Classic Artie Shaw Bluebird and Victor Sessions

~ Veröffentlichung von Artie Shaw (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Limited edition of 5,000 sets.

Anmerkung zuletzt geändert am 2022-11-19 06:41 UTC.

Titelliste

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Nr.TitelBewertungLänge
1Love Walked In
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-03)
alto saxophone:
Louis Prisby (am 1945-07-03) und Rudy Tanza (am 1945-07-03)
baritone saxophone:
Chuck Gentry (am 1945-07-03)
Bass:
Morris Rayman (am 1945-07-03)
Gitarre:
Barney Kessel (am 1945-07-03)
Klarinette:
Artie Shaw (am 1945-07-03)
Klavier:
Dodo Marmarosa (am 1945-07-03)
Posaune:
Gus Dixon (am 1945-07-03), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-03), Bob Swift (am 1945-07-03) und Ollie Wilson (am 1945-07-03)
Schlagzeug:
Lou Fromm (am 1945-07-03)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-03) und Jon Walton (am 1945-07-03)
Trompete:
Roy Eldridge (am 1945-07-03), Stan Fishelson (am 1945-07-03), Bernie Glow (am 1945-07-03) und George Schwartz (am 1945-07-03)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-03)
recording of:
Love Walked In (am 1945-07-03)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
2:54
2Soon
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-03)
alto saxophone:
Louis Prisby (am 1945-07-03) und Rudy Tanza (am 1945-07-03)
baritone saxophone:
Chuck Gentry (am 1945-07-03)
Bass:
Morris Rayman (am 1945-07-03)
Gitarre:
Barney Kessel (am 1945-07-03)
Klarinette:
Artie Shaw (am 1945-07-03)
Klavier:
Dodo Marmarosa (am 1945-07-03)
Posaune:
Gus Dixon (am 1945-07-03), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-03), Bob Swift (am 1945-07-03) und Ollie Wilson (am 1945-07-03)
Schlagzeug:
Lou Fromm (am 1945-07-03)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-03) und Jon Walton (am 1945-07-03)
Trompete:
Roy Eldridge (am 1945-07-03), Stan Fishelson (am 1945-07-03), Bernie Glow (am 1945-07-03) und George Schwartz (am 1945-07-03)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-03)
3:03
3Keepin' Myself for You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-06)
alto saxophone:
Louis Prisby (am 1945-07-06) und Rudy Tanza (am 1945-07-06)
baritone saxophone:
Chuck Gentry (am 1945-07-06)
Gitarre:
Barney Kessel (am 1945-07-06)
Klarinette:
Artie Shaw (am 1945-07-06)
Klavier:
Dodo Marmarosa (am 1945-07-06)
Kontrabass [bass]:
Morris Rayman (am 1945-07-06)
Posaune:
Gus Dixon (am 1945-07-06), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-06), Bob Swift (am 1945-07-06) und Ollie Wilson (am 1945-07-06)
Schlagzeug:
Lou Fromm (am 1945-07-06)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-06) und Jon Walton (am 1945-07-06)
Trompete:
Roy Eldridge (am 1945-07-06), Stan Fishelson (am 1945-07-06), Bernie Glow (am 1945-07-06) und George Schwartz (am 1945-07-06)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-06)
recording of:
Keepin’ Myself for You (am 1945-07-06)
Texter:
Sidney Clare
Komponist(in):
Vincent Youmans
Teil von:
Hit the Deck (1955 movie)
3:09
4No One but You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-21)
alto saxophone:
Louis Prisby (am 1945-07-21) und Rudy Tanza (am 1945-07-21)
baritone saxophone:
Chuck Gentry (am 1945-07-21)
Bass:
Morris Rayman (am 1945-07-21)
Gitarre:
Barney Kessel (am 1945-07-21)
Klarinette:
Artie Shaw (am 1945-07-21)
Klavier:
Dodo Marmarosa (am 1945-07-21)
Posaune:
Gus Dixon (am 1945-07-21), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-21), Bob Swift (am 1945-07-21) und Ollie Wilson (am 1945-07-21)
Schlagzeug:
Lou Fromm (am 1945-07-21)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-21) und Jon Walton (am 1945-07-21)
Trompete:
Roy Eldridge (am 1945-07-21), Stan Fishelson (am 1945-07-21), Bernie Glow (am 1945-07-21) und George Schwartz (am 1945-07-21)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-21)
3:04
5Natch
