Still Rising: The Collection

~ Veröffentlichung von Gregory Porter (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Hey Laura
assistierende(r) Techniker(in):
Owen Mulholland (engineer) und Ted Tuthill
Techniker(in):
Jay Newland (producer, engineer and mixer)
Partner-Produzent(in):
Kamau Kenyatta
Produzent(in):
Brian Bacchus (producer, consultant A&R)
Mix:
Jay Newland (producer, engineer and mixer) (von 2013-04 bis 2013-05)
Bass:
Aaron James (Bassist)
Hammond-Orgel [Hammond B3 organ]:
Glenn Patscha
Klavier:
Chip Crawford
Schlagzeug:
Emanuel Harrold
vocals:
Gregory Porter
Blechblasinstrumente [horns] arranger:
Kamau Kenyatta
aufgenommen bei:
Sear Sound in New York, New York, Vereinigte Staaten (von 2013-03-28 bis 2013-03-30, am 2013-04-15)
mixed at:
The Grateful Shed in Norwalk, Connecticut, Vereinigte Staaten (von 2013-04 bis 2013-05)
recording of:
Hey Laura
Texter und Komponist(in):
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta und Gregory Porter
Gregory Porter3:22
2Liquid Spirit
assistierende(r) Techniker(in):
Owen Mulholland (engineer) und Ted Tuthill
Techniker(in):
Jay Newland (producer, engineer and mixer)
Partner-Produzent(in):
Kamau Kenyatta
Produzent(in):
Brian Bacchus (producer, consultant A&R)
Mix:
Jay Newland (producer, engineer and mixer) (von 2013-04 bis 2013-05)
alto saxophone:
佐藤洋祐 (Yosuke Sato, Japanese Jazz saxophonist)
Bass:
Aaron James (Bassist)
Klavier:
Chip Crawford
Schlagzeug:
Emanuel Harrold
Tenorsaxophon:
Tivon Pennicott (saxophonist)
Trompete:
Curtis Taylor
vocals:
Gregory Porter
Blechblasinstrumente [horns] arranger:
Kamau Kenyatta
aufgenommen bei:
Sear Sound in New York, New York, Vereinigte Staaten (von 2013-03-28 bis 2013-03-30, am 2013-04-15)
mixed at:
The Grateful Shed in Norwalk, Connecticut, Vereinigte Staaten (von 2013-04 bis 2013-05)
recording of:
Liquid Spirit
Texter und Komponist(in):
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta und Gregory Porter
Gregory Porter43:39
3Revival
Produzent(in):
Troy Miller (british drummer, producer, songwriter) und Gregory Porter
Mix:
Troy Miller (british drummer, producer, songwriter)
Bass:
Jahmal Nichols (bassist)
Hammond-Orgel:
Ondřej Pivec
Instrumente:
Chip Crawford
Schlagzeug:
Emanuel Harrold
Tamburin [tamborine]:
Troy Miller (british drummer, producer, songwriter)
Hochgesang:
Ladonna Harley‐Peters, Sharlene Hector, Priscilla Jones (UK soul singer/vocal coach) und Teyana Miller
Soprangesang:
Phebe Edwards, Philly Lopez und Vula Malinga
Tenor-Gesang:
Jaz Ellington, James Thompson (UK backing vocalist out of Derby) und Kevin Mark Trail
vocals:
Gregory Porter
Chorgesang arranger:
Troy Miller (british drummer, producer, songwriter)
phonographisches Urheberrecht (℗) von:
Gregory Porter (in 2020)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich (Chorgesang) und Saint Germain Studios in Paris, Île-de-France, Frankreich
recording of:
Revival Song
Verfasser(in):
Troy Miller (british drummer, producer, songwriter), Gregory Porter und Oli Rockberger
Komponist(in):
Gregory Porter
publisher:
Bucks Music Group, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Golden Slipper Publishing
Gregory Porter3:09
4Illusion
Gregory Porter3:03
51960 What? (edit)
Techniker(in) und Mix:
Geoff Countryman und Tyler McDiarmid
Produzent(in):
Kamau Kenyatta
