A Boy From Tupelo: The Complete 1953–1955 Recordings

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1My Happiness
cover recording of:
My Happiness
Texter:
Borney Bergantine (in 1933) und Betty Peterson (in 1948)
Komponist(in):
Borney Bergantine (in 1933)
publisher:
Chappell Music (UK) und Happiness Music Corp.
12:33
2That’s When Your Heartaches Begin
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1953-07)
cover demo recording of:
That’s When Your Heartaches Begin (in 1953-07)
Verfasser(in):
Fred Fisher, Billy Hill (US songwriter) und William Raskin
publisher:
Fred Fisher Music Co., Inc. und Sony/ATV Tunes LLC (ASCAP)
22:52
3I’ll Never Stand in Your Way
cover demo recording of:
I’ll Never Stand in Your Way
Verfasser(in):
Hy Heath und Fred Rose (songwriter)
publisher:
Milene Music. Inc (ASCAP)
12:04
4It Wouldn’t Be the Same Without You
cover demo recording of:
It Wouldn’t Be the Same Without You
Verfasser(in):
Fred Rose (songwriter) und Jimmy Wakely (Country and western singer and songwriter)
publisher:
Milene Music. Inc (ASCAP)
12:06
5Harbor Lights
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
cover recording of:
Harbour Lights (von 1954-07 bis 1955-07)
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Peter Maurice Music Co. Ltd.
42:38
6I Love You Because (unprocessed master edit)
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954, in 1956, in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
cover recording of:
I Love You Because (am 1954-07-05)
Texter und Komponist(in):
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1949-10-12)
32:43
7That’s All Right
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Akustikgitarre:
Elvis Presley (“The King of Rock and Roll”)
Bass und Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 112)
cover recording of:
That’s All Right (am 1954-07-05)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
2.92:00
8Blue Moon of Kentucky
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05, am 1954-07-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05, am 1954-07-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05, am 1954-07-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05, am 1954-07-07)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05, am 1954-07-07)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 49)
cover recording of:
Blue Moon of Kentucky (am 1954-07-05)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
cover recording of:
Blue Moon of Kentucky (am 1954-07-07)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2.652:07
9Blue Moon (take 9/M)
cover recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
22:44
10Tomorrow Night
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1954-09-12 bis 1954-09-16)
cover recording of:
Tomorrow Night (von 1954-09-12 bis 1954-09-16)
Verfasser(in):
Sam Coslow und Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Wilhelm Grosz Music Co
2.53:01
11I’ll Never Let You Go (Little Darlin’)
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-09-10, von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-09-10) und Elvis Presley (“The King of Rock and Roll”) (am 1954-09-10, von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1956)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-09-10, von 1954-09-12 bis 1954-09-16)
cover recording of:
I’ll Never Let You Go Little Darlin’ (am 1954-09-10)
Texter und Komponist(in):
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) und Sunshine Music Co., Inc. (am 1941-11-17)
cover recording of:
I’ll Never Let You Go Little Darlin’ (von 1954-09-12 bis 1954-09-16)
Texter und Komponist(in):
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) und Sunshine Music Co., Inc. (am 1941-11-17)
2.352:27
12I Don’t Care If the Sun Don’t Shine
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1954-09-12 bis 1954-09-16)
cover recording of:
I Don’t Care If the Sun Don’t Shine (von 1954-09-12 bis 1954-09-16)
Texter und Komponist(in):
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
22:32
13Just Because
cover recording of:
Just Because (am 1954-09-12)
Texter:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) und Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
Komponist(in):
Leon Chappelear und Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) und State Street Music Publ. Co. Inc. (am 1936-03-19)
12:34
14Good Rockin’ Tonight
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1954) und Elvis Presley (“The King of Rock and Roll”) (in 1954, von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und BMG Entertainment (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1954, von 1954-09-12 bis 1954-09-16)
cover recording of:
Good Rockin’ Tonight (am 1954-09-10)
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
52:15
15Milkcow Blues Boogie
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1954-11 bis 1954-12)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-11 bis 1954-12)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1954-11 bis 1954-12)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-11 bis 1954-12)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1953)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1954-11 bis 1954-12)
cover recording of:
Milk Cow Blues (Kokomo Arnold's version) (von 1954-11 bis 1954-12)
Texter und arranger:
Kokomo Arnold
Komponist(in):
[traditional] (special purpose artist) und Kokomo Arnold
