
Geige / Violine:
Victor Bay (am 1954-10-18), Alex Beller (am 1954-10-18), Mischa Russell (violinist) (am 1954-10-18), Eudice Shapiro (Violinist) (am 1954-10-18), Paul Shure (am 1954-10-18) und Felix Slatkin (am 1954-10-18)
Gitarre:
Al Hendrickson (am 1954-10-18)
Harfe:
Ann Mason Stockton (American harpist) (am 1954-10-18)
Klavier:
Bill Miller (pianist) (am 1954-10-18)
Perkussion:
Stevan Dweek (am 1954-10-18), Alvin Stoller (am 1954-10-18) und Carlos Vidal (Cuban percussionist) (am 1954-10-18)
Posaune:
Ed Kusby (am 1954-10-18), Murray McEachern (am 1954-10-18), Pullman “Tommy” Pederson (am 1954-10-18) und Si Zentner (am 1954-10-18)
Rohrblattinstrumente:
Fred Fallensby (am 1954-10-18), Chuck Gentry (am 1954-10-18), Skeets Herfurt (am 1954-10-18), Ted Nash (75- US saxophonist, the nephew) (am 1954-10-18) und Wilbur Schwartz (am 1954-10-18)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-10-18)
Trompete:
Johnny Best (jazz trumpeter) (am 1954-10-18), Conrad Gozzo (am 1954-10-18), Manny Klein (am 1954-10-18) und Uan Rasey (am 1954-10-18)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1954-10-18)
vocals:
Nat King Cole (am 1954-10-18)
Orchester:
Billy May & His Orchestra (am 1954-10-18)
conductor:
Billy May (am 1954-10-18) und Nelson Riddle (am 1954-10-18)
arranger:
Billy May und Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-10-18)
cover recording of:
Papa Loves Mambo (am 1954-10-18)
Verfasser(in):
Al Hoffman, Dick Manning (American songwriter) und Bickley Reichner
Nat King Cole2:40
14You’ve Got the Indian Sign on Me
recording of:
You've Got the Indian Sign on Me (in 1960)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1960)
Komponist(in):
Joe Bushkin (in 1960)
Nat King Cole1:48
15Mona Lisa
Produzent(in):
Lee Gillette
Bass:
Joe Comfort (am 1950-03-11)
Bongos:
Jack Costanzo (am 1950-03-11)
Bratsche / Viola:
Allan Harshman (violist) (am 1950-03-11) und Dave Sterkin (am 1950-03-11)
Cello:
Cy Bernard (am 1950-03-11) und Eleanor Slatkin (US cellist, b. Aller) (am 1950-03-11)
Geige / Violine:
Sam Cytron (am 1950-03-11), David Frisina (am 1950-03-11), Murray Kellner (am 1950-03-11), Mark Levant (am 1950-03-11), Dan Lube (am 1950-03-11), Lou Raderman (am 1950-03-11), Paul Shure (am 1950-03-11) und Felix Slatkin (am 1950-03-11)
Gitarre:
Irving Ashby (am 1950-03-11)
Klavier:
Buddy Cole (am 1950-03-11)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1950-03-11)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-03-11)
vocals:
Nat King Cole (am 1950-03-11)
Orchester:
Les Baxter and His Orchestra (am 1950-03-11)
conductor:
Les Baxter (am 1950-03-11)
arranger:
Nelson Riddle (am 1950-03-11)
cover recording of:
Mona Lisa (am 1950-03-11)
Texter:
Raymond B. Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1950 winner)
Nat King Cole43:26
16Let’s Face the Music and Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
Nat King Cole2:25
17Almost Like Being in Love
Bongos:
Jack Costanzo (am 1953-01-28)
Gitarre:
John Collins (US jazz guitarist) (am 1953-01-28)
Klavier:
Buddy Cole (am 1953-01-28) und Nat King Cole (am 1953-01-28)
Kontrabass:
Charlie Harris (jazz bassist) (am 1953-01-28)
Posaune:
Milt Bernhart (am 1953-01-28), Ed Kusby (am 1953-01-28), Jimmy Priddy (am 1953-01-28) und Si Zentner (am 1953-01-28)
Saxophon:
Jack Dumont (am 1953-01-28), Skeets Herfurt (am 1953-01-28), Joe Koch (am 1953-01-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-01-28) und Buck Skalak (am 1953-01-28)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1953-01-28)
Trompete:
Pete Candoli (am 1953-01-28), Manny Klein (am 1953-01-28), Shorty Sherock (am 1953-01-28) und Rubin "Zeke" Zarchy (am 1953-01-28)
vocals:
Nat King Cole (am 1953-01-28)
Orchester:
Nelson Riddle and His Orchestra (am 1953-01-28)
conductor:
Nelson Riddle (am 1953-01-28)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-01-28)
recording of:
Almost Like Being in Love (from “Brigadoon”) (am 1953-01-28)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
Nat King Cole1:53
18Don’t Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
Nat King Cole3:11
19Orange Colored Sky
Produzent(in):
Lee Gillette
Klavier:
Nat King Cole (am 1961-07-06)
vocals:
Nat King Cole (am 1961-07-06)
Orchester:
Stan Kenton and His Orchestra (am 1961-07-06)
conductor:
Stan Kenton (am 1961-07-06)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-07-06)
recording of:
Orange Colored Sky (am 1961-07-06)
Verfasser(in):
Milton DeLugg und William Stein
publisher:
Amy Dee Music Corp.
Nat King Cole42:33
20Long, Long Ago
alto saxophone:
Skeets Herfurt (am 1954-09-07) und Harry Klee (am 1954-09-07)
baritone saxophone:
Chuck Gentry (am 1954-09-07)
Bass:
Charlie Harris (jazz bassist) (am 1954-09-07)
Gitarre:
John Collins (US jazz guitarist) (am 1954-09-07)
Klavier:
Lew Brown (am 1954-09-07)
Posaune:
Ed Kusby (am 1954-09-07), Murray McEachern (am 1954-09-07) und Si Zentner (am 1954-09-07)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-09-07)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-09-07)
Trompete:
Johnny Best (jazz trumpeter) (am 1954-09-07), Conrad Gozzo (am 1954-09-07) und Manny Klein (am 1954-09-07)
vocals:
Nat King Cole (in 1954, am 1954-09-07) und Dean Martin (American singer/actor) (in 1954, am 1961-09-07)
Orchester:
Billy May and His Orchestra (in 1954) und Billy May & His Orchestra (am 1954-09-07)
conductor:
Billy May (am 1954-09-07)
arranger:
Billy May
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-07)
recording of:
Long, Long Ago (Dean Martin & Nat King Cole version) (am 1954-09-07)
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer) und Marvin Fisher
Version von:
Long, Long Ago (Original version for voice and piano)
Nat King Cole with Dean Martin2:18
21Breezin’ Along With the Breeze
recording of:
Breezin’ Along With the Breeze
Texter:
Haven Gillespie (in 1926) und Seymour Simons (in 1926)
Komponist(in):
Richard A. Whiting (composer) (in 1926)
Nat King Cole2:29
22You’re Wrong All Wrong
Nat King Cole2:57
23Fly Me to the Moon
Nat King Cole3:30
24Smile
Nat King Cole2:54
25Fascination
Nat King Cole2:29