Messe in h-Moll

~ Release by J. S. Bach; Taverner Consort and Players, Andrew Parrott (see all versions of this release, 3 available)

Annotation

Emma Kirkby, soprano I
Emily Van Evera, soprano II
Panito Iconomou, alto
Rogers Covey-Crump, tenor
David Thomas, bass

Solisten der Tölzer Knabenchors
Panito Iconomou, alto
Christian Immler, alto
Michael Kilian, alto
Howard Arman, director

Taverner Consort & Players
Andrew Parrott, direction

Recording: St John's, Smith Square, London; September 1984

Label: EMI - Cat. #: 7 47239 2 - Format: 2CD

Reissues:
Label: Virgin - Cat. #: VMD 5 61337 2 - Format: 2CD
Label: Virgin - Cat. #: CDVB 5 61998 2 - Format: 2CD

Also part of this Box set as disc number 4:
Label: Virgin - Cat. #: 5 62068 2 - EAN: 724356206823 - Format: 5CD - ASIN: B00005UNXB

For performer data, AR's and recording data see disc 1.

Label: EMI - Cat. #: 7 47239 2 - Format: 2CD

Reissues:
Label: Virgin - Cat. #: VMD 5 61337 2 - Format: 2CD
Label: Virgin - Cat. #: CDVB 5 61998 2 - Format: 2CD

Also part of this Box set as disc number 4:
Label: Virgin - Cat. #: 5 62068 2 - EAN: 724356206823 - Format: 5CD - ASIN: B00005UNXB

Annotation last modified on 2010-10-23 12:02 UTC.

Tracklist

1▶Medium
2▼Medium
#TitleArtistRatingLength
1Messe in h-Moll, BWV 232: IIIa. Symbolum nicenum: Coro "Credo in unum Deum"
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:53
2Messe in h-Moll, BWV 232: IIIb. Symbolum nicenum: Coro "Patrem omnipotentem"
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:55
3Messe in h-Moll, BWV 232: IIIc. Symbolum nicenum: Duetto (Soprano I, Alto) "Et in unum Dominum"
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:21
4Messe in h-Moll, BWV 232: IIId. Symbolum nicenum: Coro "Et incarnatus est"
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:04
5Messe in h-Moll, BWV 232: IIIe. Symbolum nicenum: Coro "Crucifixus"
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:22
6Messe in h-Moll, BWV 232: IIIf. Symbolum nicenum: Coro "Et resurrexit"
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:05
7Messe in h-Moll, BWV 232: IIIg. Symbolum nicenum: Aria (Basso) "Et in Spiritum Sanctum Dominum"
bass vocals:
David Thomas (British operatic bass)
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:58
8Messe in h-Moll, BWV 232: IIIh. Symbolum nicenum: Coro "Confiteor"
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:53
9Messe in h-Moll, BWV 232: IIIi. Symbolum nicenum: Coro "Et expecto"
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:17
10Messe in h-Moll, BWV 232: IV. Coro "Sanctus"
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:19
11Messe in h-Moll, BWV 232: Va. Coro "Osanna in excelsis"
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:50
12Messe in h-Moll, BWV 232: Vb. Aria (Tenore) "Benedictus"
tenor vocals:
Rogers Covey‐Crump (tenor)
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:26
13Messe in h-Moll, BWV 232: Vc. Coro "Osanna in excelsis"
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:52
14Messe in h-Moll, BWV 232: Vd. Aria (Alto) "Agnus Dei"
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:34
15Messe in h-Moll, BWV 232: Ve. Coro "Dona nobis pacem"
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:02

Credits

Release

chorus master:Howard Arman
alto vocals:Panajotis N. Iconomou (bass-baritone)
Christian Immler (baritone)
Michael Kilian
ASIN:UK: B00005UNXB [info]