Jesus

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Messiah: Pifa
orchestra:
I Solisti Veneti (in 1989)
conductor:
Claudio Scimone (conductor) (in 1989)
balance engineer:
Yolanta Skura
recorded at:
Chiesa di San Francesco (Schio) in Schio, Vicenza, Veneto, Italy (in 1989)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1989)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:16
2The Messiah: There were angels
soprano vocals:
Patricia Schuman (in 1989)
orchestra:
I Solisti Veneti (in 1989)
conductor:
Claudio Scimone (conductor) (in 1989)
balance engineer:
Yolanta Skura
recorded at:
Chiesa di San Francesco (Schio) in Schio, Vicenza, Veneto, Italy (in 1989)
recording of:
Messiah, HWV 56: Part I, no. 14a. Recitative “There were shepherds, abiding in the field” (Soprano) (in 1989)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
George Frideric Handel1:33
3The Messiah: Glory to God
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989)
orchestra:
I Solisti Veneti (in 1989)
conductor:
Claudio Scimone (conductor) (in 1989)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989)
balance engineer:
Yolanta Skura
recorded at:
Chiesa di San Francesco (Schio) in Schio, Vicenza, Veneto, Italy (in 1989)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1989)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:56
4The Messiah: Rejoice greatly, O daughter of Zion
soprano vocals:
Patricia Schuman (in 1989)
orchestra:
I Solisti Veneti (in 1989)
conductor:
Claudio Scimone (conductor) (in 1989)
balance engineer:
Yolanta Skura
recorded at:
Chiesa di San Francesco (Schio) in Schio, Vicenza, Veneto, Italy (in 1989)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 1989)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:08
5The Messiah: Hallelujah!
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989)
orchestra:
I Solisti Veneti (in 1989)
conductor:
Claudio Scimone (conductor) (in 1989)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989)
balance engineer:
Yolanta Skura
recorded at:
Chiesa di San Francesco (Schio) in Schio, Vicenza, Veneto, Italy (in 1989)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1989)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:35
6Mass in C minor, K. 427, Grosse-Messe: Et incarnatus est
soprano vocals:
Lynda Russell (soprano) (on 1997-04-27)
orchestra:
Orchestra di Padova e del Veneto (on 1997-04-27)
conductor:
Peter Maag (conductor) (on 1997-04-27)
recorded at:
Auditorium Cesare Pollini in Padova (Padua), Padova, Veneto, Italy (on 1997-04-27)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: “Et incarnatus est” (on 1997-04-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): III. Credo
Wolfgang Amadeus Mozart8:15
7Cantata, BWV 21, Ich hatte viel Bekümmernis: Komm, mein Jesu
bass vocals:
Fulvio Bettini (bass vocalist) (on 1994-05-09)
soprano vocals:
Antonella Balducci (Italian soprano) (on 1994-05-09)
orchestra:
Ensemble Vanitas (on 1994-05-09)
conductor:
Diego Fasolis (conductor) (on 1994-05-09)
recorded at:
Chiesa di San Francesco d'Assisi (Locarno) in Locarno, Ticino, Switzerland (on 1994-05-09)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus) (on 1994-05-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:02
8Chistus am Ölberge, Christ at the Mount of Olives: Terzett
choir vocals:
Coro della Radio Svizzera
orchestra:
Orchestra della Radio Svizzera (known by this name since 1991)
conductor:
Francis Travis (Swiss-American conductor)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85
Ludwig van Beethoven12:25
9Johannes-Passion, BWV 245: Herr, unser Herrscher
choir vocals:
Coro della Radio Svizzera, Lugano (on 1998-06-18)
orchestra:
Orchestra del Festival Barocca di Lugano (on 1998-06-18)
conductor:
Diego Fasolis (conductor) (on 1998-06-18)
recorded at:
Cattedrale di San Lorenzo in Lugano, Ticino, Switzerland (on 1998-06-18)
live recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" (on 1998-06-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:59
10Le tre ore di agonia di N.S. Gesù Cristo: La settima parola
bass vocals:
Carlo Lepore (operatic bass) (in 1996-08)
countertenor vocals:
Jeffrey Gall (vocalist; countertenor) (in 1996-08)
soprano vocals:
Marinella Pennicchi (soprano) (in 1996-08)
orchestra:
Academia Montis Regalis (in 1996-08)
conductor:
Gianpaolo Fagotto (tenor) (in 1996-08)
recorded at:
Chiesa di San Filippo Neri in Macerata, Macerata, Marche, Italy (in 1996-08)
recording of:
Le tre ore di agonia di Nostro Signore Gesù Cristo: Settima parola (in 1996-08)
composer:
Giuseppe Giordani
part of:
Le tre ore di agonia di Nostro Signore Gesù Cristo
Giuseppe Giordani6:31
11Easter Oratorio, BWV 248: Adagio
orchestra:
Orchestra of the Bach Music Center Moscow
conductor:
Sergey Miassojedov
recording of:
Oster-Oratorium, BWV 249: II. Adagio
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:45
12Mass in B minor, BWV 232: Et resurrexit
engineer:
Giuseppe Clericetti and Jochen Gottschall
producer:
Gian Andrea Lodovici (ended) and Carlo Piccardi (producer)
choir vocals:
Coro della Radio Svizzera, Lugano (on 1997-06-03)
orchestra:
Sonatori de la Gioiosa Marca (on 1997-06-03)
conductor:
Diego Fasolis (conductor) (on 1997-06-03)
recorded at:
Cattedrale di San Lorenzo in Lugano, Ticino, Switzerland (on 1997-06-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (on 1997-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:38
13Magnificat in D, BWV 243: Gloria Patri Filio
choir vocals:
Coro della Radio Svizzera, Lugano (on 1994-05-09)
orchestra:
Ensemble Vanitas (on 1994-05-09)
conductor:
Diego Fasolis (conductor) (on 1994-05-09)
recorded at:
Chiesa di San Francesco d'Assisi (Locarno) in Locarno, Ticino, Switzerland (on 1994-05-09)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (on 1994-05-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:12

Credits

Release

liner notes translator:Eva Pleus (liner notes, translation)
Timothy Alan Shaw
executive producer:Gian Andrea Lodovici
design:Maria Cristina Sala
manufactured by:Brisa