Angel of the Morning: The Best of Nina Simone

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1I Want a Little Sugar in My Bowl
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Interpret(in):
Sam Ellis (House DJ)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (am 1967-01-05)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
4.152:35
2I Can’t See Nobody
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Klavier und Sologesang:
Nina Simone
conductor:
Jimmy Wisner (pianist, producer and songwriter)
arranger:
Jimmy Wisner (pianist, producer and songwriter)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten
cover recording of:
I Can’t See Nobody
geschrieben in:
Brisbane, Queensland, Australien
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc. und Gibb Brothers Music
23:07
3Just Like a Woman
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1971-02-12)
Produzent(in):
Nat Shapiro und Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone und Harold Wheeler
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-02-12)
cover recording of:
Just Like a Woman
Texter und Komponist(in):
Bob Dylan (am 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons und Dwarf Music (vom 1966 bis heute)
54:53
4Nobody’s Fault but Mine
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-09-16)
vocals:
Nina Simone (am 1968-09-16)
arranger:
Nina Simone
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-09-16)
cover recording of:
It’s Nobody’s Fault but Mine (Blind Willie Johnson song) (am 1968-09-16)
Texter, Komponist(in) und arranger:
Blind Willie Johnson
vorher zugeschrieben zu:
[traditional] (special purpose artist)
publisher:
Filmtrax Mogull (publisher; do NOT use as release label)
3.53:02
5I Shall Be Released
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Bass [Fender bass] und E-Bass:
Gene A Perla
Gitarre:
Al Schackman
Klavier und Sologesang:
Nina Simone
Orgel:
Weldon J. Irvine, Jr.
Schlagzeug:
Don Alias
Schlagzeug [drums]:
Charles D. Alias
Hintergrundgesang und Hintergrundgesang [vocalist]:
Virdia Crawford und Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten
Bearbeitung von:
I Shall Be Released ('To Love Somebody' album version, with Nina Simone talking in the studio at the beginning) von Nina Simone
cover recording of:
I Shall Be Released (original lyrics) (von 1967-01-08 bis 1967-01-27)
Texter und Komponist(in):
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Dwarf Music (vom 1967 bis heute)
3.254:02
6Do What You Gotta Do
recorded in:
Vereinigte Staaten
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter)
Klavier:
Nina Simone
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1968) und BMG Music (in 1968)
Bearbeitung von:
Do What You Gotta Do (live, 1985: USA) von Nina Simone
live cover recording of:
Do What You Gotta Do (in 1985)
Texter und Komponist(in):
Hazel O’Connor und Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) und Sosahamu Music Inc. (publisher; do NOT use as release label)
33:40
7My Man’s Gone Now
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (am 1967-01-05)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America und WB Music Corp. (1929–2019) (bis 2019-05-28)
Version von:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
2.354:15
8The Turning Point
recording of:
Turning Point
Texter und Komponist(in):
Martha Holmes (vocalist)
2.352:02
9It Be’s That Way Sometimes
recording of:
It Be’s That Way Sometime
Komponist(in):
Sam Waymon
22:57
10Please Read Me
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-04-07)
E-Gitarre:
Rudy Stevenson (am 1968-04-07)
Instrumente:
Sam Waymon (am 1968-04-07)
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
Schlagzeug:
Buck Clarke (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
live cover recording of:
Please Read Me (am 1968-04-07)
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Abigail Music und Gibb Brothers Music
22:48
11Day & Night
recording engineer:
Mickey Crofford (am 1966-12-19) und Ray Hall (engineer) (am 1966-12-19)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1966-12-19)
recording of:
Day and Night
Verfasser(in):
Rudy Stevenson
2.352:33
12Do I Move You?
recording engineer:
Mickey Crofford (am 1966-12-19) und Ray Hall (engineer) (am 1966-12-19)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1966-12-19)
recording of:
Do I Move You? (am 1966-12-19)
Texter und Komponist(in):
Nina Simone
publisher:
Filmtrax Mogull (publisher; do NOT use as release label)
42:46
13Since I Fell for You
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
Since I Fell for You (am 1967-01-05)
Texter und Komponist(in):
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (beendet), Warner Bros., Inc. (not for release label use!) (beendet) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.52:49
14Mississippi Goddam
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-04-07)
E-Gitarre:
Rudy Stevenson (am 1968-04-07)
Klavier:
Nina Simone (am 1968-04-07)
Orgel:
Sam Waymon (am 1968-04-07)
Schlagzeug:
Buck Clarke (am 1968-04-07)
vocals:
Nina Simone (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
Bearbeitung von:
Mississippi Goddam (live, 1968‐04‐07: Westbury Music Fair, Long Island, NY, USA) von Nina Simone
live recording of:
Mississippi Goddam (am 1968-04-07)
Texter und Komponist(in):
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. und Sam Fox Publishing Company (publisher; do NOT use as release label)
Teil von:
Martin Luther King Suite
25:34
15My Sweet Lord
cover recording of:
My Sweet Lord
geschrieben in:
Europa (in 1969-12)
Texter und Komponist(in):
George Harrison (The Beatles) (von 1969-12 bis 1970)
publisher:
Harrisongs Ltd.
Version von:
He’s So Fine
4:37
16Mr Bojangles
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1971-02-09)
Produzent(in):
Nat Shapiro und Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone und Harold Wheeler
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-02-09)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
3.355:05
17To Love Somebody
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Klavier und Sologesang:
Nina Simone (in 1967)
Schlagzeug:
Don Alias (in 1967)
conductor:
Jimmy Wisner (pianist, producer and songwriter)
arranger:
Jimmy Wisner (pianist, producer and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-12-20)
cover recording of:
To Love Somebody (am 1967-12-20)
geschrieben in:
New York, New York, Vereinigte Staaten (in 1967)
Verfasser(in):
Barry Gibb (in 1967) und Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) und Universal Music Careers
Teil von:
50/50
3.852:40
18Seems I’m Never Tired Lovin’ You
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-10-01)
vocals:
Nina Simone (am 1968-10-01)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-10-01)
cover recording of:
Seems I'm Never Tired Lovin' You (am 1968-10-01)
Verfasser(in):
Carolyn Franklin und Shannon Stephens
33:01

Nennungen

Veröffentlichung

ASIN:UK: B001Q8WLNE [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1549989 [Info]