alto saxophone [alto sax]:
Yoske Sato (Yosuke Sato, Japanese Jazz saxophonist)
Klavier:
Chip Crawford
Kontrabass [bass]:
Aaron James (Bassist)
Posaune:
Robert Stringer (trombonist)
Schlagzeug [drums]:
Emanuel Harrold
Trompete:
Kafele Bandele, Curtis Taylor und Melvin Vines
arranger:
Chip Crawford, Kamau Kenyatta und Gregory Porter
aufgenommen bei:
58 North Six Media Labs in Brooklyn, New York, New York, Vereinigte Staaten (von 2009-08-19 bis 2009-08-20)
recording of:
1960 What? (von 2009-08-19 bis 2009-08-20)
Texter und Komponist(in):
Gregory Porter
publisher:
Golden Slipper Publishing
Gregory Porter6:05
6L-O-V-E
Assistent recording engineer:
Chris Barratt (in 2017-05) und Alex Ferguson (engineer) (in 2017-05)
recording engineer:
Misha Kachkachischvili und Geoff Foster (sound engineer) (in 2017-05)
zusätzlich recording engineer:
Al Schmitt (in 2017-07)
Produzent(in):
Vince Mendoza
Mix:
Al Schmitt (in 2017-07)
Gast-Trompete:
Terence Blanchard (American trumpeter and score composer)
vocals:
Gregory Porter
Orchester:
London Studio Orchestra (in 2017-05)
conductor:
Vince Mendoza
arranger:
Vince Mendoza
phonographisches Urheberrecht (℗) von:
Gregory Porter (in 2017)
aufgenommen bei:
Esplanade Studios in New Orleans, Louisiana, Vereinigte Staaten und AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 2017-05)
zusätzlich aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2017-07)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2017-07)
cover recording of:
L‐O‐V‐E
Texter:
Milton Gabler
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Gregory Porter2:11
7Holding On
alto saxophone:
佐藤洋祐 (Yosuke Sato, Japanese Jazz saxophonist)
Klavier:
Chip Crawford
Orgel:
Ondřej Pivec
Schlagzeug:
Emanuel Harrold
Tenorsaxophon:
Tivon Pennicott (saxophonist)
Trompete:
Keyon Harrold
Hintergrundgesang:
Alicia Olatuja
Sologesang:
Gregory Porter
recording of:
Holding On
Verfasser(in):
Guy Lawrence (Disclosure), Howard Lawrence (Disclosure), James Napier und Gregory Porter
publisher:
Golden Slipper Publishing, Salli Isaak Music Publishing (publisher; do NOT use as release label) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Gregory Porter5:04
8Concorde
Produzent(in):
Kamau Kenyatta, Troy Miller (british drummer, producer, songwriter) und Gregory Porter
Mix:
Troy Miller (british drummer, producer, songwriter)
alto saxophone:
Andrew Ross (UK saxophonist)
baritone saxophone:
Graeme Blevins
Bass:
Jahmal Nichols (bassist)
Hammond-Orgel:
Ondřej Pivec
Klavier:
Chip Crawford
Perkussion und Schlagzeug [drums]:
Troy Miller (british drummer, producer, songwriter)
Posaune:
Trevor Mires
Tenorsaxophon:
James Gardiner‐Bateman (saxophonist) und Jim Hunt
Trompete:
Tom Rees‐Roberts und Chris Storr
vocals:
Gregory Porter
Horn arranger:
Etienne Charles und Troy Miller (british drummer, producer, songwriter)
phonographisches Urheberrecht (℗) von:
Gregory Porter (in 2020)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Spark Studios in London (Greater London), England, Vereinigtes Königreich (Horn [horns], Schlagzeug [drums])
recording of:
Concorde
Texter und Komponist(in):
Gregory Porter
publisher:
Golden Slipper Publishing
Gregory Porter3:58
9If Love Is Overrated
Produzent(in):
Troy Miller (british drummer, producer, songwriter) und Gregory Porter