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-06)
alto saxophone:
Louis Prisby (am 1945-07-06) und Rudy Tanza (am 1945-07-06)
baritone saxophone:
Chuck Gentry (am 1945-07-06)
Bass:
Morris Rayman (am 1945-07-06)
Gitarre:
Barney Kessel (am 1945-07-06)
Klarinette:
Artie Shaw (am 1945-07-06)
Klavier:
Dodo Marmarosa (am 1945-07-06)
Posaune:
Gus Dixon (am 1945-07-06), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-06), Bob Swift (am 1945-07-06) und Ollie Wilson (am 1945-07-06)
Schlagzeug:
Lou Fromm (am 1945-07-06)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-06) und Jon Walton (am 1945-07-06)
Trompete:
Roy Eldridge (am 1945-07-06), Stan Fishelson (am 1945-07-06), Bernie Glow (am 1945-07-06) und George Schwartz (am 1945-07-06)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-06)
3:16
6They Can't Take That Away From Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-14)
alto saxophone:
Louis Prisby (am 1945-07-14) und Rudy Tanza (am 1945-07-14)
baritone saxophone:
Chuck Gentry (am 1945-07-14)
Bass:
Morris Rayman (am 1945-07-14)
Gitarre:
Barney Kessel (am 1945-07-14)
Klarinette:
Artie Shaw (am 1945-07-14)
Klavier:
Dodo Marmarosa (am 1945-07-14)
Posaune:
Gus Dixon (am 1945-07-14), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-14), Bob Swift (am 1945-07-14) und Ollie Wilson (am 1945-07-14)
Schlagzeug:
Lou Fromm (am 1945-07-14)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-14) und Jon Walton (am 1945-07-14)
Trompete:
Roy Eldridge (am 1945-07-14), Stan Fishelson (am 1945-07-14), Bernie Glow (am 1945-07-14) und George Schwartz (am 1945-07-14)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-14)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
2:44
7Our Love Is Here to Stay
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-14)
alto saxophone:
Louis Prisby (am 1945-07-14) und Rudy Tanza (am 1945-07-14)
baritone saxophone:
Chuck Gentry (am 1945-07-14)
Bass:
Morris Rayman (am 1945-07-14)
Gitarre:
Barney Kessel (am 1945-07-14)
Klarinette:
Artie Shaw (am 1945-07-14)
Klavier:
Dodo Marmarosa (am 1945-07-14)
Posaune:
Gus Dixon (am 1945-07-14), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-14), Bob Swift (am 1945-07-14) und Ollie Wilson (am 1945-07-14)
Schlagzeug:
Lou Fromm (am 1945-07-14)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-14) und Jon Walton (am 1945-07-14)
Trompete:
Roy Eldridge (am 1945-07-14), Stan Fishelson (am 1945-07-14), Bernie Glow (am 1945-07-14) und George Schwartz (am 1945-07-14)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-14)
recording of:
Love Is Here to Stay
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
2:54
8I Was Doing All Right
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-14)
alto saxophone:
Louis Prisby (am 1945-07-14) und Rudy Tanza (am 1945-07-14)
baritone saxophone:
Chuck Gentry (am 1945-07-14)
Bass:
Morris Rayman (am 1945-07-14)
Gitarre:
Barney Kessel (am 1945-07-14)
Klarinette:
Artie Shaw (am 1945-07-14)
Klavier:
Dodo Marmarosa (am 1945-07-14)
Posaune:
Gus Dixon (am 1945-07-14), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-14), Bob Swift (am 1945-07-14) und Ollie Wilson (am 1945-07-14)
Schlagzeug:
Lou Fromm (am 1945-07-14)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-14) und Jon Walton (am 1945-07-14)
Trompete:
Roy Eldridge (am 1945-07-14), Stan Fishelson (am 1945-07-14), Bernie Glow (am 1945-07-14) und George Schwartz (am 1945-07-14)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-14)
recording of:
I Was Doing All Right
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
3:07
9Someone to Watch Over Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-17)
alto saxophone:
Louis Prisby (am 1945-07-17) und Rudy Tanza (am 1945-07-17)
baritone saxophone:
Chuck Gentry (am 1945-07-17)
Bass:
Morris Rayman (am 1945-07-17)
Gitarre:
Barney Kessel (am 1945-07-17)
Klarinette:
Artie Shaw (am 1945-07-17)
