Jazz Rock - Verve 50 (Digital download)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Funky Mule
engineer:
Brian Ingoldsby
producer:
Lou Reizner
bass:
Bill Rich (bassist) (in 1968-10)
brass:
Marcus Doubleday (in 1968-10)
drums (drum set):
Ron Woods (drums) (in 1968-10)
guitar:
Jim McCarty (US guitarist) (in 1968-10)
tenor saxophone:
Terrence Clements (saxophonist) (in 1968-10)
woodwind:
Bill McPherson (in 1968-10) and Virgil Gonsales (in 1968-10)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1968-10)
Buddy Miles Express4:39
2I Can't Keep From Crying Sometimes
recording of:
I Can't Keep From Crying Sometimes
lyricist and arranger:
Al Kooper
composer:
Blind Willie Johnson
is based on:
Lord I Just Can’t Keep From Crying
The Blues Project4:25
3Freedom Rider
engineer:
Andrew Johns and Brian Humphries
producer:
Chris Blackwell (Island Records) and Steve Winwood
drums (drum set) and percussion:
Jim Capaldi (from 1970-02 until 1970-04)
flute, percussion and saxophone:
Chris Wood (rock musician, member of Traffic) (from 1970-02 until 1970-04)
organ, percussion and piano:
Steve Winwood (from 1970-02 until 1970-04)
vocals:
Steve Winwood (from 1970-02 until 1970-04)
recorded at:
Island Studios (aka the Fallout Shelter, located in Hammersmith, London) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1970-04 until 1970-05) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1970-04 until 1970-05)
recording of:
Freedom Rider (from 1970-02 until 1970-04)
writer:
Jim Capaldi and Steve Winwood
Traffic35:28
4Butterfly
recorded in:
California, United States (from 1993 until 1994)
membranophone programming:
Will Griffin
synthesizer programming:
Darrell Smith (US jazz pianist)
sound engineer:
Mars Lasar
co-producer:
Mars Lasar
Batá drum, bass drum, cabasa, congas, djembe, shekere and tambourine:
Bill Summers (from 1993 until 1994)
drums (drum set):
Ken Strong (from 1993 until 1994)
flute:
Hubert Laws (from 1993 until 1994)
keyboard:
Mars Lasar (from 1993 until 1994)
Minimoog, bass synthesizer, clavinet and synthesizer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1993 until 1994)
sampler:
Will Griffin (from 1993 until 1994)
additional arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Mars Lasar and Bill Summers
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1994)
recording of:
Butterfly (original 1974 jazz instrumental) (from 1993 until 1994)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Bennie Maupin
publisher:
Hancock Music
Herbie Hancock6:09
5Vulcan Worlds
engineer:
Shelly Yakus
producer:
Chick Corea (jazz pianist)
drums (drum set) and percussion:
Lenny White (from 1974-07 until 1974-08)
guitar:
Al Di Meola (from 1974-07 until 1974-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1974-07 until 1974-08)
recording of:
Vulcan Worlds (from 1974-07 until 1974-08)
composer:
Stanley Clarke
Return to Forever7:51
6Love for Sale
recording engineer:
Neal Ceppos (from 1977-02-16 until 1977-05-13)
assistant engineer:
Kathy Dennis
engineer:
Neal Ceppos
producer:
Don Sebesky
mixer:
Neal Ceppos (from 1977-05-23 until 1977-05-25)
cello:
Jesse Levy (from 1977-05-23 until 1977-05-25), Charles McCracken (cellist) (from 1977-05-23 until 1977-05-25) and Alan Shulman (cellist and composer) (from 1977-05-23 until 1977-05-25)
clavinet and electric piano:
Richie Beirach (pianist) (from 1977-05-23 until 1977-05-25)
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1977-05-23 until 1977-05-25)
drums (drum set):
Tony Williams (American jazz drummer) (from 1977-05-23 until 1977-05-25)
electric bass guitar:
Alphonso Johnson (from 1977-05-23 until 1977-05-25)
guitar:
John Scofield (US guitarist/composer) (from 1977-05-23 until 1977-05-25)
percussion:
Ralph MacDonald (from 1977-05-23 until 1977-05-25)
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (from 1977-05-23 until 1977-05-25)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1977-05-23 until 1977-05-25)
violin:
Rochelle Abramson (violinist) (from 1977-05-23 until 1977-05-25), Max Ellen (from 1977-05-23 until 1977-05-25), Paul Gershman (from 1977-05-23 until 1977-05-25), Diana Halprin (from 1977-05-23 until 1977-05-25), Harold Kohon (from 1977-05-23 until 1977-05-25), Charles Libove (from 1977-05-23 until 1977-05-25), Marvin Morgenstern (from 1977-05-23 until 1977-05-25), David Nadien (from 1977-05-23 until 1977-05-25) and Matthew Raimondi (from 1977-05-23 until 1977-05-25)
conductor:
Don Sebesky (from 1977-05-23 until 1977-05-25)
arranger:
Don Sebesky
recorded at and mixed at:
Sound Ideas Studios in New York, New York, United States (from 1977-05-23 until 1977-05-25)
instrumental recording of:
Love for Sale (in 1977-05)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Chet Baker12:58
7Wind Cries Mary
alto saxophone:
Jamie Talbot (English jazz alto saxophonist)
bass:
Geoff Gascoyne
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
percussion:
Francis Fuster
tenor saxophone:
Ben Castle
horn and strings arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
cover recording of:
The Wind Cries Mary
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, L.L.C. and Sea-Lark Enterprises, Inc.