Mix:
Troy Miller (british drummer, producer, songwriter)
Bass:
Jahmal Nichols (bassist)
Bratsche / Viola:
Lander Echevarria, Carol Ella, Gillianne Haddow (violist), Malcolm Johnston (classical violist), Robert Turner (viola player) und Edward Vanderspar (violist)
Cello:
Alastair Blayden (cellist), Laure Le Dantec, Tim Gill (cellist), Jennifer Brown (cellist), Hilary Jones (cellist) und Amanda Truelove (cellist)
Gast-Geige / Violine [first violin & leader]:
Giovanni Guzzo (violinist)
Geige / Violine [first violin]:
Laura Dixon (violinist), Clare Duckworth (violinist), Maxine Kwok‐Adams, Claire Parfitt, Colin Renwick, Sylvain Vasseur und Rhys Watkins
Geige / Violine [second violin]:
David Alberman (violinist), David Ballesteros, Elizabeth Pigram, Csilla Pogány, Sarah Quinn und Miya Väisänen
Klavier und Rhodes Piano [Rhodes]:
Chip Crawford
Kontrabass:
Patrick Laurence (double bass player), José Moreira und Colin Paris (double bass player)
Perkussion:
Troy Miller (british drummer, producer, songwriter)
Schlagzeug [drums]:
Emanuel Harold
vocals:
Gregory Porter
Orchester:
London Symphony Orchestra
conductor:
Troy Miller (british drummer, producer, songwriter) (Saiteninstrumente)
Saiteninstrumente arranger:
Troy Miller (british drummer, producer, songwriter)
phonographisches Urheberrecht (℗) von:
Gregory Porter (in 2020)
aufgenommen bei:
Abbey Road Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (Saiteninstrumente) und Saint Germain Studios in Paris, Île-de-France, Frankreich
recording of:
If Love Is Overrated
Texter und Komponist(in):
Gregory Porter
publisher:
Golden Slipper Publishing
Gregory Porter5:55
10I Will
assistierende(r) Techniker(in):
Will Bennett (engineer) und Steve Sacco (engineer, USA)
Techniker(in):
Chris Allen (recording engineer, at Sear Sound since 2003)
Produzent(in):
Kamau Kenyatta und Gregory Porter
Mix:
Chris Allen (recording engineer, at Sear Sound since 2003) und Kamau Kenyatta
E-Bass [electric bass]:
Jahmal Nichols (bassist)
Klavier:
Chip Crawford
Orgel:
Ondřej Pivec
Schlagzeug [drums]:
Emanuel Harrold
Tenorsaxophon:
Tivon Pennicott (saxophonist)
Hintergrundgesang [background voices]:
Sherri Holman, Linny Smith und Stephanie Fisher-Alvarenga
arranger:
Chip Crawford, Kamau Kenyatta und Gregory Porter
Hintergrundgesang [background voices] arranger:
Stephanie Fisher-Alvarenga
aufgenommen bei:
Sear Sound in New York, New York, Vereinigte Staaten
Musikvideos:
I Will von Gregory Porter
Gregory Porter4:27
11Real Good Hands
assistierende(r) Techniker(in):
Will Bennett (engineer) und Steve Sacco (engineer, USA)
Techniker(in):
Chris Allen (recording engineer, at Sear Sound since 2003)
Produzent(in):
Kamau Kenyatta und Gregory Porter
Mix:
Chris Allen (recording engineer, at Sear Sound since 2003) und Kamau Kenyatta
E-Bass [electric bass]:
Jahmal Nichols (bassist)
Klavier:
Chip Crawford
Orgel:
Ondřej Pivec
Schlagzeug [drums]:
Emanuel Harrold
Tenorsaxophon:
Tivon Pennicott (saxophonist)
arranger:
Chip Crawford, Kamau Kenyatta und Gregory Porter
Hintergrundgesang [backing voices] arranger:
Stephanie Fisher-Alvarenga
aufgenommen bei:
Sear Sound in New York, New York, Vereinigte Staaten
recording of:
Real Good Hands
Texter und Komponist(in):
Gregory Porter
publisher:
Golden Slipper Publishing
Gregory Porter4:12