publisher:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) und Universal Music Corp. (USA, affiliated with ASCAP)
Version von:
Milk Cow Blues
2.52:39
16You’re a Heartbreaker
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1954-11 bis 1954-12)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-11 bis 1954-12)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1954-11 bis 1954-12)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-11 bis 1954-12)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1954-11 bis 1954-12)
recording of:
You’re a Heartbreaker (von 1954-11 bis 1954-12)
Verfasser(in):
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
cover recording of:
You’re a Heartbreaker (von 1954-12 bis 1955-12)
Verfasser(in):
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2.52:13
17I’m Left, You’re Right, She’s Gone (slow version)
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten
cover recording of:
I’m Left, You’re Right, She’s Gone
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
22:43
18Baby, Let’s Play House
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1955-01-30 bis 1955-02-04)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1955-01-30 bis 1955-02-04)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1953, in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1955-01-30 bis 1955-02-04)
cover recording of:
Baby Let’s Play House (von 1955-01-30 bis 1955-02-04)
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
recording of:
Baby Let’s Play House
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
3.852:19
19I’m Left, You’re Right, She’s Gone
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-04)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-04)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (in 1955-04)
Schlagzeug:
Jimmie Lott (in 1955-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-04)
cover recording of:
I’m Left, You’re Right, She’s Gone (von 1954-07 bis 1955-07)
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
cover recording of:
I’m Left, You’re Right, She’s Gone (in 1955-04)
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2.652:38
20I Forgot to Remember to Forget
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
Schlagzeug:
Johnny Bernero (in 1955-07)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1955-07-11)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1955) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-07, am 1955-07-11)
cover recording of:
I Forgot to Remember to Forget (am 1955-07-11)
Verfasser(in):
Charlie Feathers und Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
cover recording of:
I Forgot to Remember to Forget (in 1955-07)
Verfasser(in):
Charlie Feathers und Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
32:31
21Mystery Train
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-07)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 77)
cover recording of:
Mystery Train (am 1955-07-11)
Verfasser(in):
Junior Parker und Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Hilo Music Inc. (in 1953)
3.152:30
22Trying to Get to You
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07, am 1955-07-11)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07, am 1955-07-11) und Scotty Moore (American guitarist and recording engineer) (am 1955-07-11)
Schlagzeug:
Johnny Bernero (in 1955-07, am 1955-07-11)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-07) und Sun Studios in Memphis, Tennessee, Vereinigte Staaten (am 1955-07-11)
cover recording of:
Trying to Get to You (am 1955-07-11)
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific und You Look Good Music Publishing
cover recording of:
Trying to Get to You (in 1955-07)
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific und You Look Good Music Publishing
3.352:36
23When It Rains, It Really Pours
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-11)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-11) und Elvis Presley (“The King of Rock and Roll”) (in 1955-11)
Schlagzeug:
Johnny Bernero (in 1955-11)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-11)
cover recording of:
When It Rains It Pours (von 1955-08 bis 1955-10)
Texter und Komponist(in):
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
publisher:
Hi Lo Music Inc. (BMI-affiliated) und Riverline Music
12:06
24That’s All Right (RCA single version)
cover recording of:
That’s All Right
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
31:59
25Blue Moon of Kentucky (RCA single version)
cover recording of:
Blue Moon of Kentucky
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
22:05
26I Love You Because
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954, in 1956, in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
cover recording of:
I Love You Because (am 1954-07-05)
Texter und Komponist(in):
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1949-10-12)
32:45
27Tomorrow Night (RCA LP version)
cover recording of:
Tomorrow Night
Verfasser(in):
Sam Coslow und Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Wilhelm Grosz Music Co
12:53
2▶Digitales Medium
3▶Digitales Medium

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
zum Herunterladen kaufen:https://itunes.apple.com/us/album/id1240501654 [Info]
kostenlos streamen:https://www.deezer.com/album/42159731 [Info]
Video kostenlos streamen:https://www.youtube.com/playlist?list=OLAK5uy_kTcaCWVBWQdo0C9bLRdR5Djnjua80DGjk [Info]
Streaming-Seite:https://tidal.com/album/74368718 [Info]