Greatest Hits of the 80’s & 90’s: The Definitive Singles Collection 1980–1995

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Juli July
recording of:
Julie, July
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
Übersetzer:
Harry Kramp
übersetzte Version von:
Brother Louie
Bert Heerink3:46
2I Want You
recording of:
I Want You
Texter und Komponist(in):
Declan Patrick MacManus
Elvis Costello5:47
3Enjoy the Silence
Techniker(in):
Peter Iversen (audio engineer)
Produzent(in):
Depeche Mode und Flood (British producer Mark Ellis)
Mix:
Phil Legg und Daniel Miller (British music producer and founder of Mute Records)
Sologesang:
Dave Gahan
phonographisches Urheberrecht (℗) von:
Depeche Mode (Copyright and phonographic copyright) (in 1990)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 415)
recording of:
Enjoy the Silence
Texter und Komponist(in):
Martin L. Gore
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Grabbing Hands Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), EMI Music Publishing Ltd. (PRS‐affiliated) (in 2006), Grabbing Hands (in 2006) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Depeche Mode4.44:15
4For America
Produzent(in):
David Motion
recording of:
For America
Texter und Komponist(in):
Simon Toulson-Clarke
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Red Box53:45
5The Lumberjack
Techniker(in):
Nick DiDia und Brendan O’Brien (engineer)
Produzent(in) und Mix:
Brendan O’Brien (engineer)
andere Instrumente [chainsaw]:
Jesse James Dupree
recording of:
The Lumberjack
Texter und Komponist(in):
Jesse James Dupree
Jackyl43:33
6Major Tom (Völlig losgelöst)
Techniker(in):
Frank Reinke (Germany based engineer) (in 1982) und Peter Schmidt (recording engineer) (in 1982)
assistierende(r) Produzent(in):
Frank Hieber (in 1982)
Produzent(in):
Armin Sabol (in 1982) und Peter Schilling (German synthpop musician) (in 1982)
Mix:
Holger J. Magnussen (in 1982)
E-Bass:
Günther Gebauer (in 1982)
E-Gitarre:
Armin Sabol (in 1982)
Keyboard [keyboard solo]:
Gonzo Bishop (in 1982)
Schlagzeug:
Curt Cress (in 1982)
Sologesang:
Peter Schilling (German synthpop musician) (in 1982)
arranger:
Peter Schilling (German synthpop musician) (in 1982)
phonographisches Urheberrecht (℗) von:
WEA Musik GmbH (company, not a label) (in 1982)
aufgenommen bei:
Peermusic Studio in Hamburg, Deutschland (in 1982)
Bearbeitung von:
Major Tom (Völlig losgelöst) von Peter Schilling (German synthpop musician)
recording of:
Major Tom (Völlig losgelöst) (in 1982)
Texter und Komponist(in):
Peter Schilling (German synthpop musician)
publisher:
Peer Musikverlag GmbH (Peermusic Musikverlag GesmbH) (in 1982)
Peter Schilling54:00
7Fools Gold
Produzent(in) und Mix:
John Leckie
phonographisches Urheberrecht (℗) von:
Silvertone Records Ltd. (company credits only; file NO releases here!) (in 1989, in 1990)
Musikvideos:
Fools Gold (Music video) von The Stone Roses
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 32) und Indie 88: Top 500 Indie Rock Songs (Nummer: 145)
recording of:
Fools Gold
Verfasser(in):
Ian Brown (UK singer, member of Stone Roses) und John Squire
publisher:
Universal Music Publishers MGB Australia Pty Ltd
The Stone Roses4.54:16
8Escape (The Piña Colada Song)
recording of:
Escape (The Piña Colada Song)
Texter und Komponist(in):
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes4:31
9Drivers’s Seat
Akustikgitarre:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Bassgitarre:
Chris Birkin
Gitarre:
Mick Dyche und Loz Netto
Schlagzeug:
Luigi Salvoni
vocals:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
phonographisches Urheberrecht (℗) von:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1978)
recording of:
Driver’s Seat (Sniff ’n’ the Tears song)
Texter und Komponist(in):
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Sniff ’n’ the Tears43:59
10Don’t Answer Me
recording of:
Don’t Answer Me
Verfasser(in):
Alan Parsons (of The Alan Parsons Project) und Eric Woolfson
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Careers Music, Inc. und Woolfsongs Ltd.
The Alan Parsons Project4:23
11The Joker
Produzent(in):
Steve Miller (leader of Steve Miller Band)
Akustikgitarre, Slide-Gitarre und Sologesang [vocals]:
Steve Miller (leader of Steve Miller Band)
Bass:
Gerald Johnson
Schlagzeug:
John King (drums)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1973), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
recording of:
The Joker
Verfasser(in):
Eddie Curtis (songwriter), Ahmet Ertegun (US songwriter/producer) und Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.054:23
12Crockett’s Theme
recording of:
Crockett’s Theme (Miami Vice)
Komponist(in):
Jan Hammer
publisher:
Involved Publishing Ltd, MCA Music Inc. (Universal Music Philippines’ legal name) und Universal/MCA Music Ltd. (not for release label use!)
Jan Hammer3.53:32
13Don’t Talk Just Kiss
Hintergrundgesang:
Jocelyn Brown
phonographisches Urheberrecht (℗) von:
Trug Records (in 1991)
recording of:
Don’t Talk Just Kiss
Texter und Komponist(in):
Fred Fairbrass, Richard Fairbrass und Robert Manzoli
publisher:
Hit & Run Music (Publishing) Ltd
Right Said Fred3:11
14Big in Japan
recording of:
Big in Japan
Texter:
Marian Gold
Komponist(in):
Marian Gold, Lloyd Bernhard und Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville3:55
15Lay All Your Love on Me (Abba Esque)
cover recording of:
Lay All Your Love on Me
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group, Universal/Union Songs Musikförlag AB, Artwork Music Co., Inc. (vom 1980 bis ????) und Countless Songs, Ltd. (vom 1980 bis ????)
Teil von:
Mamma Mia! (1999 musical)
Erasure4:42
16Don’t Go
Techniker(in):
John Fryer (British producer and engineer) und Eric Radcliffe (UK producer / engineer / musician)
Produzent(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) und Daniel Miller (British music producer and founder of Mute Records)
vocals:
Alison Moyet
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Don’t Go
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Mega Music Ltd., Musical Moments Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing Scandinavia KB
Yazoo4.53:04
17What’s New Pussycat
cover recording of:
What’s New Pussycat?
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Teil von:
The 38th Academy Award for Best Original Song (Nummer: 2)
Roots Syndicate3:29
18All Right
recording engineer und Mix:
Chet Himes
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
assistierende(r) Produzent(in):
Rob Meurer und Michael Ostin
Produzent(in):
Michael Omartian
Solo-Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Sologesang:
Christopher Cross (US singer‐songwriter)
zusätzlich vocals:
Michael McDonald (R&B & soul singer)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
produced for:
Free Flow Productions
aufgenommen bei:
Pop ’n’ Roll Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten, Studio South in Austin, Texas, Vereinigte Staaten, The Aspen Studios in Aspen, Colorado, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
All Right
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross54:15

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