Sunshine: The Cool Sound of a Hot Summer

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Mas Que Nada
Sérgio Mendes2:39
2Everybody Loves the Sunshine
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976) und Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1976)
recording of:
Everybody Loves the Sunshine
Texter und Komponist(in):
Roy Ayers
publisher:
Arlovol Music und BMG Monarch
Roy Ayers43:56
3Organ Grinder’s Swing
Jimmy Smith2:15
4Peel Me a Grape
Assistent recording engineer:
Lawrence Manchester
recording engineer und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
assistierende(r) Mix:
Koji Egawa
Gitarre:
Russell Malone
Klavier und Sologesang:
Diana Krall
Kontrabass:
Christian McBride (American jazz bassist)
phonographisches Urheberrecht (℗) von:
GRP Records, Inc. (do not use as a release label!) und Verve Music Group (now known as Verve Label Group; not for release label use!)
aufgenommen bei:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Peel Me a Grape
Texter und Komponist(in):
Dave Frishberg
Diana Krall5:51
5Tequila
Produzent(in):
Creed Taylor (am 1966-03-21)
Conga:
Ray Barretto (am 1966-03-17, am 1966-03-21)
E-Gitarre [guitar]:
Wes Montgomery (am 1966-03-21)
Gitarre:
Wes Montgomery (am 1966-03-17, am 1966-03-21)
Kontrabass:
Ron Carter (US jazz double-bassist) (am 1966-03-17)
Kontrabass [bass]:
Ron Carter (US jazz double-bassist) (am 1966-03-21)
Schlagzeug:
Grady Tate (am 1966-03-17, am 1966-03-21)
Schlagzeug [drums]:
Grady Tate (am 1966-03-21)
conductor:
Claus Ogerman (am 1966-03-17)
arranger:
Claus Ogerman
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1966)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1966-03-17)
instrumental cover recording of:
Tequila (am 1966-03-17)
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
publisher:
Longitude Music Co. und Powerforce Music
sub-publisher:
EMI Music Publishing France und Universal Music Publishing France (not for release label use!)
cover recording of:
Tequila (am 1966-03-21)
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
publisher:
Longitude Music Co. und Powerforce Music
sub-publisher:
EMI Music Publishing France und Universal Music Publishing France (not for release label use!)
recording of:
Tequila (am 1966-03-21)
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
publisher:
Longitude Music Co. und Powerforce Music
sub-publisher:
EMI Music Publishing France und Universal Music Publishing France (not for release label use!)
instrumental recording of:
Tequila
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
publisher:
Longitude Music Co. und Powerforce Music
sub-publisher:
EMI Music Publishing France und Universal Music Publishing France (not for release label use!)
Wes Montgomery3:21
6The “In” Crowd
cover recording of:
The “In” Crowd
Orchestrator(in):
Gene Page (conductor, composer, arranger and record producer)
Texter und Komponist(in):
Billy Page (US soul/pop songwriter & producer)
publisher:
Cross Music Ltd., American Music, Inc. (in 1964), Elvis Presley Music Inc. (in 1964) und Unichappell Music, Inc. (in 1964)
Ramsey Lewis5:52
7So What
Produzent(in):
Ronny Jordan und Longsy D
Klavier:
Joe Bashorun
Kontrabass:
Arnie Somogyi
vocals:
Isabel Roberts
aufgenommen bei:
PLJ Studios
recording of:
So What
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
cover recording of:
So What
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
Ronny Jordan5:08
8Cantaloop (Flip Fantasia)
Programmierung, Produzent(in) und Mix:
Mel Simpson (Member of Us3) und Geoff Wilkinson
Techniker(in):
Mel Simpson (Member of Us3)
Keyboard [keyboards]:
Mel Simpson (Member of Us3)
Sampler [samples] und turntable [scratches]:
Geoff Wilkinson
Trompete:
Gerard Presencer
sonstiger Gesang [rap]:
Rahsaan (Rahsaan Kelly, appears on “Cantaloop” by Us3)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
