Planet 70’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Blockbuster
Produzent(in):
Phil Wainman
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1973), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Block Buster!
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd., RAK Publ. Ltd. und Universal Music Publishing MGB Ltd.
The Sweet53:12
2Get It On
Techniker(in):
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen und Martin Rushent
Produzent(in):
Tony Visconti
E-Bass:
Steve Currie (von 1971-03 bis 1971-06)
E-Gitarre und Sologesang:
Marc Bolan (von 1971-03 bis 1971-06)
Keyboard:
Rick Wakeman (von 1971-03 bis 1971-06)
Perkussion:
Mickey Finn (musician and T. Rex member) (von 1971-03 bis 1971-06)
Schlagzeug:
Bill Legend (von 1971-03 bis 1971-06)
Hintergrundgesang:
Howard Kaylan (von 1971-03 bis 1971-06) und Mark Volman (von 1971-03 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) und Tarantula Productions (in 1971)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 41)
recording of:
Get It On (Bang a Gong) (von 1971-03 bis 1971-06)
Texter und Komponist(in):
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget (Swedish subsidiary of Essex Music), Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. und Westminster Music Ltd.
T. Rex4.654:25
3The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:23
4Black Betty
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
Texter und Komponist(in):
[traditional] (special purpose artist) und Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (vom 1977 bis heute) und TRO (publisher) (vom 1977 bis heute)
Ram Jam3.653:56
5My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack3.93:59
6Tiger Feet
Koproduzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Interpret(in):
Mud (UK glam rock band)
phonographisches Urheberrecht (℗) von:
RAK (in 1974)
recording of:
Tiger Feet
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) und BMG Music Publishing Ltd.
Mud53:50
7Crazy Horses
recording of:
Crazy Horses
Texter und Komponist(in):
Alan Osmond, Merrill Osmond und Wayne Osmond
publisher:
Kolob Music und Mike Curb Music
Version von:
Crazy Horses
The Osmonds2:27
8She’s a Lady
phonographisches Urheberrecht (℗) von:
Decca Records Co. Ltd. (Decca Records) (in 1971) und Tom Jones Enterprises Ltd. (in 1971)
cover recording of:
She’s a Lady (in 1971)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. und Spanka Music Corp.
recording of:
She’s a Lady
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. und Spanka Music Corp.
Tom Jones3.92:52
9Mama Weer All Crazy Now
recording of:
Mama Weer All Crazee Now
Verfasser(in):
Jim Lea und Neville Holder
publisher:
Barn Publishing (Slade) Ltd. und Warner Chappell
Slade3:40
10See My Baby Jive
Produzent(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 1973)
recording of:
See My Baby Jive
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. und Roy Wood Music Ltd.
Wizzard54:58
11All the Young Dudes
Produzent(in):
David Bowie (English singer‐songwriter)
Sologesang:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
Teil von:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 166) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 253)
recording of:
All the Young Dudes
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Mott the Hoople4.23:28
12You Make Me Feel Like Dancing
recording engineer:
Bill Schnee
assistierende(r) Techniker(in):
Dana Latham
Produzent(in):
Richard Perry (producer)
Bass:
Chuck Rainey (American bassist)
Clavinet:
John Barns
Gitarre:
Larry Carlton und Ray Parker Jr.
Schlagzeug:
Steve Gadd (drummer)
Hintergrundgesang:
Clydie King, Becky Louis und Sherlie Matthews (US vocalist)
vocals:
Leo Sayer
conductor:
Gene Page (conductor, composer, arranger and record producer)
Saiteninstrumente arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1976) und Silverbird Ltd. (in 1976)
recording of:
You Make Me Feel Like Dancing
Texter:
Leo Sayer
Komponist(in):
Vini Poncia
publisher:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music und Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:39
13Son of My Father
phonographisches Urheberrecht (℗) von:
Santa Ponsa Productions (in 1972)
recording of:
Son of My Father
Texter:
Michael Holm (German musician) (in 1971) und Pete Bellotte (English lyricist and producer) (in 1972)
Komponist(in):
Giorgio Moroder (in 1971)
publisher:
IQ Music Ltd. und Sony/ATV Music Publishing (UK) Ltd.
Version von:
Nachts scheint die Sonne
Chicory Tip53:08
14Band of Gold
phonographisches Urheberrecht (℗) von:
Holland Group Productions Inc. (in 1970)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 278) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 391)
recording of:
Band of Gold (Freda Payne song)
Verfasser(in):
Ronald Dunbar (Songwriter, A&R director and record producer), Edythe Wayne, Edythe Wayne (Motown producer & songwriter) und Edythe Wayne (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Chelsea Music Publishing Co., Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:52
15I Love to Love
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer)
Produzent(in):
Biddu (composer, songwriter, producer and musician)
arranger:
Biddu (composer, songwriter, producer and musician)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976) und Arista Records Ltd. (not for release label use!) (in 1986)
cover recording of:
I Love to Love
Texter:
Philo Jack Robinson (disco songwriter, producer, composer)
Komponist(in):
James Bolden (French singer and songwriter)
publisher:
Mautoglade Music, Robin Song Music (affiliated to SACEM) und Rolf Baierle Music
Tina Charles4.653:04
16Seasons in the Sun
Produzent(in):
Terry Jacks
arranger:
Terry Jacks
phonographisches Urheberrecht (℗) von:
Bell Records Inc. (record company behind the Bell Records and Mala labels) (in 1973), Arista Records, LLC (holding company - file NO releases here!) (in 1974) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980)
produced for:
Poppy Family Productions Ltd.