Klavier:
Dodo Marmarosa (am 1945-07-17)
Posaune:
Gus Dixon (am 1945-07-17), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-17), Bob Swift (am 1945-07-17) und Ollie Wilson (am 1945-07-17)
Schlagzeug:
Lou Fromm (am 1945-07-17)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-17) und Jon Walton (am 1945-07-17)
Trompete:
Roy Eldridge (am 1945-07-17), Stan Fishelson (am 1945-07-17), Bernie Glow (am 1945-07-17) und George Schwartz (am 1945-07-17)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-17)
recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1945-07-17)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
3:03
10Things Are Looking Up
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-17)
alto saxophone:
Louis Prisby (am 1945-07-17) und Rudy Tanza (am 1945-07-17)
baritone saxophone:
Chuck Gentry (am 1945-07-17)
Bass:
Morris Rayman (am 1945-07-17)
Gitarre:
Barney Kessel (am 1945-07-17)
Klarinette:
Artie Shaw (am 1945-07-17)
Klavier:
Dodo Marmarosa (am 1945-07-17)
Posaune:
Gus Dixon (am 1945-07-17), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-17), Bob Swift (am 1945-07-17) und Ollie Wilson (am 1945-07-17)
Schlagzeug:
Lou Fromm (am 1945-07-17)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-17) und Jon Walton (am 1945-07-17)
Trompete:
Roy Eldridge (am 1945-07-17), Stan Fishelson (am 1945-07-17), Bernie Glow (am 1945-07-17) und George Schwartz (am 1945-07-17)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-17)
recording of:
Things Are Looking Up (A Damsel in Distress) (am 1945-07-17)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
3:07
11The Maid With the Flaccid Air
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-19)
alto saxophone:
Louis Prisby (am 1945-07-19) und Rudy Tanza (am 1945-07-19)
baritone saxophone:
Chuck Gentry (am 1945-07-19)
Bass:
Morris Rayman (am 1945-07-19)
Gitarre:
Barney Kessel (am 1945-07-19)
Klarinette:
Artie Shaw (am 1945-07-19)
Klavier:
Dodo Marmarosa (am 1945-07-19)
Posaune:
Gus Dixon (am 1945-07-19), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-19), Bob Swift (am 1945-07-19) und Ollie Wilson (am 1945-07-19)
Schlagzeug:
Lou Fromm (am 1945-07-19)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-19) und Jon Walton (am 1945-07-19)
Trompete:
Roy Eldridge (am 1945-07-19), Stan Fishelson (am 1945-07-19), Bernie Glow (am 1945-07-19) und George Schwartz (am 1945-07-19)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-19)
3:48
12No One but You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-21)
alto saxophone:
Louis Prisby (am 1945-07-21) und Rudy Tanza (am 1945-07-21)
baritone saxophone:
Chuck Gentry (am 1945-07-21)
Bass:
Morris Rayman (am 1945-07-21)
Gitarre:
Barney Kessel (am 1945-07-21)
Klarinette:
Artie Shaw (am 1945-07-21)
Klavier:
Dodo Marmarosa (am 1945-07-21)
Posaune:
Gus Dixon (am 1945-07-21), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-21), Bob Swift (am 1945-07-21) und Ollie Wilson (am 1945-07-21)
Schlagzeug:
Lou Fromm (am 1945-07-21)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-21) und Jon Walton (am 1945-07-21)
Trompete:
Roy Eldridge (am 1945-07-21), Stan Fishelson (am 1945-07-21), Bernie Glow (am 1945-07-21) und George Schwartz (am 1945-07-21)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-21)
3:03
13They Didn't Believe Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-21)
alto saxophone:
Louis Prisby (am 1945-07-21) und Rudy Tanza (am 1945-07-21)
baritone saxophone:
Chuck Gentry (am 1945-07-21)
Bass:
Morris Rayman (am 1945-07-21)
Gitarre:
Barney Kessel (am 1945-07-21)
Klarinette:
Artie Shaw (am 1945-07-21)
Klavier:
Dodo Marmarosa (am 1945-07-21)
Posaune:
Gus Dixon (am 1945-07-21), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-21), Bob Swift (am 1945-07-21) und Ollie Wilson (am 1945-07-21)
Schlagzeug:
Lou Fromm (am 1945-07-21)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-21) und Jon Walton (am 1945-07-21)
