Greatest Hits of the Millennium: 70’s, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Dirty Ol’ Man
vocals:
Sheila Ferguson, Valerie Holiday und Fayette Pinkney
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
Bearbeitung von:
Dirty Ol’ Man (Ferguson, Holiday, Pinkney) von The Three Degrees
recording of:
Dirty Ol’ Man
Texter und Komponist(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Mighty Three Music (in 1973)
The Three Degrees3:04
2My Friend the WindDemis Roussos3:53
3Tie a Yellow Ribbon Round the Ole Oak Tree
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 52)
recording of:
Tie a Yellow Ribbon Round the Ole Oak Tree
Verfasser(in):
Lawrence Russell Brown (lyricist) und Irwin Levine
publisher:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. und peermusic (“Peermusic—the global independent”)
Dawn53:19
4We Were All Wounded at Wounded KneeRedbone43:29
5Go Like Elijah
recording of:
Go Like Elijah
Texter und Komponist(in):
Chi Coltrane
publisher:
Global Publishing und Trane Music (label and publisher)
Chi Coltrane4:00
6Le Lac Majeur
recording engineer:
Bernard Estardy
Produzent(in):
Thierry Vincent (French composer & singer Louis Locatelli)
vocals:
Mort Shuman (US singer, pianist & songwriter) (in 1972)
conductor:
Jean‐Claude Petit (, in 1972)
aufgenommen bei:
Studio CBE in Paris, Île-de-France, Frankreich
recording of:
Le Lac Majeur (in 1972)
Texter:
Étienne Roda-Gil
Komponist(in):
Mort Shuman (US singer, pianist & songwriter)
arranger:
Jean‐Claude Petit
Mort Shuman55:26
7’t Is weer voorbij die mooie zomer
recording of:
’t Is weer voorbij, die mooie zomer
Texter und Komponist(in):
Steve Goodman (folk musician)
Übersetzer:
Gerard Cox
übersetzte Version von:
City of New Orleans
Gerard Cox4:28
8Do You Love Me
recording of:
Do You Love Me?
Texter und Komponist(in):
Sharif Dean (French/Algerian/Belgian 1970s singer)
Sharif Dean3:57
9Eres tú
recording of:
Eres tú
Texter und Komponist(in):
Juan Carlos Calderón
Mocedades3:27
10The Free Electric Band
Produzent(in):
Albert Hammond
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recording of:
The Free Electric Band
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
Imagem Songs Ltd. und Landers‐Roberts Music
Albert Hammond3.53:24
11Tu te reconnaîtras
recording of:
Tu te reconnaîtras
Texter:
Vline Buggy
Komponist(in):
Claude Morgan (1970s French producer)
Anne Marie David2:38
12Born to Be With You
cover recording of:
Born to Be With You
Texter und Komponist(in):
Don Robertson (“Happy Whistler” songwriter)
Dave Edmunds43:29
13Ay no digas
recording of:
Ay no digas
Verfasser(in):
Billy Meshel (songwriter) und Chris Montez
publisher:
712 Stone Avenue Music und Sony/ATV Harmony
Chris Montez2:42
14Late Again
recording of:
Late Again
Verfasser(in):
Joe Egan (Scottish singer-songwriter) und Gerry Rafferty
Stealers Wheel3:13
15Me and Bobby McGee
Techniker(in):
Phil Macy (50s-70s engineer)
Produzent(in):
Paul Rothchild
Akustikgitarre und Sologesang:
Janis Joplin (am 1970-09-25)
Bassgitarre:
Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-09-25)
Gast-Bongos und Gast-Conga:
Bobbye Hall
Gast-Bongos und Conga:
Bobbye Hall (am 1970-09-25)
Gast-Tamburin:
Sandra Crouch (am 1970-09-25)
Gitarre:
John Till (rock guitarist) (am 1970-09-25)
Klavier:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-09-25)
Orgel:
Ken Pearson (am 1970-09-25)
Schlagzeug:
Clark Pierson (am 1970-09-25)
Hintergrundgesang:
Phil Badella (am 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-09-25), John Cooke (am 1970-09-25), Janis Joplin (am 1970-09-25), Vince Mitchell (am 1970-09-25), Ken Pearson (am 1970-09-25), Clark Pierson (am 1970-09-25) und John Till (rock guitarist) (am 1970-09-25)
Interpret(in):
Full Tilt Boogie (am 1970-09-25)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-09-25)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 31) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 148)
cover recording of:
Me and Bobby McGee (am 1970-09-25)
Texter und Komponist(in):
Fred Foster und Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:31
16The Joker
Produzent(in):
Steve Miller (leader of Steve Miller Band)
Akustikgitarre, Slide-Gitarre und Sologesang [vocals]:
Steve Miller (leader of Steve Miller Band)
Bass:
Gerald Johnson
Schlagzeug:
John King (drums)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1973), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
recording of:
The Joker
Verfasser(in):
Eddie Curtis (songwriter), Ahmet Ertegun (US songwriter/producer) und Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.054:23
17Sugar Baby Love
Techniker(in):
John Mackswith (English sound engineer)
Produzent(in):
Wayne Bickerton
recording of:
Sugar Baby Love (The Rubettes)
Texter:
Wayne Bickerton
Komponist(in):
Tony Waddington
uraufgeführt von:
The Rubettes (in 1974-01)
publisher:
Arlovol Music, Budde Music Inc. (US publisher) und WB Music Corp. (1929–2019)
The Rubettes3:25
18I Can Help
Techniker(in):
Chip Young (American session guitarist, bassist, producer in the genre of country)
Produzent(in):
Billy Swan und Chip Young (American session guitarist, bassist, producer in the genre of country)
Akustikgitarre:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (in 1974)
Bass:
Mike Leech (Nashville session musician and arranger) (in 1974)
E-Gitarre:
Chip Young (American session guitarist, bassist, producer in the genre of country) (in 1974) und Reggie Young (guitarist and songwriter) (in 1974)
Instrumente:
Paul Richmond (engineer) (in 1974)
Schlagzeug:
Hayward Bishop (in 1974)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
aufgenommen bei:
Youngun Sound Studio in Murfreesboro, Tennessee, Vereinigte Staaten (in 1974)
recording of:
I Can Help (in 1974)
Texter und Komponist(in):
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Billy Swan43:59
19You Ain’t Seen Nothing Yet
recording engineer und Mix:
Mark K. Smith (Canadian engineer)
assistierende(r) Techniker(in):
Buzz Richmond
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
assistierende(r) Mix:
Richard Dashut
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten
mixed at:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.653:54
20The Most Beautiful Girl
recording engineer:
Lou Bradley (American producer, engineer, also songwriter) (am 1973-02-09)
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Hintergrundgesang:
The Nashville Edition (am 1973-02-09)
Sologesang:
Charlie Rich (US country singer) (am 1973-02-09)
vocals:
Charlie Rich (US country singer) (am 1973-02-09)
Saiteninstrumente arranger:
Bill McElhiney
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1973-02-09)
cover recording of:
The Most Beautiful Girl (am 1973-02-09)
Verfasser(in):
Rory Bourke, Billy Sherrill (US songwriter/producer/arranger) und Norris “Norro” Wilson (singer, songwriter and producer)
publisher:
Al Gallico Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) und Gallico Music Ltd.
Version von:
Hey Mister
Charlie Rich4.352:42
21Your Baby Ain’t Your Baby AnymorePaul Da Vinci3:23
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Veröffentlichungsgruppe

Teil von:Greatest Hits of the Millennium (Nummer: 70.2) (Reihenfolge: 5)