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 19)
cover recording of:
Seasons in the Sun
Texter und Übersetzer:
Rod McKuen
Komponist(in):
Jacques Brel
publisher:
E.B. Marks Music Corp. und Francis, Day & Hunter Ltd. (in 1973)
übersetzte Version von:
Le Moribond
recording of:
Seasons in the Sun
Texter und Übersetzer:
Rod McKuen
Komponist(in):
Jacques Brel
publisher:
E.B. Marks Music Corp. und Francis, Day & Hunter Ltd. (in 1973)
übersetzte Version von:
Le Moribond
Terry Jacks3.53:27
17Sex Drugs & Rock ’n’ Roll
E-Bass:
Norman Watt-Roy (in 1976)
E-Gitarre:
Chaz Jankel (English musician and songwriter) (in 1976)
Schlagzeug:
Charley Charles (UK drummer) (in 1976)
Sologesang:
Ian Dury (in 1976)
phonographisches Urheberrecht (℗) von:
Stiff Records (in 1977) und Templemill Music Ltd (in 1977)
aufgenommen bei:
Alvic Studios (Wimbledon) in Wimbledon, Merton, London (Greater London), England, Vereinigtes Königreich (in 1976)
recording of:
Sex & Drugs & Rock & Roll (in 1976)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter)
publisher:
Blackhill Music Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Ian Dury and the Blockheads3.853:08
18Dreadlock Holiday
Techniker(in):
Keith Bessey, Eric Stewart und Tony Spath
Produzent(in):
Graham Gouldman und Eric Stewart
Mix:
Eric Stewart
Agogô, Conga, cowbell, Marimba, Timbales und triangle:
Paul Burgess (UK rock drummer)
Bassgitarre, cabasa und Hintergrundgesang und Sologesang:
Graham Gouldman
E-Gitarre:
Rick Fenn und Graham Gouldman
Hybrid-Piano und Maracas / Rumba-Rasseln:
Eric Stewart
Orgel:
Rick Fenn und Eric Stewart
Schlagzeug und Tamburin:
Stuart Tosh
Synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
Hintergrundgesang:
Rick Fenn, Eric Stewart und Stuart Tosh
arranger:
10cc
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978) und Phonogram Ltd. (not for release label use!) (in 1978)
aufgenommen bei und mixed at:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich
Musikvideos:
Dreadlock Holiday von 10cc
recording of:
Dreadlock Holiday
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. und St. Anne’s Music Ltd.
10cc4.654:25
1954‐56 (Was My Number)
recording of:
54‐46 (That’s My Number)
Texter und Komponist(in):
Toots Hibbert
Toots & The Maytals2:52
20I Can’t Get Next to You
Produzent(in):
Norman Whitfield
Instrumente:
The Funk Brothers (von 1969-06-23 bis 1969-07-03)
Sologesang:
Dennis Edwards (US soul & R’n’B singer) (von 1969-06-23 bis 1969-07-03), Eddie Kendricks (von 1969-06-23 bis 1969-07-03) und Paul Williams (member of The Temptations) (von 1969-06-23 bis 1969-07-03)
vocals:
Melvin Franklin (von 1969-06-23 bis 1969-07-03) und Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1969-06-23 bis 1969-07-03)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1969-06-23 bis 1969-07-03)
recording of:
I Can’t Get Next to You (von 1969-06-23 bis 1969-07-03)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd. und Stone Agate Music
The Temptations2.52:51
21The Tears of a Clown
Gitarre:
Marvin Tarplin (am 1966-09-26)
Instrumente:
The Funk Brothers (am 1966-09-26)
Hintergrundgesang:
Warren “Pete” Moore (am 1966-09-26), Claudette Robinson (am 1966-09-26), Bobby Rogers (am 1966-09-26) und Ronald White (soul singer, founding member of The Miracles) (am 1966-09-26)
Sologesang:
Smokey Robinson (am 1966-09-26)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1970)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1966-09-26)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 190) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 313)
recording of:
The Tears of a Clown (am 1966-09-26)
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles3.92:57
22The Professionals (main Theme)
Orchester:
The London Studio Symphony Orchestra
conductor:
Laurie Johnson
recording of:
The Professionals (main title)
Komponist(in):
Laurie Johnson
recording of:
The Professionals (TV version)
Komponist(in):
Laurie Johnson
The London Studio Symphony Orchestra41:53
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