The 80’s Collection: 1985

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.253:46
2Night Shift
recording of:
Nightshift
Verfasser(in):
Franne Golde, Dennis Lambert und Walter Orange
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zomba Enterprises, Inc.
Commodores4:24
3We Built This City
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1985) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1985)
recording of:
We Built This City
Verfasser(in):
Dennis Lambert, Martin Page, Bernie Taupin und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) und Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship44:37
4Walking on Sunshine
recorded in:
England, Vereinigtes Königreich
assistierende(r) Techniker(in):
Jon Goldberger (engineer)
Techniker(in) und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Pat Collier und Katrina and the Waves (British‐American rock band)
zusätzliche(r) Produzent(in):
Scott Litt (producer and engineer)
Bassgitarre:
Vince de la Cruz
Gast-Blechblasinstrumente [Rumour Brass Section]:
Ray Beavis, Dick Hanson und John "Irish" Earl (Irish saxophonist)
Gast-Orgel:
Nick Glennie‐Smith
Gitarre [lead guitar]:
Kimberley Rew
Gitarre [rhythm guitar] und Sologesang:
Katrina Leskanich
Perkussion und Schlagzeug:
Alex Cooper (drummer, member of “Katrina and the Waves”)
Hintergrundgesang:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz und Kimberley Rew
Blechblasinstrumente arranger:
Eamon Fitzpatrick
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
aufgenommen bei:
Alaska Studios in London (Greater London), England, Vereinigtes Königreich und Greenhouse Studio (London) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1984-12 bis 1985-03)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 378)
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:57
5Things Can Only Get Better
recording of:
Things Can Only Get Better
Texter und Komponist(in):
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones34:04
6St. Elmo’s Fire
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Blechblasinstrumente [horns] arranger:
David Foster (Canadian music producer, arranger and composer) und Jerry Hey
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1985) und John Parr Music Ltd. (in 2016)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 28) und TV Cream: Real 100 Best Singles Ever (Nummer: 85)
recording of:
St. Elmo’s Fire
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und John Parr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:07
7Broken Wings
Techniker(in):
Paul DeVilliers und Lois Oki
Produzent(in):
Paul DeVilliers und Mr. Mister (American pop rock band)
Mix:
Mick Guzauski und Mike Shipley (audio engineer, mixer, producer)
Bassgitarre und Sologesang:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
Gitarre:
Steve Farris (US session guitarist, member of Mr. Mister)
Keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
Schlagzeug:
Pat Mastelotto
vocals:
Steve George (US keyboardist for Mr. Mister & Pages)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International (in 1985), BMG Music (in 1985), BMG Music International (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
recording of:
Broken Wings
Verfasser(in):
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister45:41
8Solid
recorded in:
U.S.A.
Produzent(in):
Nickolas Ashford und Valerie Simpson
phonographisches Urheberrecht (℗) von:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
produced for:
Hopsack & Silk Productions Inc.
Bearbeitung von:
Solid von Ashford & Simpson
recording of:
Solid
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson2.653:24
9Johnny Come Home
Produzent(in):
Andy Cox (Composer) und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
phonographisches Urheberrecht (℗) von:
London Records (UK, 1947–1999, re-launched 2011–present) (in 1985)
Musikvideos:
Johnny Come Home von Fine Young Cannibals
recording of:
Johnny Come Home
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1985)
Fine Young Cannibals3.73:35
10Don’t Mess With Doctor Dream
Techniker(in):
James A. Farber (sound engineer) und John Potoker (producer/engineer aka Tokes)
Produzent(in):
Tom Bailey (Thompson Twins) und Nile Rodgers
recording of:
Don't Mess With Doctor Dream
Verfasser(in):
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
Thompson Twins23:29
11Miami Vice Theme
recording of:
Miami Vice Theme
Komponist(in):
Jan Hammer
Jan Hammer3.52:30
12Running Up That Hill
assistierende(r) Techniker(in):
Pearse Dunne
Techniker(in):
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench und Nigel Walker (UK producer/engineer/guitarist)
Produzent(in):
Kate Bush
Mix:
Brian Tench
Balalaika:
Paddy Bush
Bass:
Del Palmer
Gitarre:
Alan Murphy (UK session guitarist)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
vocals:
Kate Bush
phonographisches Urheberrecht (℗) von:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) und Noble & Brite Ltd (in 2018)
aufgenommen bei:
Wickham Farm Home Studio in Welling, Bexley (London Borough of Bexley), London (Greater London), England, Vereinigtes Königreich
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
Musikvideos:
Running Up That Hill (music video) von Kate Bush
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 7), Billboard Year-End Hot 100 singles of 2022 (Nummer: 23), Billboard Hot 100: 2026-01-17 (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 60), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 279)
recording of:
Running Up That Hill
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.954:52
2CD

Nennungen

Veröffentlichungsgruppe

Teil von:The 80’s Collection (Time‐Life Music) (Nummer: 03) (Reihenfolge: 3)