The Operas: Complete Opera & Vocal Recordings on Deutsche Grammophon

~ Release by Karl Böhm (see all versions of this release, 1 available)

Tracklist

1▶CD: Beethoven: Fidelio (Act I)
2▶CD: Beethoven: Fidelio (Act II)
3▶CD: Beethoven: Missa Solemnis [1955]
4▶CD: Beethoven: Missa solemnis (1974) (Kyrie / Gloria / Credo)
5▶CD: Beethoven: Missa solemnis (1974) (Sanctus - Benedictus / Agnus Dei)
6▶CD: Berg: Wozzeck (Acts I, II & III beg.)
7▶CD: Berg: Wozzeck (Act III cont.) / Lulu (Prolog - Act I)
8▶CD: Berg: Lulu (Act II)
9▶CD: Handel: Giulio Cesare (Highlights)
10▶CD: Haydn: Die Jahreszeiten (Der Frühling - Der Sommer)
11▶CD: Haydn: Die Jahreszeiten (Die Herbst - Der Winter)
12▶CD: Mahler: Kindertotenlieder / 4 Lieder / Brahms: Alto Rhapsody
13▶CD: Mozart: Idomeneo (Act I)
14▶CD: Mozart: Idomeneo (Act II)
15▶CD: Mozart: Idomeneo (Act III)
16▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
17▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
18▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
19▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
20▶CD: Mozart: Le nozze di Figaro (Act IV)
21▶CD: Mozart: Don Giovanni (1967) (Act I beg.)
22▶CD: Mozart: Don Giovanni (1967) (Acts I cont. & II beg.)
23▶CD: Mozart: Don Giovanni (1967) (Act II cont.)
24▶CD: Mozart: Don Giovanni (1977) (Act I beg.)
25▶CD: Mozart: Don Giovanni (1977) (Acts I cont. & II beg.)
26▶CD: Mozart: Don Giovanni (1977) (Act II cont.)
27▶CD: Mozart: Così fan tutte (Act I beg.)
28▶CD: Mozart: Così fan tutte (Acts I cont. & II)
29▶CD: Mozart: Die Zauberflöte (Act I)
30▼CD: Mozart: Die Zauberflöte (Act II beg.)
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 9 Arie: Marsch der Priester / »Ihr eingeweihten Diener der Götter Osiris und Isis!« (Sarastro, Erster Priester, Zweiter Priester, Dritter Priester)
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
bass vocals [Dritter Priester]:
Manfred Röhrl (operatic bass) (in 1964-06)
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
tenor vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
tenor vocals [Zweiter Priester]:
Martin Vantin (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:44
2Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 10 Arie mit Chor: »O Isis und Osiris« (Sarastro, Chor) / »Eine schreckliche Nacht!« (Tamino, Papageno, Erster Priester, Zweiter Priester, Dritter Priester)
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
bass vocals [Dritter Priester]:
Manfred Röhrl (operatic bass) (in 1964-06)
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1964-06)
tenor vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
tenor vocals [Zweiter Priester]:
Martin Vantin (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
chorus master:
Günther Arndt (choral conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:52
3Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 11 Duett: »Bewahret euch vor Weibertücken« (Zweiter Priester, Dritter Priester) / »He, Lichter her!« (Papageno, Tamino)
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
bass vocals [Dritter Priester]:
Manfred Röhrl (operatic bass) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
tenor vocals [Zweiter Priester]:
Martin Vantin (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:08
4Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 12 Quintett: »Wie? Wie? Wie? Ihr an diesem Schreckensort?« (Die drei Damen, Papageno, Tamino) / »Tamino! Dein standhaft männliches Betragen hat gesiegt« (Erster Priester, Zweiter Priester, Tamino, Papageno)
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) (in 1964-06)
soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (contralto) (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (soprano) (in 1964-06)
tenor vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
tenor vocals [Zweiter Priester]:
Martin Vantin (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:05
5Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 13 Arie: »Alles fühlt der Liebe Freuden« (Monostatos) / »Mutter!« (Pamina, Monostatos, Königin der Nacht)
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Roberta Peters (soprano) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
tenor vocals [Monostatos]:
Friedrich Lenz (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:40
6Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« (Königin der Nacht) / »Morden soll ich?« (Pamina, Monostatos, Sarastro)
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
soprano vocals [Königin der Nacht]:
Roberta Peters (soprano) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
tenor vocals [Monostatos]:
Friedrich Lenz (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:45
7Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 15 Arie: »In diesen heil'gen Hallen« (Sarastro) / »Hier seid ihr euch beeide allein überlassen« (Erster Priester, Papageno, Tamino, Weib)
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
tenor vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:51
8Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 16 Terzett: »Seid uns zum zweiten Mal willkommen« (Die drei Knaben) / »Tamino, wollen wir nicht speisen?« (Papageno, Tamino, Pamina)
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
contralto vocals [Dritter Knabe]:
Raili Kostia (mezzo-soprano) (in 1964-06)
soprano vocals [Erster Knabe]:
Rosl Schwaiger (soprano) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
soprano vocals [Zweiter Knabe]:
Antonia Fahberg (soprano) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:55
9Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 17 Arie: »Ach, ich fühl's, es ist verschwunden« (Pamina)
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:30
10Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 18 Chor der Priester: »O Isis und Osiris« / »Tamino, dein Betragen war bisher männlich« (Sarastro, Pamina, Tamino)
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
chorus master:
Günther Arndt (choral conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:39
11Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 19 Terzett: »Soll ich dich, Teurer, nicht mehr sehn?« (Pamina, Sarastro, Tamino) / »Tamino! Tamino!« (Papageno, Stimmen, Erster Priester)
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
tenor vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:11
12Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 20 Arie: »Ein Mädchen oder Weibchen wünscht Papageno sich!« (Papageno) / »Da bin ich schon, mein Engel!« (Weib, Papageno, Erster Priester)
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
tenor vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:54
31▶CD: Mozart: Die Zauberflöte (Act II cont.) / Der Schauspieldirektor
32▶CD: Mozart: La clemenza di Tito (Act I)
33▶CD: Mozart: La clemenza di Tito (Act II)
34▶CD: Mozart: Requiem
35▶CD: R. Strauss: Salome (Scenes I-IV beg.)
36▶CD: R. Strauss: Salome: (Scene IV cont.)
37▶CD: R. Strauss: Elektra (beg.)
38▶CD: R. Strauss: Elektra (cont.)
39▶CD: R. Strauss: Der Rosenkavalier (1958) (Act I)
40▶CD: R. Strauss: Der Rosenkavalier (1958) (Act II)
41▶CD: R. Strauss: Der Rosenkavalier (1958) (Act III)
42▶CD: R. Strauss: Der Rosenkavalier (1969) (Act I)
43▶CD: R. Strauss: Der Rosenkavalier (1969) (Act II)
44▶CD: R. Strauss: Der Rosenkavalier (1969) (Act III)
45▶CD: R. Strauss: Ariadne auf Naxos (1944) (Vorpsiel)
46▶CD: R. Strauss: Ariadne auf Naxos (1944) (Oper)
47▶CD: R. Strauss: Ariadne auf Naxos (1954) (Vorspiel / Oper beg.)
48▶CD: R. Strauss: Ariadne auf Naxos (1954) (Oper cont.)
49▶CD: R. Strauss: Ariadne auf Naxos (1969) (Vorspiel / Oper beg.)
50▶CD: R. Strauss: Ariadne auf Naxos (1969) (Oper cont.)
51▶CD: R. Strauss: Die Frau ohne Schatten (Act I)
52▶CD: R. Strauss: Die Frau ohne Schatten (Act II)
53▶CD: R. Strauss: Die Frau ohne Schatten (Act III)
54▶CD: R. Strauss: Arabella (Act I)
55▶CD: R. Strauss: Arabella (Act II)
56▶CD: R. Strauss: Arabella (Act III)
57▶CD: R. Strauss: Die schweigsame Frau (Acts I & II beg.)
58▶CD: R. Strauss: Die schweigsame Frau (Acts II cont. & III)
59▶CD: R. Strauss: Daphne (beg.)
60▶CD: R. Strauss: Daphne (cont.)
61▶CD: R. Strauss: Capriccio (Scenes I - IX beg.)
62▶CD: R. Strauss: Capriccio (Scene IX cont. - Last Scene)
63▶CD: Wagner: Der fliegende Holländer (Acts I & II beg.)
64▶CD: Wagner: Der fliegende Holländer (Acts II cont. & III)
65▶CD: Wagner: Tristan und Isolde (Act I)
66▶CD: Wagner: Tristan und Isolde (Act II)
67▶CD: Wagner: Tristan und Isolde (Act III)
68▶CD: Das Vermächtnis meines Meisters
69▶CD: Karl Böhm speaks to the press on the occasion of the complete recording of Mozart's Don Giovanni in Prague / »Wolfgang Amadeus Mozart gilt meine große Liebe« / Karl Böhm speaks about his relationship with the Wiener Philharmoniker
70▶CD: Karl Böhm: Erzähltes Leben

Credits

Release

photography:Susesch Bayat (photographer)
Diether Warneck (producer)
Gerd H. Siess (photographer)
Siegfried Lauterwasser
Lothar Rübelt (photographer)
Kristina Söderbaum (Swedish-born German film actress, producer, and photographer)
Felicitas Timpe (photographer)
Reinhart Wolf (photographer)
miscellaneous support:Harald Reiter (task: project manager)
compiler:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
design:Fred Münzmaier
booklet editor:Jens Schünemeyer (liner note editor for DG)
Discogs:https://www.discogs.com/release/20809144 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/boehm-complete-opera-vocal-recordings-9375 [info]