12My Babe
assistierende(r) Techniker(in):
Will Bennett (engineer) und Steve Sacco (engineer, USA)
Techniker(in):
Chris Allen (recording engineer, at Sear Sound since 2003)
Produzent(in):
Kamau Kenyatta und Gregory Porter
Mix:
Chris Allen (recording engineer, at Sear Sound since 2003) und Kamau Kenyatta
Klavier:
Chip Crawford
Kontrabass [acoustic bass]:
Jahmal Nichols (bassist)
Orgel:
Ondřej Pivec
Schlagzeug [drums]:
Emanuel Harrold
Tenorsaxophon:
Tivon Pennicott (saxophonist)
arranger:
Chip Crawford, Kamau Kenyatta und Gregory Porter
Hintergrundgesang [background voices] arranger:
Stephanie Fisher-Alvarenga
aufgenommen bei:
Sear Sound in New York, New York, Vereinigte Staaten
cover recording of:
My Babe
Texter und arranger:
Willie Dixon
Komponist(in):
[traditional] (special purpose artist)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music (music publishing), Bug Music Ltd. und Hoochie Coochie Music
basiert auf:
This Train
Gregory Porter4:16
13Bad Girl Love
assistierende(r) Techniker(in):
Will Bennett (engineer) und Steve Sacco (engineer, USA)
Techniker(in):
Chris Allen (recording engineer, at Sear Sound since 2003)
Produzent(in):
Kamau Kenyatta und Gregory Porter
Mix:
Chris Allen (recording engineer, at Sear Sound since 2003) und Kamau Kenyatta
flute:
Tivon Pennicott (saxophonist)
Hybrid-Piano und Orgel:
Ondřej Pivec
Klavier:
Chip Crawford
arranger:
Chip Crawford, Kamau Kenyatta und Gregory Porter
Hintergrundgesang [background voices] arranger:
Stephanie Fisher-Alvarenga
aufgenommen bei:
Sear Sound in New York, New York, Vereinigte Staaten
Gregory Porter4:40
14No Love Dying (2021 "Still Rising" version)
assistierende(r) Techniker(in):
Will Bennett (engineer) und Steve Sacco (engineer, USA)
Techniker(in):
Chris Allen (recording engineer, at Sear Sound since 2003)
Produzent(in):
Kamau Kenyatta und Gregory Porter
Mix:
Chris Allen (recording engineer, at Sear Sound since 2003) und Kamau Kenyatta
E-Bass [electric bass]:
Jahmal Nichols (bassist)
Klavier:
Chip Crawford
Orgel:
Ondřej Pivec
Schlagzeug [drums]:
Emanuel Harrold
Tenorsaxophon:
Tivon Pennicott (saxophonist)
Hintergrundgesang [background voices]:
Sherri Holman, Linny Smith und Stephanie Fisher-Alvarenga
arranger:
Chip Crawford, Kamau Kenyatta und Gregory Porter
Hintergrundgesang [background voices] arranger:
Stephanie Fisher-Alvarenga
aufgenommen bei:
Sear Sound in New York, New York, Vereinigte Staaten
recording of:
No Love Dying
Texter und Komponist(in):
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta und Gregory Porter
Gregory Porter5:33
15Why Does My Heart Feel So Bad?
Assistent recording engineer:
Hoss Yekband (Streichquartett)
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Francisco Botero (engineer at Studio G, Brooklyn) (Sologesang [vocals]), Alan Meyerson (Streichquartett) und Geoff Foster (sound engineer) (in 2020-02)
Bassgitarre [bass], Klavier und Synthesizer [synth]:
Moby (electronic musician Richard Melville Hall)
Perkussion:
Alex Acuña
Schlagzeug [drums]:
Tripp Beam
Orchester:
The Budapest Art Orchestra (in 2020-02)
conductor:
Joseph Trapanese (in 2020-02)
Orchestrator(in):
Joseph Trapanese
aufgenommen bei:
East Connection Music Recording, Studio 22 (Magyar Rádió) in Budapest, Ungarn (in 2020-02)
recording of:
Why Does My Heart Feel So Bad?
