NOW That’s What I Call a Massive 80s Party

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Wake Me Up Before You Go‐Go
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984, nel 2006) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
video musicali:
Wake Me Up Before You Go di Wham! (British pop-duo)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 28) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 269)
registrazione di:
Wake Me Up Before You Go‐Go
paroliere e compositore:
George Michael
editore:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:51
2Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Kenny Loggins4.13:46
3Uptown Girl
assistente tecnico:
Scott James (US recording engineer) e Mike Mairé
tecnico e tecnico di missaggio:
Jim Boyer (producer/engineer)
produttore:
Phil Ramone
basso elettrico :
Doug Stegmeyer (bass player, aka Slug Douglas) (nel 1983)
batteria :
Liberty DeVitto (US drummer) (nel 1983)
chitarra elettrica :
David Brown (guitarist for Billy Joel) (nel 1983)
pianoforte e voce principale:
Billy Joel (American singer‐songwriter and pianist) (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1983), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1987)
mixata presso:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti
video musicali:
Uptown Girl di Billy Joel (American singer‐songwriter and pianist)
parte di:
BILLIONS CLUB e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 443)
registrazione di:
Uptown Girl (nel 1983)
paroliere e compositore:
Billy Joel (American singer‐songwriter and pianist)
editore:
EMI Songs Ltd., CBS Songs Ltd. (nel 1983) e Joelsongs (nel 1983)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel4.13:15
4I’m Still Standing
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
basso elettrico :
Dee Murray
batteria :
Nigel Olsson
chitarra elettrica :
Davey Johnstone
pianoforte , sintetizzatore e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
voce di accompagnamento:
Davey Johnstone, Dee Murray e Nigel Olsson
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1983)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (il 1983-06-26)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
video musicali:
I’m Still Standing di Elton John (English singer, songwriter, pianist, and composer)
registrazione di:
I’m Still Standing
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd. (publisher) e Universal–Songs of PolyGram International, Inc.
Elton John3.93:02
59 to 5
registrazione di:
9 to 5
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music e Velvet Apple Music
parte di:
The 53rd Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1980 nominee)
Dolly Parton3.652:59
6I Wanna Dance With Somebody (Who Loves Me)
tecnico di registrazione e tecnico di missaggio:
David Frazer (engineer)
programmazione degli strumenti:
Preston Glass
assistente tecnico:
Dana Jon Chappelle
assistente tecnico aggiunto:
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) e Ross Williams (engineer)
tecnico aggiunto:
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon e Jay Rifkin
produttore:
Narada Michael Walden
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
batteria :
Narada Michael Walden
batteria elettronica [Simmons] :
Greg “Gigi” Gonaway
chitarra synth [Charvel GTM6 midi guitar synth] :
Corrado Rustici
sassofono contralto :
Marc Russo
sintetizzatore [synth horns] :
Sterling Smith
sintetizzatore [synths] :
Walter Afanasieff
sintetizzatore basso [bass synth] :
Randy Jackson (former bassist with Journey and American Idol judge)
voce di accompagnamento:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) e Myrna Matthews
voce di accompagnamento e voce principale:
Whitney Houston
arrangiatore:
Narada Michael Walden
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1987)
è stato produttore per:
Perfection Light Productions
registrata presso:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Stati Uniti, Right Track Recording in Manhattan, New York, New York, Stati Uniti, Tarpan Studios in San Rafael, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 231)
registrazione di:
I Wanna Dance With Somebody (Who Loves Me)
autore:
George Merrill e Shannon Rubicam
editore:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. e Rondor Music (London) Ltd.