aufgenommen bei und mixed at:
Flame Studios in London (Greater London), England, Vereinigtes Königreich
Samples:
Cantaloupe Island von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Everything I Do Gonna Be Funky (From Now On) von Lou Donaldson
recording of:
Cantaloop (Flip Fantasia)
Verfasser(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly (Rahsaan Kelly, appears on “Cantaloop” by Us3), Mel Simpson (Member of Us3) und Geoff Wilkinson
publisher:
Us3 Music
basiert auf:
Cantaloupe Island
Us344:39
9Watermelon Man
recording of:
Watermelon Man (with Lyrics)
Texter:
Jon Hendricks
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
basiert auf:
Watermelon Man
Version von:
Watermelon Man
Herbie Hancock7:02
10Summer Breeze
cover recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Isley Brothers3.86:12
11The Ghetto
membranophone:
Vidal Davis (US hip hop/RnB producer, part of Dre & Vidal)
cover recording of:
The Ghetto (Donny Hathaway)
Verfasser(in):
Donny Hathaway und Leroy Hutson
publisher:
Don‐Pow und Peer International (BMI; Peer Int'l or Peer-International)
sub-publisher:
Peermusic (UK) Ltd.
George Benson4:57
12Soul Bossa Nova
recording engineer:
Phil Ramone (am 1962-09-13)
Produzent(in):
Quincy Jones
flute:
Rahsaan Roland Kirk (am 1962-09-13)
Klavier:
Lalo Schifrin (pianist & composer) (am 1962-09-13)
Kontrabass:
Chris White (jazz bassist) (am 1962-09-13)
Schlagzeug:
Rudy Collins (drums) (am 1962-09-13)
Tenorsaxophon:
Paul Gonsalves (am 1962-09-13)
Trompete:
Clark Terry (American swing trumpeter) (am 1962-09-13)
conductor:
Quincy Jones (am 1962-09-13)
instruments arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recording of:
Soul Bossa Nova (am 1962-09-13)
Komponist(in):
Quincy Jones
Quincy Jones42:44
13The Good Life
Klavier:
John Bunch (jazz pianist) und Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
The Good Life
Texter:
Jack Reardon (American songwriter)
Komponist(in):
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) und Prosadis
Version von:
Marina
Tony Bennett42:16
14Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:48
15Night Train
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-12-15 bis 1962-12-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1962-12-15 bis 1962-12-16)
Kontrabass:
Ray Brown (jazz bassist) (von 1962-12-15 bis 1962-12-16)
Schlagzeug:
Ed Thigpen (von 1962-12-15 bis 1962-12-16)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (von 1962-12-15 bis 1962-12-16)
Komponist(in):
Jimmy Forrest
basiert auf:
Happy Go Lucky Local
The Oscar Peterson Trio4:51
16Mack the Knife
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1990-02-13)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1990-02-13)
Kontrabass:
Wilfred Middlebrooks (jazz bassist) (am 1990-02-13)
Schlagzeug:
Gus Johnson (drums) (am 1990-02-13)
vocals:
Ella Fitzgerald (American jazz singer) (am 1990-02-13)
recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald34:46
17On the Sunny Side of the Steet
Bass:
Tommy Bryant (am 1957-12-19)
Bassgitarre:
Tommy Bryant
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1957-12-19)
Saxophon:
Sonny Rollins (American saxophonist) (am 1957-12-19) und Sonny Stitt (am 1957-12-19)
Schlagzeug:
Charlie Persip (American jazz drummer) (am 1957-12-19)
Tenorsaxophon:
Sonny Rollins (American saxophonist) und Sonny Stitt
Trompete:
Dizzy Gillespie (am 1957-12-19)
vocals:
Dizzy Gillespie (am 1957-12-19)
aufgenommen bei:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, Vereinigte Staaten (am 1957-12-19)
instrumental cover recording of:
On the Sunny Side of the Street (am 1957-12-19)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
Dizzy Gillespie, Sonny Rollins & Sonny Stitt5:41
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