Soho Collection: The Essential Cole Porter

~ Veröffentlichung von Cole Porter (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Night and Day
Geige / Violine:
Lew Conrad (am 1932-11-22) und Sammy Schklar (am 1932-11-22)
Posaune:
Ernie Gibbs (am 1932-11-22)
Rohrblattinstrumente:
Jess Smith (reeds in Leo Reisman & His Orchestra) (am 1932-11-22) und Burt Williams (am 1932-11-22)
Trompete:
Lew Sherwood (am 1932-11-22)
vocals:
Fred Astaire (am 1932-11-22)
Orchester:
Leo Reisman and His Orchestra (am 1932-11-22)
conductor:
Leo Reisman (violinist, bandleader, arranger) (am 1932-11-22)
aufgenommen bei:
Victor Studio #1 (Cherokee A) in New York, New York, Vereinigte Staaten (am 1932-11-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1932-11-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Fred Astaire53:29
2Miss Otis Regrets
recording of:
Miss Otis Regrets
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
Ethel Waters3:00
3Begin the Beguine
recording of:
Begin the Beguine
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Artie Shaw3:00
4Just One of Those Things
cover recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Peggy Lee2:17
5Easy to Love
recording of:
Easy to Love
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
Billie Holiday3:13
6When Love Comes Your Way
Cole Porter1:42
7I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Dinah Washington & Clifford Brown5:29
8It’s De‐Lovely
recording of:
It’s De‐Lovely
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Anything Goes
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
Ethel Merman2:50
9Ridin’ High
recording of:
Ridin’ High
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Benny Goodman2:40
10My Heart Belongs to Daddy
Gitarre:
Bobby Johnson (US guitarist) (am 1939-02-17)
Holzblasinstrumente:
Wayman Carver (am 1939-02-17)
Klavier:
Tommy Fulford (am 1939-02-17)
Kontrabass:
Beverly Peer (am 1939-02-17)
Posaune:
George Matthews (trombone) (am 1939-02-17), Nat Story (am 1939-02-17) und Sandy Williams (American jazz trombonist) (am 1939-02-17)
Rohrblattinstrumente:
Garvin Bushell (am 1939-02-17) und Hilton Jefferson (am 1939-02-17)
Schlagzeug:
Chick Webb (am 1939-02-17)
Tenorsaxophon:
Teddy McRae (am 1939-02-17)
Trompete:
Taft Jordan (am 1939-02-17), Bobby Stark (am 1939-02-17) und Dick Vance (US jazz trumpeter and arranger) (am 1939-02-17)
vocals:
Ella Fitzgerald (American jazz singer) (am 1939-02-17)
cover recording of:
My Heart Belongs to Daddy (am 1939-02-17)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Ella Fitzgerald43:10
11Let’s Fly Away
recording of:
Let’s Fly Away (The New Yorkers musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
Lee Wiley3:03
12I’m a Gigolo
recording of:
I'm a Gigolo
Texter und Komponist(in):
Cole Porter (composer)
Cole Porter2:27
13Two Little Babes in the Woods
Cole Porter3:17
14Down in the Depths
recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue")
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Ethel Merman3:12
15Red Hot and Blue
recording of:
Red, Hot and Blue (from the musical “Red, Hot and Blue”)
Texter und Komponist(in):
Cole Porter (composer)
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
Ethel Merman3:14
16Friendship
recording of:
Friendship
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
Teil von:
Anything Goes
Teil von:
DuBarry Was a Lady (1939 stage musical)
Judy Garland & Johnny Mercer2:40
17Let’s Be Buddies
recording of:
Let’s Be Buddies (Panama Hattie musical) (in 1940)
Texter und Komponist(in):
Cole Porter (composer) (in 1940)
Teil von:
Panama Hattie (1940 Cole Porter musical)
Teil von:
Panama Hattie (1942 film)
Doris Day3:06
18I Love You
vocals:
Billy Eckstine (am 1949-12-22) und Sarah Vaughan (am 1949-12-22)
Orchester:
Orchestra conducted by Joe Lipman (am 1949-12-22)
cover recording of:
I Love You (Mexican Hayride musical) (in 1957)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Billy Eckstine & Sarah Vaughan2:41
19You’d Be So Nice to Come Home To
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-07-30)
vocals:
Dinah Shore (am 1942-07-30)
Orchester:
Orchestra conducted by Paul Weston (am 1942-07-30)
conductor:
Paul Weston (am 1942-07-30)
recording of:
You’d Be So Nice to Come Home To (am 1942-07-30)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Dinah Shore2:57
20Ev’ry Time We Say Goodbye
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jeri Southern3:30
3▶CD

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Teil von:The Soho Collection (Reihenfolge: 1)