De Pre Historie 1950 - 1959

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Vaya Con Dios
registrazione cover di:
Vaya con Dios (original)
autore:
Inez James, Buddy Pepper e Larry Russell (Film composer)
editore:
Ardmore Music Corp., Chappell Music Ltd. e Manuskript (not for release label use! this is only for copyrights and publishing relationships)
Les Paul & Mary Ford2:51
2Mona Lisa
produttore:
Lee Gillette
basso :
Joe Comfort (il 1950-03-11)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1950-03-11)
bonghi :
Jack Costanzo (il 1950-03-11)
chitarra :
Irving Ashby (il 1950-03-11)
pianoforte :
Buddy Cole (il 1950-03-11)
viola :
Allan Harshman (violist) (il 1950-03-11) e Dave Sterkin (il 1950-03-11)
violino :
Sam Cytron (il 1950-03-11), David Frisina (il 1950-03-11), Murray Kellner (il 1950-03-11), Mark Levant (il 1950-03-11), Dan Lube (il 1950-03-11), Lou Raderman (il 1950-03-11), Paul Shure (il 1950-03-11) e Felix Slatkin (il 1950-03-11)
violoncello :
Cy Bernard (il 1950-03-11) e Eleanor Slatkin (US cellist, b. Aller) (il 1950-03-11)
cori:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1950-03-11)
voce:
Nat King Cole (il 1950-03-11)
orchestra:
Les Baxter and His Orchestra (il 1950-03-11)
direttore d'orchestra:
Les Baxter (il 1950-03-11)
arrangiatore:
Nelson Riddle (il 1950-03-11)
registrazione cover di:
Mona Lisa (il 1950-03-11)
paroliere:
Raymond B. Evans (American songwriter)
compositore:
Jay Livingston
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-editore:
BMG Unisong Music Publishers BV
parte di:
The 23rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1950 winner)
Nat King Cole43:26
3Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.653:00
4Don't You Know
Della Reese2:33
5Fever
batteria :
Shelly Manne (US jazz drummer) (il 1958-05-19)
contrabbasso [bass] :
Joe Mondragon (il 1958-05-19)
schiocchi di dita :
Peggy Lee (jazz vocalist) (il 1958-05-19) e Howard Roberts (jazz guitarist, educator, session musician and producer) (il 1958-05-19)
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
direttore d'orchestra:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1958-05-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione cover di:
Fever (il 1958-05-19)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee4.23:19
6Only You
pianoforte :
Buck Ram (il 1955-04-26)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey) (il 1955-04-26)
voce principale:
Tony Williams (lead singer for The Platters) (il 1955-04-26)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1955) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 10)
registrazione di:
Only You (il 1955-04-26)
paroliere e compositore:
Buck Ram
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:36
7Put Your Head on My Shoulder
Paul Anka2:36
8Cherry Pink and Apple Blossom White
Pérez Prado3:04
9Mandolins in the Moonlight
registrazione di:
Mandolins in the Moonlight
autore:
Aaron Schroeder (1950s~1960s US songwriter) e George David Weiss
editore:
Abilene Music Inc. e Rachel’s Own Music
sub-editore:
Basart Belgium Editions e BMC Publishing NV
Perry Como2:46
10Marina
registrazione di:
Marina (original italian lyrics) (nel 1959)
paroliere e compositore:
Rocco Granata (Italian-born singer, songwriter, accordionist) (nel 1959)
Rocco Granata2:45
11Sh-Boom
registrazione cover di:
Sh‐Boom
autore:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes e Floyd McRae
eseguita per la prima volta da:
The Chords (50s US doo-wop group "Sh-Boom")
The Crew-Cuts52:48
12Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra :
Bill Haley (il 1954-04-12)
chitarra elettrica :
Danny Cedrone (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
voce:
Bill Haley (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets42:12
13Sixteen Tons
registrazione cover di:
Sixteen Tons
paroliere e compositore:
Merle Travis
arrangiatore:
Paul Brody
editore:
American Music, Inc. e Campbell Connelly & Co. Ltd.