Texter und Komponist(in):
Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Gregory Porter4:59
16Dry Bones
Koproduzent(in):
Pearse Macintyre
Produzent(in):
Troy Miller (british drummer, producer, songwriter)
Blechblasinstrumente [horn]:
Mike Davis (trumpet, flugelhorn), James Gardiner‐Bateman (saxophonist), Nichol Thomson (British trombonist, trumpet, brass) und Tom Walsh (UK brass player)
Gitarre, Hammond-Orgel [Hammond], Klavier, Schlagzeug [drums] und Synthesizer [synths]:
Troy Miller (british drummer, producer, songwriter)
Hintergrundgesang:
Matt Maijah
Gregory Porter & Troy Miller3:10
17Love Runs Deeper (Disney Supporting Make-A-Wish)
sonstige Unterstützung:
Josef Pokluda (managing director of the City of Prague Philharmonic Orchestra) (Aufgabe: orchestra contractor)
assistierendes Sound-Engineering:
Michal Hradiský
Sound-Engineering:
Jan Holzner
Produzent(in) und Mix:
Troy Miller (british drummer, producer, songwriter)
Bass, Klavier, Perkussion, Saiteninstrumente und Schlagzeug [drums]:
Troy Miller (british drummer, producer, songwriter)
Hintergrundgesang:
Cherise (UK RnB singer/songwriter Cherise Roberts)
zusätzlich Hintergrundgesang:
Ladonna Harley‐Peters, Jaz Ellington und Priscilla Jones (UK soul singer/vocal coach)
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Richard Hein
aufgenommen bei:
Smecky Studios in Praha (Prague), Tschechien (Saiteninstrumente)
Gregory Porter feat. CHERISE2:43
18It's Probably Me (live at Polar Music Prize, Stockholm / 2017)
Keyboard [keyboards]:
Robert Elovsson (in 2017)
Kontrabass [bass]:
Dan Berglund (double bass player in Esbjörn Svensson Trio) (in 2017)
Pedal-Steel-Gitarre [pedalsteel]:
Johan Lindström (in 2017)
Schlagzeug [drums]:
Magnus Öström (in 2017)
Tenorsaxophon:
Marius Neset (in 2017)
conductor:
Hans Ek (in 2017)
Orchestrator(in):
Hans Ek
aufgenommen bei:
Stockholm's Konserthus (Stockholm Concert Hall, Konserthuset Stockholm) in Stockholm, Stockholms län (Stockholm county), Schweden (in 2017)
live cover recording of:
It’s Probably Me (in 2017)
Texter:
Sting (singer, songwriter & member of The Police)
Verfasser(in):
Eric Clapton, GM Sumner (singer, songwriter & member of The Police) und Michael Kamen (American score composer)
Komponist(in):
Eric Clapton, Michael Kamen (American score composer) und Sting (singer, songwriter & member of The Police)
Gregory Porter4:25
19Natural Blues (reprise version)
recording engineer:
Moby (electronic musician Richard Melville Hall), Jonathan Nesvadba und Geoff Foster (sound engineer) (von 2020-02-26 bis 2020-02-27)
Produzent(in):
Joe Trapanese (Aufgabe: The Budapest Art Orchestra), Moby (electronic musician Richard Melville Hall) und Jonathan Nesvadba
Mix:
Alan Meyerson
Perkussion:
Alex Acuña
Schlagzeug [drums]:
Tripp Beam
Hintergrundgesang [backing vocals]:
Apollo Jane und The Samples (choir)
Sologesang:
Amythyst Kiah und Gregory Porter
Orchester:
The Budapest Art Orchestra (von 2020-02-26 bis 2020-02-27)
conductor:
Joe Trapanese und Jason White (producer, arranger, singer from Los Angles)
arranger:
Joe Trapanese
Orchestrator(in):
Jennifer Hammond
aufgenommen bei:
Studio 22 (Magyar Rádió) in Budapest, Ungarn (von 2020-02-26 bis 2020-02-27)
recording of:
Natural Blues
Verfasser(in):
Vera Hall, Alan Lomax (US ethnomusicologist) und Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music, Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
basiert auf:
Trouble So Hard
Moby feat. Gregory Porter & Amythyst Kiah4:28
20Don't Let Me Be Misunderstood
Bass:
Riaan Vosloo
Farfisa-Orgel [farfisa organ]:
Jamie Cullum (pianist, jazz‐pop artist)
Gitarre:
Rob Updegraff
Holzblasinstrumente [reeds]:
James Allsopp und Tom Richards (band leader, composer and saxophonist)
Klarinette:
Howard McGill
Klavier:
Ross Stanley
Posaune:
Nicol Thompson (British trombonist, trumpet, brass) und Neil Sidwell
Saiteninstrumente:
Paloma Deike (violinist), Ruth Elder (violinist), Anna Giddey (violinist), Mary Martin (violinist), Kit Massey (violinist/pianist/arranger), Natalie Rozario (cellist), Amy Stanford und Rachel Steadman (violinist and violist)
Schlagzeug:
Tim Giles
Trompete:
Mike Lovett, Percy Pursglove und Fulvio Sigurtà
vocals:
Jamie Cullum (pianist, jazz‐pop artist) und Gregory Porter
cover recording of:
Don’t Let Me Be Misunderstood
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
Jamie Cullum feat. Gregory Porter3:00
21Raining in My Heart
recording engineer:
Brian Boozer und Simon Hanhart (engineer, producer)
Techniker(in):
Mat Bartram und Pete Schwier (producer, mixing and recording engineer)
zusätzliche(r) Techniker(in):
Jeff Larson
Produzent(in):
Nick Patrick und Norman Petty
Mix:
Pete Schwier (producer, mixing and recording engineer)
Bass:
Steve Pearce (UK bassist) und Don Richardson (bass player)
Celesta:
Jim Hoke
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) und John Parricelli
Schlagzeug [drums]:
Neal Wilkinson
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) und Gregory Porter
zusätzlich vocals:
Jeffrey Foskett
Orchester:
The Royal Philharmonic Orchestra (Royal Philharmonic Orchestra)
conductor:
Sally Herbert (violinist, composer, and conductor)
arranger:
Sally Herbert (violinist, composer, and conductor)
aufgenommen bei:
Angel Recording Studios in Islington, London (Greater London), England, Vereinigtes Königreich
mixed at:
Shine Studio in Salisbury, Wiltshire, England, Vereinigtes Königreich
cover recording of:
Raining in My Heart
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC und Sony/ATV Music Publishing (UK) Ltd.
Buddy Holly feat. Gregory Porter2:50
22People Will Say We're in Love
cover recording of:
People Will Say We’re in Love
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Ella Fitzgerald & London Symphony Orchestra feat. Gregory Porter3:14
23Grandma's Hands
vocals:
Ben l’Oncle Soul und Gregory Porter
cover recording of:
Grandma’s Hands
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp.