Trompete:
Roy Eldridge (am 1945-07-21), Stan Fishelson (am 1945-07-21), Bernie Glow (am 1945-07-21) und George Schwartz (am 1945-07-21)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-21)
recording of:
They Didn’t Believe Me (am 1945-07-21)
Texter:
Herbert Reynolds (lyricist)
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd. und Redwood Music Ltd. (Carlin)
Teil von:
The Girl From Utah
2:57
14Dancing on the Ceiling
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-24)
alto saxophone:
Louis Prisby (am 1945-07-24) und Rudy Tanza (am 1945-07-24)
baritone saxophone:
Chuck Gentry (am 1945-07-24)
Bass:
Morris Rayman (am 1945-07-24)
Gitarre:
Barney Kessel (am 1945-07-24)
Klarinette:
Artie Shaw (am 1945-07-24)
Klavier:
Dodo Marmarosa (am 1945-07-24)
Posaune:
Gus Dixon (am 1945-07-24), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-24), Bob Swift (am 1945-07-24) und Ollie Wilson (am 1945-07-24)
Schlagzeug:
Lou Fromm (am 1945-07-24)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-24) und Jon Walton (am 1945-07-24)
Trompete:
Roy Eldridge (am 1945-07-24), Stan Fishelson (am 1945-07-24), Bernie Glow (am 1945-07-24) und George Schwartz (am 1945-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-24)
recording of:
Dancing on the Ceiling (1930 Rodgers & Hart song) (am 1945-07-24)
Texter:
Lorenz Hart (in 1930)
Komponist(in):
Richard Rodgers (composer) (in 1930)
3:10
15I Can't Get Started
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-24)
alto saxophone:
Louis Prisby (am 1945-07-24) und Rudy Tanza (am 1945-07-24)
baritone saxophone:
Chuck Gentry (am 1945-07-24)
Bass:
Morris Rayman (am 1945-07-24)
Gitarre:
Barney Kessel (am 1945-07-24)
Klarinette:
Artie Shaw (am 1945-07-24)
Klavier:
Dodo Marmarosa (am 1945-07-24)
Posaune:
Gus Dixon (am 1945-07-24), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-24), Bob Swift (am 1945-07-24) und Ollie Wilson (am 1945-07-24)
Schlagzeug:
Lou Fromm (am 1945-07-24)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-24) und Jon Walton (am 1945-07-24)
Trompete:
Roy Eldridge (am 1945-07-24), Stan Fishelson (am 1945-07-24), Bernie Glow (am 1945-07-24) und George Schwartz (am 1945-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-24)
recording of:
I Can’t Get Started (am 1945-07-24)
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:22
16Just Floatin' Along
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-26)
alto saxophone:
Louis Prisby (am 1945-07-26) und Rudy Tanza (am 1945-07-26)
baritone saxophone:
Chuck Gentry (am 1945-07-26)
Bass:
Morris Rayman (am 1945-07-26)
Gitarre:
Barney Kessel (am 1945-07-26)
Klarinette:
Artie Shaw (am 1945-07-26)
Klavier:
Dodo Marmarosa (am 1945-07-26)
Posaune:
Gus Dixon (am 1945-07-26), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-26), Bob Swift (am 1945-07-26) und Ollie Wilson (am 1945-07-26)
Schlagzeug:
Lou Fromm (am 1945-07-26)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-26) und Jon Walton (am 1945-07-26)
Trompete:
Roy Eldridge (am 1945-07-26), Stan Fishelson (am 1945-07-26), Bernie Glow (am 1945-07-26) und George Schwartz (am 1945-07-26)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-26)
3:07
17Don't Blame Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-28)
alto saxophone:
Louis Prisby (am 1945-07-28) und Rudy Tanza (am 1945-07-28)
baritone saxophone:
Chuck Gentry (am 1945-07-28)
Bass:
Morris Rayman (am 1945-07-28)
Gitarre:
Barney Kessel (am 1945-07-28)
Klarinette:
Artie Shaw (am 1945-07-28)
Klavier:
Dodo Marmarosa (am 1945-07-28)
Posaune:
Gus Dixon (am 1945-07-28), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-28), Bob Swift (am 1945-07-28) und Ollie Wilson (am 1945-07-28)
Schlagzeug:
Lou Fromm (am 1945-07-28)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-28) und Jon Walton (am 1945-07-28)
Trompete:
Roy Eldridge (am 1945-07-28), Stan Fishelson (am 1945-07-28), Bernie Glow (am 1945-07-28) und George Schwartz (am 1945-07-28)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-28)
recording of:
Don’t Blame Me (am 1945-07-28)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und Ireneadele Publishing
2:55
18I Can't Escape From You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-30)
alto saxophone:
Louis Prisby (am 1945-07-30) und Rudy Tanza (am 1945-07-30)
baritone saxophone:
Chuck Gentry (am 1945-07-30)
Bass:
Morris Rayman (am 1945-07-30)
Gitarre:
Barney Kessel (am 1945-07-30)
Klarinette:
Artie Shaw (am 1945-07-30)
Klavier:
Dodo Marmarosa (am 1945-07-30)
Posaune:
Gus Dixon (am 1945-07-30), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-30), Bob Swift (am 1945-07-30) und Ollie Wilson (am 1945-07-30)
Schlagzeug:
Lou Fromm (am 1945-07-30)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-30) und Jon Walton (am 1945-07-30)
Trompete:
Roy Eldridge (am 1945-07-30), Stan Fishelson (am 1945-07-30), Bernie Glow (am 1945-07-30) und George Schwartz (am 1945-07-30)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-30)
recording of:
I Can’t Escape From You (am 1945-07-30)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Richard A. Whiting (composer)
3:03
19Scuttlebutt
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-31)
Gitarre:
Barney Kessel (am 1945-07-31)
Klarinette:
Artie Shaw (am 1945-07-31)
Klavier:
Dodo Marmarosa (am 1945-07-31)
Kontrabass:
Morris Rayman (am 1945-07-31)
Schlagzeug:
Lou Fromm (am 1945-07-31)
Trompete:
Roy Eldridge (am 1945-07-31)
Interpret(in):
Artie Shaw and His Gramercy Five (am 1945-07-31)
recording of:
Scuttlebutt (am 1945-07-31)
Komponist(in):
John Carleton und Artie Shaw
3:12
20The Gentle Grifter
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-08-02)
alto saxophone:
Rudy Tanza (am 1945-08-02)
baritone saxophone:
Chuck Gentry (am 1945-08-02)
Gitarre:
Barney Kessel (am 1945-08-02)
Klarinette:
Artie Shaw (am 1945-08-02)
Klavier:
Dodo Marmarosa (am 1945-08-02)
Kontrabass:
Morris Rayman (am 1945-08-02)
Posaune:
Gus Dixon (am 1945-08-02), Harry Rogers (US big-band trombonist and arranger) (am 1945-08-02), Bob Swift (am 1945-08-02) und Ollie Wilson (am 1945-08-02)
Schlagzeug:
Lou Fromm (am 1945-08-02)
Tenorsaxophon:
Herbie Steward (jazz saxophonist) (am 1945-08-02)
Trompete:
Roy Eldridge (am 1945-08-02) und Bernie Glow (am 1945-08-02)
Interpret(in):
Artie Shaw and His Gramercy Five (am 1945-08-02)
recording of:
The Gentle Grifter (am 1945-08-02)
Komponist(in):
John Carleton und Artie Shaw
2:51
21Mysterioso
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-08-02)
Gitarre:
Barney Kessel (am 1945-08-02)
Klarinette:
Artie Shaw (am 1945-08-02)
Klavier:
Dodo Marmarosa (am 1945-08-02)
Kontrabass [bass]:
Morris Rayman (am 1945-08-02)
Schlagzeug:
Lou Fromm (am 1945-08-02)
Trompete:
Roy Eldridge (am 1945-08-02)
Interpret(in):
Artie Shaw and His Gramercy Five (am 1945-08-02)
recording of:
Mysterioso (am 1945-08-02)
Komponist(in):
John Carleton und Artie Shaw
3:04
22Hop, Skip and Jump
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-08-02)
Gitarre:
Barney Kessel (am 1945-08-02)
Klarinette:
Artie Shaw (am 1945-08-02)
Klavier:
Dodo Marmarosa (am 1945-08-02)
Kontrabass:
Morris Rayman (am 1945-08-02)
Schlagzeug:
Lou Fromm (am 1945-08-02)
Trompete:
Roy Eldridge (am 1945-08-02)
Interpret(in):
Artie Shaw and His Gramercy Five (am 1945-08-02)
recording of:
Hop, Skip and Jump (am 1945-08-02)
Komponist(in):
John Carleton und Artie Shaw
2:58
23Mysterioso (ALT TK -2)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-08-02)
Bass:
Morris Rayman (am 1945-08-02)
Gitarre:
Barney Kessel (am 1945-08-02)
Klarinette:
Artie Shaw (am 1945-08-02)
Klavier:
Dodo Marmarosa (am 1945-08-02)
Schlagzeug:
Lou Fromm (am 1945-08-02)
Trompete:
Roy Eldridge (am 1945-08-02)
Interpret(in):
Artie Shaw and His Gramercy Five (am 1945-08-02)
3:00