The Complete EMI Recordings 1946-1984, Volume 2: Opera & Vocal (discs 11-20) (editable pseudo-release)

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

11▶CD: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
12▶CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
13▶CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
14▼CD: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
#TitleArtistRatingLength
1Ein deutsches Requiem, Op. 45: I. Ziemlich langsam. "Selig sind, die da Leid tragen"
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (Chor) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:38
2Ein deutsches Requiem, Op. 45: II. Langsam, marschmässig. "Denn alles Fleisch, es ist wie Gras"
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms14:49
3Ein deutsches Requiem, Op. 45: III. Andante moderato. "Herr, lehre doch mich"
producer:
Walter Legge (British classical producer)
baritone vocals:
Hans Hotter (German operatic bass-baritone)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” (Chor, Bariton) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:16
4Ein deutsches Requiem, Op. 45: IV. Mässig bewegt. "Wie lieblich sind Deine Wohnungen"
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms6:05
5Ein deutsches Requiem, Op. 45: V. Langsam. "Ihr habt nun Traurigkeit"
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms7:15
6Ein deutsches Requiem, Op. 45: VI. Andante. "Denn wir haben hier keine bleibende Statt"
producer:
Walter Legge (British classical producer)
bass-baritone vocals:
Hans Hotter (German operatic bass-baritone)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (Chor, Bariton) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms12:34
7Ein deutsches Requiem, Op. 45: VII. Feierlich. "Selig sind die Toten, die in dem Herrn sterben"
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten” (Chor) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:13
15▶CD: Missa Solemnis in D major
16▶CD: Missa Solemnis in D major, Mozart, Strauss
17▶CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft's School, Philharmonia Orchestra)
18▶CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft's School, Philharmonia Orchestra)
19▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
20▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (German operatic soprano, 1919–2013), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (Austrian bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)