Jamie Cullum43:34
8Black Dog
bass:
Will Lee (US jazz/rock bassist) (in 1975)
congas:
Rubens Bassini (in 1975)
drums (drum set):
Steve Gadd (drummer) (in 1975)
electric piano and tambourine:
Eumir Deodato (in 1975)
guitar:
Elliott Randall (in 1975) and John Tropea (in 1975)
soprano saxophone:
Lou Marini (in 1975)
recorded at:
House of Music in West Orange, New Jersey, United States (in 1975)
cover recording of:
Black Dog (in 1975)
writer:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page and Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc.
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Eumir Deodato4:12
9Children of Sanchez
Chuck Mangione3:15
10Mayday
engineer:
Roger Wake (engineer) (in 1972-07)
producer:
Jon Hiseman (in 1972-07)
alto flute, flute [bamboo flute], soprano saxophone and tenor saxophone:
Brian Smith (New Zealand saxophonist) (in 1972-07)
bass guitar:
Roy Babbington (in 1972-07)
drums (drum set) [drums]:
Clive Thacker (in 1972-07)
electric piano [Fender electric piano]:
Dave MacRae (NZ keyboardist) (in 1972-07)
electric piano [Hohner electric piano]:
Gordon Beck (in 1972-07)
flugelhorn and trumpet:
Ian Carr (trumpeter) (in 1972-07)
guitar:
Allan Holdsworth (in 1972-07)
percussion:
Trevor Tomkins (in 1972-07)
recorded at:
Phonogram Studios in London (Greater London), England, United Kingdom (in 1972-07)
remixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1972)
Ian Carr45:38
11Don't Let Tomorrow Get You Down
recording engineer:
Roger T. Wake (engineer) (in 1970)
woodwind [alto, tenor saxophone, flute]:
Bob Downes
recorded at:
Philips Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Don't Let Tomorrow Get You Down
composer and arranger:
Bob Downes
Bob Downes2:53
12Down to You
cover recording of:
Down to You
lyricist and composer:
Joni Mitchell
Colosseum II9:06
13Guru-Vin
Don Sebesky4:32
14Summer Rain
engineer:
Roger Wake (engineer) (in 1972-07)
producer:
Jon Hiseman (in 1972-07)
alto flute, flute [bamboo flute], soprano saxophone and tenor saxophone:
Brian Smith (New Zealand saxophonist) (in 1972-07)
bass guitar:
Roy Babbington (in 1972-07)
drums (drum set) [drums]:
Clive Thacker (in 1972-07)
electric piano [Fender electric piano]:
Dave MacRae (NZ keyboardist) (in 1972-07)
flugelhorn and trumpet:
Ian Carr (trumpeter) (in 1972-07)
guitar:
Allan Holdsworth (in 1972-07)
recorded at:
Phonogram Studios in London (Greater London), England, United Kingdom (in 1972-07)
remixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1972)
Ian Carr36:10
15Gypsy Queen
Gábor Szabó5:09
16The Machine Demands a Sacrifice
producer:
Gerry Bron and Tony Reeves (bass)
bass guitar:
Tony (bass) (in 1969)
drums (drum set):
Jon Hiseman (in 1969)
guitar:
James (in 1969)
instruments:
Dave Greenslade (in 1969)
saxophone:
Dick (in 1969)
phonographic copyright (℗) by:
Bronze Records Ltd. and Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25)
Colosseum3:51
17Mama Coco
assistant engineer:
Ed Thacker
engineer:
Tommy Vicari
producer:
Gino Vannelli and Joe Vannelli (Canadian musician, composer and record producer)
bass synthesizer and organ:
Richard Baker (US keyboardist for Santana)
congas and talking drum:
Sergio Pastora Rodriguez (percussionist)
drums (drum set):
Graham Lear
electric piano and piano:
Joe Vannelli (Canadian musician, composer and record producer)
guitar:
Jay Graydon
percussion:
John J. Mandel (percussionist)
synthesizer:
Richard Baker (US keyboardist for Santana) and Joe Vannelli (Canadian musician, composer and record producer)
background vocals:
Sally Stevens and Ross Vannelli
lead vocals:
Gino Vannelli
phonographic copyright (℗) by:
A&M Records, Inc. (in 1975)
recording of:
Mama Coco
lyricist and composer:
Gino Vannelli
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Giva Music and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Gino Vannelli53:07
18Rumble
Chick Corea Elektric Band4:02
19Keep Off the Grass
recording engineer:
Roger T. Wake (engineer) (in 1970)
woodwind [alto, tenor saxophone, flute]:
Bob Downes
recorded at:
Philips Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Keep Off the Grass
composer and arranger:
Bob Downes
Bob Downes2:42
20Searching
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1976)
recording of:
Searching
lyricist and composer:
Roy Ayers
publisher:
Arlovol Music and BMG Monarch
Roy Ayers Ubiquity34:07
21Song for Barry
bass:
Armand Sabal‐Lecco
drum machine:
Max Risenhoover
flugelhorn and trumpet:
Randy Brecker
guitar:
Mike Stern
keyboard, soprano saxophone, synthesizer and tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
percussion:
Don Alias and Armand Sabal‐Lecco
Rhodes piano:
George Whitty
The Brecker Brothers5:07
22Walking in the Park
producer:
Gerry Bron and Tony Reeves (bass)
bass guitar:
Tony Reeves (bass) (from 1968 until 1969)
drums (drum set):
Jon Hiseman (from 1968 until 1969)
guitar:
James Litherland (from 1968 until 1969)
keyboard [organ, piano]:
Dave Greenslade (from 1968 until 1969)
saxophone [tenor, soprano saxophone]:
Dick Heckstall‐Smith (from 1968 until 1969)
trumpet:
Henry Lowther (from 1968 until 1969)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (from 1968 until 1969)
cover recording of:
Walkin' in the Park (from 1968 until 1969)
writer:
Graham Bond
publisher:
Peermusic (UK) Limited
Colosseum3:52
23The Word
Don Sebesky3:46
24Take the Coltrane
assistant engineer:
Jonathan Mooney
engineer:
Ed Rak
mixer:
Max Costa (Italian sound designer/programmer, producer and musician, aka MC Costa)
drums (drum set):
Elvin Jones (jazz drummer) (from 1994-10-04 until 1994-10-05)
electric guitar:
John McLaughlin (guitarist) (from 1994-10-04 until 1994-10-05)
Hammond organ:
Joey DeFrancesco (from 1994-10-04 until 1994-10-05)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States (from 1994-10-04 until 1994-10-05)
recording of:
Take the Coltrane (from 1994-10-04 until 1994-10-05)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
named after artist:
John Coltrane
Joey DeFrancesco, John McLaughlin & Elvin Jones6:00
25United Blues
engineer:
Fred Catero
producer:
Ron Carter (US jazz double-bassist)
bass:
Ron Carter (US jazz double-bassist) (on 1977-07-13)
drums (drum set):
Tony Williams (American jazz drummer) (on 1977-07-13)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1977-07-13)
recorded at:
The Automatt in San Francisco, California, United States (on 1977-07-13)
mixed at:
The Automatt in San Francisco, California, United States
Ron Carter, Herbie Hancock & Tony Williams2:58
26Love Song With Flute
recording of:
Love Song With Flute
writer:
Richard Coughlan, Pye Hastings, David Sinclair (UK folk/rock keyboardist) and Richard Sinclair
Caravan4:08
27Smiles and Grins
recorded at:
Command Studios in London (Greater London), England, United Kingdom (in 1971-01)
recording of:
Smiles and Grins
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Chappell Music Co. Inc.