Whitney Houston4.254:47
7Flashdance… What a Feeling
produttore:
Giorgio Moroder
voce:
Irene Cara
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (nel 1983) e Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 1995)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 38) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 492)
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3.653:58
8I Feel for You
registrazione cover di:
I Feel for You
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Chaka Khan3.354:05
9I.O.U.
registrata a:
New York, New York, Stati Uniti (nel 1983)
produttore:
Arthur Baker (American record producer and DJ)
esecutore:
Freeez (1980s English electronic music group) (nel 1983)
registrata presso:
Unique Recording Studios in Manhattan, New York, New York, Stati Uniti (nel 1983)
registrazione di:
I.O.U.
autore:
Arthur Baker (American record producer and DJ) e John Robie
editore:
Shakin’ Baker Music
Freeez4.653:49
10Let the Music Play
produttore:
Mark Liggett
registrazione di:
Let the Music Play
autore:
Chris Barbosa (Rhythm Method) e Ed Chisolm
editore:
Emergency Music (ASCAP-affiliated), Heath Levy Music Co. Ltd. e Shapiro, Bernstein & Co., Inc.
Shannon3:35
11Big Fun
tecnico e produttore:
Kevin Saunderson
voce:
Paris Grey
diritti fonografici (℗) detenuti da:
10 Records Ltd. (company and copyright holder for 10 Records) (nel 1988, nel 1989)
registrata presso:
KMS Studios in Detroit, Michigan, Stati Uniti
registrazione di:
Big Fun
autore:
Arthur Forest, Paris Grey, Hollis P. Monroe, James Pennington (Detroit techno producer) e Kevin Saunderson
editore:
Drive On Publishing e Renaissance Infinity Music
Inner City23:22
12You Spin Me Round (Like a Record)
produttore:
Pete Waterman
esecutore:
Dead or Alive (UK new wave band) (nel 1984)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
video musicali:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) di Dead or Alive (UK new wave band)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 52)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive4.153:11
13Respectable
produttore:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mark McGuire (UK producer/engineer) e Stock Aitken Waterman
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (nel 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987) e The Supreme Record Company Ltd. (nel 1987)
video musicali:
Respectable di Mel & Kim (Appleby sisters)
registrazione di:
Respectable
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:22
14I Should Be So Lucky
tecnico:
Karen Hewitt, Mark McGuire (UK producer/engineer) e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
tecnico di missaggio:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
diritti fonografici (℗) detenuti da:
Mushroom Records (dal 1988 a oggi)
video musicali:
I Should Be So Lucky di Kylie Minogue
registrazione di:
I Should Be So Lucky
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
Mushroom Music Pty. Ltd. (dal 1988 a oggi)
Kylie Minogue4.353:23
15Never Gonna Give You Up
programmazione degli strumenti:
Ian Curnow (nel 1986-10)
assistente tecnico:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman e Waterman
tecnico di missaggio:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (il 1987-01-01)
batteria [drums] :
A Linn (Linn 9000) (nel 1986-10)
chitarra [guitars] :
Matt Aitken (nel 1986-10)
tastiera [keyboards] :
Matt Aitken (nel 1986-10) e Mike Stock (of Stock Aitken Waterman) (nel 1986-10)
voce di accompagnamento [backing vocals]:
Dee Lewis (nel 1986-10), Shirley Lewis (nel 1986-10), Mae McKenna (vocalist) (nel 1986-10) e Suzanne Rhatigan (nel 1986-10)
voce principale:
Rick (English singer, songwriter and radio personality) (nel 1986-10)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
BMG Records (UK) Ltd. (1987–1996) (dal 1987 a oggi), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1987), Pete Waterman Ltd. (copyrights holder) (nel 1987) e PWL (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1986-10), PWL Studio 2 (nel 1986-10) e PWL Studios (London) in London (Greater London), England, Regno Unito (nel 1986-10)
mixata presso:
PWL Studio 1 (il 1987-01-01) e PWL Studio 2 (il 1987-01-01)
video musicali:
Never Gonna Give You Up di Rick Astley (English singer, songwriter and radio personality)
parte di:
Cachitos Nochevieja 2022 (numero: 48) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 244)
registrazione di:
Never Gonna Give You Up (nel 1986-10)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Terrace Music (nel 1987)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.43:32
16Too Many Broken Hearts
registrazione di:
Too Many Broken Hearts
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
Jason Donovan3:25
17Venus
registrazione cover di:
Venus (Shocking Blue (I’m Your Venus))
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Bananarama33:44
18Walk Like an Egyptian
produttore:
David Kahne
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra :
Susanna Hoffs e Vicki Peterson
chitarra basso :
Michael Steele (American bassist, guitarist, songwriter, and singer)
voce principale:
Susanna Hoffs, Vicki Peterson e Michael Steele (American bassist, guitarist, songwriter, and singer)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 14)
registrazione di:
Walk Like an Egyptian
paroliere e compositore:
Liam Sternberg (fino al 1984-01)
editore:
Peer International Corporation (BMI)
parte di:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
The Bangles4.153:23
19Break My Stride
programmazione degli strumenti:
John Gilston (nel 1983)
produttore:
Peter Bunetta, Rick Chudacoff e Bill Elliott (keyboardist/composer)
batteria , drum machine [Oberheim DMX] e percussione :
Peter Bunetta (nel 1983)
chitarra :
Dennis Herring (nel 1983)
sintetizzatore analogico [Prophet-5] :
Bill Elliott (keyboardist/composer) (nel 1983) e Matthew Wilder (nel 1983)
voce di accompagnamento:
Greg Prestopino (nel 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (nel 1983) e Matthew Wilder (nel 1983)
voce principale:
Matthew Wilder (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrata presso:
Pasha Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 39)
registrazione di:
Break My Stride (nel 1983)
autore:
Greg Prestopino e Matthew Wilder
editore:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (nel 1983), No Ears Music (nel 1983) e Streetwise Music (US publisher) (nel 1983)
Matthew Wilder3.43:02
20Physical
diritti fonografici (℗) detenuti da:
ONJ Productions (Olivia Newton-John) (nel 1981)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 11), Cachitos Nochevieja 2022 (numero: 97) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 457)
registrazione di:
Physical
autore:
Steve Kipner e Terry Shaddick
editore:
EMI April Music Inc., EMI Songs Australia Pty. Ltd. e Floating World Music
Olivia Newton‐John4.353:43
21You Came
programmazione e produttore:
Tony Swain (songwriter, producer) e Ricky Wilde
tecnico:
James Richards (engineer)
tecnico di missaggio:
Richard Lengyel
chitarra :
Steve Byrd e Ricky Wilde
tastiera :
Tony Swain (songwriter, producer) e Ricky Wilde
voce di accompagnamento:
Junior Giscombe (Norman Washington Giscombe, Jr.) e Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1988) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001)
è stato produttore per:
Big M Productions (British record and publishing company)
registrata presso e mixata presso:
Select Sound Studios in Knebworth, Hertfordshire, England, Regno Unito
edit di:
You Came di Kim Wilde
registrazione di:
You Came
autore:
Kim Wilde e Ricky Wilde
editore:
Peermusic (UK) Limited
Kim Wilde3.753:31
22If I Could Turn Back Time
tecnico di registrazione e tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
assistente tecnico:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) e Duane Seykora
tecnico aggiunto:
Guy Roche
produttore:
Guy Roche e Diane Warren (US songwriter)
batteria e tamburello :
Mark T. Williams
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra aggiunto:
Gene Black e Glenn Sciurba
chitarra basso :
John Pierce (US session bassist)
tastiera :
Alan Pasqua e Guy Roche
voce di accompagnamento:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain e Maria Vidal (American singer-songwriter)
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1989), The David Geffen Company (legal rights relating to Geffen Records) (nel 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti e Criterion Studios in Los Angeles, California, Stati Uniti
mixata presso:
The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 386)
registrazione di:
If I Could Turn Back Time
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!) e Realsongs (nel 1989)
Cher3.754:01
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parte di:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (ordine: 120)