Gregory Porter feat. Ben l’Oncle Soul3:33
24Christmas Prayer
Produzent(in):
Rupert Christie und Jonny Lattimer
vocals:
Paloma Faith und Gregory Porter
recording of:
Christmas Prayer
Verfasser(in):
Paloma Faith, Sinéad Harnett, Iain James und Jonny Latimer
Paloma Faith & Gregory Porter13:25
25Insanity
alto saxophone:
佐藤洋祐 (Yosuke Sato, Japanese Jazz saxophonist)
Gitarre:
Darrell Crooks
Klavier:
Chip Crawford
Orgel:
Ondřej Pivec
Schlagzeug:
Emanuel Harrold
Tenorsaxophon:
Tivon Pennicott (saxophonist)
Trompete:
Keyon Harrold
Hintergrundgesang:
Alicia Olatuja
Sologesang:
Gregory Porter und Lalah Hathaway
Gregory Porter feat. Lalah Hathaway5:05
26Make Someone Happy
recording engineer:
Joe Bagg, Alex Frank (bassist) und John Storie
Techniker(in):
Troy Miller (british drummer, producer, songwriter) (Sologesang [vocals])
Gitarre:
John Storie
Hammond-Orgel:
Joe Bagg
Klavier:
Jeff Goldblum
Kontrabass [bass]:
Alex Frank (bassist)
Saxophon:
James King (US multi-instrumentalist, Fitz and The Tantrums) und Scott Gilman
Schlagzeug [drums]:
Kenny Elliot
vocals:
Gregory Porter
cover recording of:
Make Someone Happy (Do Re Mi)
Orchestrator(in):
Bruce Coughlin
Texter:
Betty Comden und Adolph Green
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Sole Selling Agent und Stratford Music Corporation
Teil von:
Do Re Mi
Jeff Goldblum, The Mildred Snitzer Orchestra & Gregory Porter4:43
27Fly Me to the Moon (In Other Words)
recording engineer:
Gregory Porter
Techniker(in):
Tim Debney
Produzent(in):
Jon Cohen (UK record producer specializing in classical crossover music)
Mix:
Jon Cohen (UK record producer specializing in classical crossover music) und Phil Da Costa
Cello:
Nick Trygstad (cellist) und Simon Turner (cellist)
Geige / Violine:
Paulette Bayley (violinist), Sarah Brandwood-Spencer (violinist) und Pete Whitfield (Peter Whitfield)
Gitarre:
Ivor Goldberg (guitarist)
Klavier:
Jon Cohen (UK record producer specializing in classical crossover music)
Schlagzeug [drums]:
Charlie Kenny (drummer)
vocals:
Julie London und Gregory Porter
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Julie London & Gregory Porter2:43
28Satiated (Been Waiting)
recording engineer:
Jeremy Loucas (engineer)
Produzent(in):
Terri Lyne Carrington
Mix:
Martin Walters
alto saxophone:
Tia Fuller
Bass:
James Genus
Gitarre:
Marvin Sewell
Keyboard:
George Duke
Klavier:
Gerald Clayton (Netherlands-born jazz pianist)
Orgel:
Shedrick Mitchell
Schlagzeug:
Terreon Gully
Trompete:
Sean Jones (trumpeter)
zusätzlich Gitarre:
Carl Burnett (American jazz and R&B guitarist)
vocals:
Gregory Porter und Dianne Reeves
Horn arranger:
Omar Thomas
gemixt für:
Big Time Audio
aufgenommen bei:
Kaleidoscope Sound in Union City, New Jersey, Vereinigte Staaten
recording of:
Satiated (Been Waiting)
Texter und Komponist(in):
Terri Lyne Carrington
publisher:
Ajari Music
Dianne Reeves feat. Gregory Porter5:41
29Have Yourself a Merry Little Christmas
recording engineer:
Isaiah Abolin
zusätzlich recording engineer:
Allen Sides
Produzent(in):
David Frost (pianist and Grammy-winning producer of classical recordings)
Mix:
David Frost (pianist and Grammy-winning producer of classical recordings) und Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
Gitarre:
Saul Rubin
Klavier:
Shelly Berg
Kontrabass [acoustic bass]:
Pete Donovan
Schlagzeug [drums]:
Dave Ratajczak
vocals:
Renée Fleming (soprano) und Gregory Porter
arranger:
Shelly Berg
cover recording of:
Have Yourself a Merry Little Christmas
Texter:
Ralph Blane (in 1943)
Komponist(in):
Hugh Martin (in 1943)
publisher:
EMI April Music Inc., EMI Feist Catalog Inc., EMI Music Publishing (do not use as a release label!), EMI Publishing, EMI United Partnership Ltd., J. Albert & Son, J. Albert & Son Pty. Ltd., Loew’s Incorporated (in 1943, in 1944) und Leo Feist, Inc. (in 1971, in 1972)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Teil von:
Meet Me in St. Louis (1944 musical film soundtrack)
Renée Fleming & Gregory Porter & Gregory Porter3:36
30The Girl From Ipanema
Produzent(in):
Don Was
conductor:
Ralph Carmichael
cover recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Nat King Cole & Gregory Porter2:56
31Water Under Bridges
Techniker(in):
Florian Lagatta
Produzent(in) und Mix:
Troy Miller (british drummer, producer, songwriter)
zusätzliche(r) Mix:
Steve Osborne (producer)
Klavier:
Chip Crawford
Kontrabass [bass]:
Aaron James (Bassist)
Schlagzeug [drums]:
Emanuel Harrold
vocals:
Laura Mvula und Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta und Gregory Porter
recording of:
Water Under Bridges
Texter und Komponist(in):
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta und Gregory Porter
Gregory Porter feat. Laura Mvula3:53
32Right Where You Are
Assistent recording engineer:
Ludovick Tartavel
recording engineer:
Nicolas "Melchior" Diop (engineer & photographer)
assistierende(r) Techniker(in):
Alex Williams (engineer)
Techniker(in):
Lynne Earls
Produzent(in):
Larry Klein
assistierende(r) Mix:
Travis Kennedy
Mix:
Tim Palmer (British producer/mixer)
Bass:
Dan Lutz (bass player)
E-Gitarre:
Dean Parks (American session guitarist)
Hammond-Orgel [Hammond B-3 organ]:
Pete Kuzma
Keyboard [keyboards]:
Larry Klein
Klavier und Wurlitzer Electric Piano [Wurlitzer]:
Kenny Banks
Perkussion:
Pete Korpula
Schlagzeug [drums]:
Vinnie Colaiuta (drummer)
Hintergrundgesang:
Lizz Wright (US jazz & gospel singer)
Sologesang:
Gregory Porter und Lizz Wright (US jazz & gospel singer)
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2015)
aufgenommen bei:
Les Editions du Palais in Paris, Île-de-France, Frankreich (Sologesang [Gregory Porter's vocals]), Strange Cargo in Los Angeles, California (Kalifornien), Vereinigte Staaten und The Village Studios (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
'62 Studios in Austin, Texas, Vereinigte Staaten
recording of:
Right Where You Are
Verfasser(in):
Larry Klein, J.D. Souther und Lizz Wright (US jazz & gospel singer)
publisher:
Ascendant Music, BMG Gold Songs, Exegesis Chrysalis Music und Wisdom Street Music
Lizz Wright feat. Gregory Porter5:26
33Heart and Soul
recording engineer:
Jody Elff
Produzent(in):
Johnny Gandelsman (violinist) und Kevin Killen
Mix:
Kevin Killen
Becken und Tamburin:
Joseph Gramley
Bratsche / Viola:
Nicholas Cords (violist)
Cajón:
Mark Suter
Cello:
Yo‐Yo Ma (cellist)
Geige / Violine:
Colin Jacobsen (viola)
Klarinette:
Kinan Azmeh (Syrian clarinetist)
Klavier:
Cristina Pato
kleine Trommel / Snare und Riq:
Shane Shanahan (percussionist)
Kontrabass:
Jeffrey Beecher
pipa:
Wu Man
shakuhachi:
Kojiro Umezaki
Sheng:
Wu Tong
Gast vocals:
Lisa Fischer (American vocalist) und Gregory Porter
arranger:
Rob Mathes
aufgenommen bei:
MSR Studios in New York, New York, Vereinigte Staaten
mixed at:
Studio Zona Dolce in New York, New York, Vereinigte Staaten
cover recording of:
Heart and Soul
Texter:
Frank Loesser
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Yo-yo Ma & The Silk Road Ensenble & Silk Road Ensemble feat. Lisa Fischer & Gregory Porter3:56
34Making Love
vocals:
Trijntje Oosterhuis und Gregory Porter
Orchester:
Metropole Orkest (Dutch jazz & pop orchestra)
arranger:
Vince Mendoza
cover recording of:
Making Love
Verfasser(in):
Burt Bacharach, Carole Bayer Sager und Bruce Roberts (American singer-songwriter)
Trijntje Oosterhuis & Gregory Porter & Metropole Orkest, Gregory Porter & Metropole Orkest4:29