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Annotation

Copyright: © 2006 Naxos
2006 ℗ Naxos

Annotation last modified on 2025-11-03 13:10 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1L'Amfiparnaso: Atto II Scena II: Vien'a qua
conductor:
Sergio Vartolo (Italian harpsichordist & conductor) (from 1995-04-25 until 1995-04-28)
performer:
Cappella Musicale di San Petronio di Bologna (from 1995-04-25 until 1995-04-28)
recording of:
L'Amfiparnaso: Atto II, Scena 2. "Vien'à qua" (from 1995-04-25 until 1995-04-28)
composer:
Orazio Vecchi (Italian renaissance composer, c. 1550-1605)
part of:
L'Amfiparnaso: Atto II
Orazio Vecchi2:46
2L'Orfeo (X): Toccata
orchestra:
Cappella Musicale di San Petronio di Bologna (in 1996-08)
conductor:
Sergio Vartolo (Italian harpsichordist & conductor) (in 1996-08)
recorded at:
Théâtre du Puy-en-Velay in Le Puy-en-Velay, Haute-Loire, Auvergne-Rhône-Alpes, France (in 1996-08)
recording of:
L’Orfeo: Toccata (in 1996-08)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:52
3L'Orfeo, SV 318, Act I: Orpheus: Rosa del ciel
recording of:
L’Orfeo: Atto primo. Rosa del ciel (Orfeo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto primo
Claudio Monteverdi3:37
4L'Orfeo, SV 318, Act II: Ahi caso acerbo (Messaggiera)
recording of:
L'Orfeo: Atto secondo. Ahi, caso acerbo
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto secondo
Claudio Monteverdi10:51
5Calisto, Act III Scene 7: Dolcissimi baci (Endimione, Diana)
recording of:
La Calisto: Atto III, scena 7. “Dolcissimi baci”
composer:
Francesco Cavalli (Baroque composer)
part of:
La Calisto: Act 3
Francesco Cavalli2:49
6Dido & Aeneas, Z. 626, Act III: Dido: Thy hand, Belinda; darkness shades me
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:59
7Dido & Aeneas, Z. 626: When I Am Laid in Earth
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:46
8Rinaldo, HWV 7: Lascia ch'io pianga
soprano vocals:
Susanne Rydén (soprano)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
conductor:
Charles Medlam (cellist, viol player and conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel3:41
9Castor et Pollux, Act II Scene 2: Tristes apprets (Telaire) [1754 Version]
partial recording of:
Castor et Pollux: Acte II
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
librettist:
Pierre-Joseph Bernard
part of:
Castor et Pollux
Jean‐Philippe Rameau5:12
10Orfeo ed Euridice: Che farò senza Euridice?
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:26
11Le nozze di Figaro, K. 492, Act IV: Giunse al fin il momento...Deh, vieni, non tardar
engineer:
János Bohus (Hungarian sound engineer.) (from 2002-10 until 2002-11)
producer:
Ibolya Tóth (from 2002-10 until 2002-11)
editor:
Mária Falvay (editor/engineer) (from 2002-10 until 2002-11) and Veronika Vincze (engineer) (from 2002-10 until 2002-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2002-10-26 until 2002-11-04)
conductor:
Michael Halász (conductor) (from 2002-10-26 until 2002-11-04)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2002-10-26 until 2002-11-04)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (from 2002-10-26 until 2002-11-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (from 2002-10-26 until 2002-11-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:26
12Don Giovanni, K. 527, Don Giovanni, Act I: Aria. Fin ch'han dal vino
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:30
13Don Giovanni, K. 527: Deh! Vieni alla finestra
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
vocals:
Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:58
14The Magic Flute, K. 620, Act I: Rezitativ und Arie. O zittre nicht, mein lieber Sohn!
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
soprano vocals [The Queen of the Night]:
Hellen Kwon (soprano) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:43
15Fidelio, op. 72: Abscheulicher! Wo eilst du hin?
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:30
16Tristan und Isolde, Act I: Prelude
recording of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner11:48
17Tristan und Isolde, WWV 90, Tristan und Isolde, Act III: Mild und leise wie er lachelt, "Isoldes Liebestod"
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner6:45
18La Cenerentola, Act 1: Zitto zitto, piano piano (Live)
baritone vocals:
Paolo Bordogna (on 2004-11-13)
mezzo-soprano vocals:
Martina Borst (mezzo-soprano) (on 2004-11-13)
soprano vocals:
Patrizia Cigna (on 2004-11-13)
tenor vocals:
José Manuel Zapata (on 2004-11-13)
orchestra:
SWR Rundfunkorchester Kaiserslautern (SWR Radio Orchestra Kaiserslautern) (on 2004-11-13)
conductor:
Alberto Zedda (conductor) (on 2004-11-13)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!) (from 2005 to present)
live recording of:
La Cenerentola: Atto I, scena 3. Duetto e finale “Zitto, zitto, piano, piano” (Ramiro, Dandini, Clorinda, Tisbe) (on 2004-11-13)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini5:13
19Lucia di Lammermoor: Mad Scene (Featured in "The Fifth Element")
soprano vocals [Lucia]:
Ľuba Orgonášová (soprano)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Luba Orgonasova5:23
2▶Digital Media