Jack Bruce6:05
28Joy Spring
engineer:
Phil Edwards (recording engineer) and Jim Hilson
producer:
Carl E. Jefferson
guitar:
Larry Coryell (in 1985-08) and Emily Remler (in 1985-08)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1985-08)
Larry Coryell & Emily Remler5:45
29Torrid Zone
producer:
Pete King (UK jazz saxophonist and manager of Ronnie Scott’s) (in 1970-01)
baritone saxophone [baritone], oboe, Pianet [Hohner electra piano] and piano:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (in 1970-01)
bass and electric bass guitar [eletric bass]:
Jeff Clyne (in 1970-01)
drums (drum set) [drums]:
John Marshall (UK jazz/rock drummer) (in 1970-01)
flugelhorn and trumpet:
Ian Carr (trumpeter) (in 1970-01)
flute, soprano saxophone [soprano] and tenor saxophone [tenor]:
Brian Smith (New Zealand saxophonist) (in 1970-01)
guitar:
Chris Spedding (in 1970-01)
produced for:
Ronnie Scott Directions Ltd (production company associated with Pete King and Ronnie Scott) (in 1970)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1970-01-12 until 1970-01-21)
Nucleus8:40
30Sleep Medicine
Larry Carlton4:20
31McArthur Park
Beggars Opera8:20
32Later With Them Woes
John Klemmer5:48
33Sneakin' in the Back
Tom Scott & L.A. Express4:46
34Joab
drum machine [drum programming], piano and synthesizer:
John Beasley (American jazz pianist)
electric bass guitar [Sadowsky 5-string bass] and electric bass guitar [Yahama 6-string bass]:
John Patitucci
percussion:
Alex Acuña
John Patitucci4:51
35Emergency
recording engineer and mixer:
Gene Radice
producer:
Monte Kay and Jack Lewis (jazz producer)
drums (drum set):
Tony Williams (American jazz drummer) (from 1969-05-26 until 1969-05-28)
guitar:
John McLaughlin (guitarist) (from 1969-05-26 until 1969-05-28)
organ:
Larry Young (US jazz organist) (from 1969-05-26 until 1969-05-28)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1969)
recorded at:
Olmstead Sound Studios in New York, New York, United States (from 1969-05-26 until 1969-05-28)
recording of:
Emergency (from 1969-05-26 until 1969-05-28)
composer:
Tony Williams (American jazz drummer)
The Tony Williams Lifetime9:36
36Panama
recording engineer:
Rob Eaton (from 1989-05-06 until 1989-05-10)
assistant engineer:
Dan Gellert (sound engineer)
mixer:
Rob Eaton
bass:
Will Lee (US jazz/rock bassist) (from 1989-05-06 until 1989-05-10)
drums (drum set):
Peter Erskine (US jazz drummer) (from 1989-05-06 until 1989-05-10)
guitar:
Pat Metheny (from 1989-05-06 until 1989-05-10)
keyboard and piano:
Mitchel Forman (from 1989-05-06 until 1989-05-10)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (from 1989-05-06 until 1989-05-10)
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!) (in 1990)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1989-05-06 until 1989-05-10)
recording of:
Panama (from 1989-05-06 until 1989-05-10)
composer:
Paul Meyers
Gary Burton5:38
37Spain
recording of:
Spain
composer:
Chick Corea (jazz pianist)
publisher:
Litha Music Co. (in 1972)
is based on:
Concierto de Aranjuez: II. Adagio
Chick Corea & Return to Forever9:47
38There's Some Light Ahead
engineer:
Baker Bigsby
producer:
Ed Michel
bass [electric bass]:
Wilton Felder (on 1972-06-17)
electric piano:
Mike Nock (on 1972-06-17)
membranophone:
Eddie Marshall (drummer) (on 1972-06-17)
percussion:
Victor Feldman (jazz musician) (on 1972-06-17)
saxophone:
John Klemmer (on 1972-06-17)
phonographic copyright (℗) by:
ABC Records, Inc
recorded at:
Ash Grove in West Hollywood, California, United States (on 1972-06-17)
remixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (on 1972-06-22)
recording of:
There's Some Light Ahead (on 1972-06-17)
composer:
John Klemmer
John Klemmer4:28