Tennessee Ernie Ford2:25
14Maybelline
produttore:
Leonard & Phil Chess (legendary US production duo)
chitarra e voce principale:
Chuck Berry (il 1955-05-21)
contrabbasso :
Willie Dixon (il 1955-05-21)
maracas [possibly] :
Leonard Chess (il 1955-05-21) e Jerome Green (il 1955-05-21)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1955-05-21)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 2003)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (il 1955-05-21)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 102)
registrazione di:
Maybellene (il 1955-05-21)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e Salee Music Company
Chuck Berry3.92:18
15Blue Suede Shoes
batteria :
W.S. Holland (nel 1955-12)
chitarra :
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12) e Jay Perkins (nel 1955-12)
contrabbasso :
Clayton Perkins (nel 1955-12)
voce:
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1955, dal 1956 a oggi)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 5) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 95)
registrazione di:
Blue Suede Shoes (nel 1955-12)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:15
16Great Balls of Fire
parte di:
Cachitos Nochevieja 2022 (numero: 11)
registrazione di:
Great Balls of Fire
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis2:34
17Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:22
18Buona Sera
produttore:
Voyle Gilmore
chitarra :
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1956-04-19)
contrabbasso :
Amato Rodrigues (il 1956-04-19)
pianoforte :
Willie McCumber (il 1956-04-19)
sassofono tenore :
Sam Butera (il 1956-04-19)
tromba :
Louis Prima (il 1956-04-19)
trombone :
James Blount, Jr. (il 1956-04-19)
voce:
Louis Prima (il 1956-04-19)
orchestra:
The Witnesses (il 1956-04-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1956)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-04-19)
registrazione di:
Buona sera (il 1956-04-19)
paroliere:
Carl Sigman
compositore:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione tradotta di:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima42:57
19Who's Sorry Now
voce:
Connie Francis (American former actress and chart-topping singer)
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1958)
registrazione cover di:
Who’s Sorry Now? (1923 song)
paroliere:
Bert Kalmar (nel 1923) e Harry Ruby (nel 1923)
compositore:
Ted Snyder (nel 1923)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (il 1923-03-07) e Mills Music Corporation (nel 1929)
Connie Francis4.52:19
20Banana Boat Song
produttore:
Herman Diaz, Jr.
batteria :
Osie Johnson (il 1955-10-20)
chitarra :
Millard Thomas (il 1955-10-20)
congas :
Alexander Cambrelen (il 1955-10-20) e Mario Castillo (il 1955-10-20)
contrabbasso :
Milt Hinton (il 1955-10-20)
flauto :
Herbert Levy (il 1955-10-20)
cori:
Charles Colman (il 1955-10-20), J. Hamilton Grandison (il 1955-10-20), Herbert L. Stubbs (il 1955-10-20), Joseph Lewis (il 1955-10-20), Lord Burgess (il 1955-10-20), Brock Peters (il 1955-10-20), Sherman Sneed (il 1955-10-20), John White (50s US vocalist) (il 1955-10-20) e Gloria Wynder (il 1955-10-20)
voce:
Harry Belafonte
voce principale:
Harry Belafonte (il 1955-10-20)
orchestra:
Tony Scott's Orchestra & Chorus (il 1955-10-20)
direttore d'orchestra:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (il 1955-10-20)
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1955-10-20)
registrazione di:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte) (il 1955-10-20)
paroliere aggiunto:
William Attaway (nel 1955) e Irving Burgie (nel 1955)
compositore:
[traditional] (special purpose artist)
editore:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp (American copyright holder in both popular and classical music) e Reservoir Media Music
versione di:
Day‐O (The Banana Boat Song) (original folk song)
Harry Belafonte4.33:04
21Tom Dooley
registrazione di:
Tom Dooley
paroliere e compositore:
[traditional] (special purpose artist)
parte di:
Roud Folk Song Index (numero: 4192)
The Kingston Trio43:02

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