Tracklist

1CD
#TitleArtistRatingLength
1Dido and Aeneas, Z. 626: Overture
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Overture (in 1993-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626
Henry Purcell1:52
2Dido and Aeneas, Z. 626: Act I. “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Choir of Clare College, Cambridge (in 1993-09)
soprano vocals [Belinda]:
Lisa Saffer (soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (in 1993-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:58
3Dido and Aeneas, Z. 626: Act I. “Ah! Belinda, I am prest with torment” (Dido)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
mezzo-soprano vocals [Dido]:
Lorraine Hunt (American soprano / mezzo) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (in 1993-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:26
4Dido and Aeneas, Z. 626: Act I. “Grief increases by concealing” (Belinda, Dido, Second Woman) - “When monarchs unite” (Chorus)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Choir of Clare College, Cambridge (in 1993-09)
mezzo-soprano vocals [Dido]:
Lorraine Hunt (American soprano / mezzo) (in 1993-09)
soprano vocals [Belinda]:
Lisa Saffer (soprano) (in 1993-09)
soprano vocals [Second Woman]:
Donna Deam (soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:30
5Dido and Aeneas, Z. 626: Act I. “Fear no danger to ensue” (Belinda, Second Woman, Chorus)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Choir of Clare College, Cambridge (in 1993-09)
soprano vocals [Belinda]:
Lisa Saffer (soprano) (in 1993-09)
soprano vocals [Second Woman]:
Donna Deam (soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (in 1993-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:32
6Dido and Aeneas, Z. 626: Act I. “See, your royal guest appears” (Belinda, Aeneas, Dido) – “Cupid only throws the dart” (Chorus)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
baritone vocals [Aeneas]:
Michael Dean (operatic bass-baritone) (in 1993-09)
choir vocals:
Choir of Clare College, Cambridge (in 1993-09)
mezzo-soprano vocals [Dido]:
Lorraine Hunt (American soprano / mezzo) (in 1993-09)
soprano vocals [Belinda]:
Lisa Saffer (soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (in 1993-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:39
7Dido and Aeneas, Z. 626: Act I. “Pursue thy conquest, love” (Belinda)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
soprano vocals [Belinda]:
Lisa Saffer (soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:45
8Dido and Aeneas, Z. 626: Act I. “To the hills and the vales” (Chorus) – The Triumphing Dance
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Choir of Clare College, Cambridge (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (in 1993-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:14
9Dido and Aeneas, Z. 626: Act II, Scene I. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) – “Harm’s our delight” (Witches chorus)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
mezzo-soprano vocals [Sorceress]:
Ellen Rabiner (mezzo-soprano) (in 1993-09)
soprano vocals [First Witch]:
Christine Brandes (soprano) (in 1993-09)
soprano vocals [Second Witch]:
Ruth Rainero (soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (in 1993-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:20
10Dido and Aeneas, Z. 626: Act II, Scene I. “Ruin’d ere the set of sun?” (Two Witches, Sorceress)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
mezzo-soprano vocals [Sorceress]:
Ellen Rabiner (mezzo-soprano) (in 1993-09)
soprano vocals [First Witch]:
Christine Brandes (soprano) (in 1993-09)
soprano vocals [Second Witch]:
Ruth Rainero (soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:59
11Dido and Aeneas, Z. 626: Act II, Scene I. “But ere we this perform” (Two Witches)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
soprano vocals [First Witch]:
Christine Brandes (soprano) (in 1993-09)
soprano vocals [Second Witch]:
Ruth Rainero (soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:10
12Dido and Aeneas, Z. 626: Act II, Scene I. “In our deep vaulted cell” (Chorus) – Echo Dance of Furies
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Choir of Clare College, Cambridge (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (in 1993-09)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:00
13Dido and Aeneas, Z. 626: Act II, Scene II. Ritornelle
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (in 1993-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:37
14Dido and Aeneas, Z. 626: Act II, Scene II. “Thanks to these lonesome vales” (Belinda, Chorus)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Choir of Clare College, Cambridge (in 1993-09)
soprano vocals [Belinda]:
Lisa Saffer (soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:26
15Dido and Aeneas, Z. 626: Act II, Scene II. “Oft she visits this lov’d mountain” (Second Woman)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
soprano vocals [Second Woman]:
Donna Deam (soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (in 1993-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:27
16Dido and Aeneas, Z. 626: Act II, Scene II. “Behold, upon my bending spear” (Aeneas, Dido)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
baritone vocals [Aeneas]:
Michael Dean (operatic bass-baritone) (in 1993-09)
mezzo-soprano vocals [Dido]:
Lorraine Hunt (American soprano / mezzo) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (in 1993-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:33
17Dido and Aeneas, Z. 626: Act II, Scene II. “Haste, haste to town” (Belinda, Chorus)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Choir of Clare College, Cambridge (in 1993-09)
soprano vocals [Belinda]:
Lisa Saffer (soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:42
18Dido and Aeneas, Z. 626: Act II, Scene II. “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
baritone vocals [Aeneas]:
Michael Dean (operatic bass-baritone) (in 1993-09)
soprano vocals [Spirit]:
Christine Brandes (soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (in 1993-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:35
19Dido and Aeneas, Z. 626: Act II, Scene II. Ritornelle
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
Henry Purcell0:48
20Dido and Aeneas, Z. 626: Act III, Scene I. Prelude – “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Choir of Clare College, Cambridge (in 1993-09)
tenor vocals [First Sailor]:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (in 1993-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:29
21Dido and Aeneas, Z. 626: Act III, Scene I. The Sailors’ Dance
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (in 1993-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:45
22Dido and Aeneas, Z. 626: Act III, Scene I. “See, the flags and streamers curling” (Sorceress, Witches)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
mezzo-soprano vocals [Sorceress]:
Ellen Rabiner (mezzo-soprano) (in 1993-09)
soprano vocals [First Witch]:
Christine Brandes (soprano) (in 1993-09)
soprano vocals [Second Witch]:
Ruth Rainero (soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (in 1993-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:02
23Dido and Aeneas, Z. 626: Act III, Scene I. “Our next motion” (Sorceress) – “Destruction’s our delight” (Chorus)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Choir of Clare College, Cambridge (in 1993-09)
mezzo-soprano vocals [Sorceress]:
Ellen Rabiner (mezzo-soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered, latter part of Act III, 30) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:03
24Dido and Aeneas, Z. 626: Act III, Scene I. The Witches’ Dance
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (in 1993-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:09
25Dido and Aeneas, Z. 626: Act III, Scene II. “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
baritone vocals [Aeneas]:
Michael Dean (operatic bass-baritone) (in 1993-09)
mezzo-soprano vocals [Dido]:
Lorraine Hunt (American soprano / mezzo) (in 1993-09)
soprano vocals [Belinda]:
Lisa Saffer (soprano) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (in 1993-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:50
26Dido and Aeneas, Z. 626: Act III, Scene II. “Great minds against themselves conspire” (Chorus)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Choir of Clare College, Cambridge (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:43
27Dido and Aeneas, Z. 626: Act III, Scene II. “Thy hand, Belinda; darkness shades me” (Dido) – “When I am laid in earth” (Dido)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
mezzo-soprano vocals [Dido]:
Lorraine Hunt (American soprano / mezzo) (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1993-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1993-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:59
28Dido and Aeneas, Z. 626: Act III, Scene II. “With drooping wings ye cupids come” (Chorus)
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Choir of Clare College, Cambridge (in 1993-09)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (in 1993-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:33
29Music for “The Gordian Knot Unty’d”: I. Overture
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
The Gordian Knot Unty’d, Z. 597: I. Overture (in 1993-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell2:20
30Music for “The Gordian Knot Unty’d”: II. Air
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
The Gordian Knot Unty’d, Z. 597: II. Air (in 1993-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell0:43
31Music for “The Gordian Knot Unty’d”: III. Rondeau minuet
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
The Gordian Knot Unty’d, Z. 597: III. Rondeau Minuet (in 1993-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell1:09
32Music for “The Gordian Knot Unty’d”: IV. Air
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
The Gordian Knot Unty’d, Z. 597: IV. Air (in 1993-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell1:08
33Music for “The Gordian Knot Unty’d”: V. Jig
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
The Gordian Knot Unty’d, Z. 597: V. Jig (in 1993-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell0:41
34Music for “The Gordian Knot Unty’d”: VI. Chaconne
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
The Gordian Knot Unty’d, Z. 597: VI. Chaconne (in 1993-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell1:54
35Music for “The Gordian Knot Unty’d”: VII. Air
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
The Gordian Knot Unty’d, Z. 597: VII. Air (in 1993-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell0:42
36Music for “The Gordian Knot Unty’d”: VIII. Minuet
engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
orchestra:
Philharmonia Baroque Orchestra (in 1993-09)
conductor:
Nicholas McGegan (in 1993-09)
phonographic copyright (℗) by:
Harmonia Mundi USA (not for release label use!) (in 1994)
recorded at:
Skywalker Sound in Nicasio, California, United States (in 1993-09)
recording of:
The Gordian Knot Unty’d, Z. 597: VIII. Minuet (in 1993-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell1:30

Credits

Release

manufactured in:Germany
liner notes:Victor Gavenda (liner notes)
copyrighted (©) by:Harmonia Mundi USA (not for release label use!) (in 2006)
Discogs:https://www.discogs.com/release/9247885 [info]
ASIN:US: B0000007E6 [info]