39Belladonna
engineer:
Roger Wake (engineer) (in 1972-07)
producer:
Jon Hiseman (in 1972-07)
alto flute, flute [bamboo flute], soprano saxophone and tenor saxophone:
Brian Smith (New Zealand saxophonist) (in 1972-07)
bass guitar:
Roy Babbington (in 1972-07)
drums (drum set) [drums]:
Clive Thacker (in 1972-07)
electric piano [Fender electric piano]:
Dave MacRae (NZ keyboardist) (in 1972-07)
electric piano [Hohner electric piano]:
Gordon Beck (in 1972-07)
flugelhorn and trumpet:
Ian Carr (trumpeter) (in 1972-07)
guitar:
Allan Holdsworth (in 1972-07)
percussion:
Trevor Tomkins (in 1972-07)
recorded at:
Phonogram Studios in London (Greater London), England, United Kingdom (in 1972-07)
remixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1972)
Ian Carr313:42
40Gonna Take a Journey
recording engineer:
Roger T. Wake (engineer) (in 1970)
woodwind [alto, tenor saxophone, flute]:
Bob Downes
recorded at:
Philips Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Gonna Take a Journey
composer and arranger:
Bob Downes
Bob Downes7:08
41Song for the Bearded Lady
Nucleus7:20
42Body Pulse
engineer:
Bill Taylor (engineer)
producer:
Stephan Goldman (US producer) and John Klemmer
effects [echoplex], flute and tenor saxophone:
John Klemmer (from 1975-07 until 1975-08)
electric guitar:
Mitch Holder (guitarist) (from 1975-07 until 1975-08)
electric piano:
Dave Grusin (American pianist and score composer) (from 1975-07 until 1975-08)
percussion:
Joe Porcaro (from 1975-07 until 1975-08) and Emil Richards (from 1975-07 until 1975-08)
phonographic copyright (℗) by:
ABC Records, Inc
recorded at and mixed at:
Mama Joe's Recording Studio (from 1975-07 until 1975-08)
recording of:
Body Pulse (from 1975-07 until 1975-08)
composer and arranger:
John Klemmer
John Klemmer5:25
43To Whom It May Concern - Them
recorded at:
Olmstead Studios in New York, New York, United States (in 1970-07)
recording of:
To Whom It May Concern - Them (in 1970-07)
composer:
Chick Corea (jazz pianist)
The Tony Williams Lifetime4:21
44Hymn of the 7th Galaxy
Chick Corea3:28
45Funk Hunter
keyboard programming and synthesizer programming:
Darrell Smith (US jazz pianist)
additional guest keyboard:
Patrice Rushen
bass:
Paul Jackson (jazz bassist)
bass clarinet and saxophone:
Bennie Maupin
guest guitar:
Joel Kipnis
guest keyboard:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
membranophone:
Mike Clark (jazz drummer)
percussion:
Bill Summers
recorded at:
Sound Castle Recording Studios (former LA location) in Silver Lake, Los Angeles, California, United States (in 1997)
recording of:
Funk Hunter
composer:
Mike Clark (jazz drummer), Paul Jackson (jazz bassist), Bennie Maupin and Bill Summers
The Headhunters6:58
46Children of the Night
recording engineer:
John Hendrickson (Music engineer, mixer)
mixer:
Bill Schnee
bass guitar:
Marcus Miller (jazz musician) (from 1994 until 1995)
drums (drum set):
Will Calhoun (from 1994 until 1995)
electric guitar:
David Gilmore (from 1994 until 1995)
percussion:
Lenny Castro (from 1994 until 1995) and Airto Moreira (percussionist) (from 1994 until 1995)
piano and synthesizer:
Rachel Z (from 1994 until 1995)
saxophone:
Wayne Shorter (US jazz saxophonist and composer) (from 1994 until 1995)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States (from 1994 until 1995)
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
recording of:
Children of the Night
composer:
Wayne Shorter (US jazz saxophonist and composer)
publisher:
Miyako Music (Music publishing company for Wayne Shorter's compositions.)
Wayne Shorter7:23
47A Go Go
John Scofield6:34
48Memory Lain, Hugh / Headloss
Caravan9:17
49Leave It 'Til the Morning
Keef Hartley3:26
50Them Changes
Buddy Miles3:21