Rock 'n' Roll & Jukebox Hits: 100 Originals From the 50s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Let Me In
recording of:
Let Me In
Texter und Komponist(in):
Yvonne Baker (after marriage)
The Sensations3:03
2Glitter in Your Eyes
The Sheppards2:45
3Bristol Stomp
The Dovells2:20
4There's No Other (Like My Baby)
The Crystals2:30
5Dollar Bill
The Fiestas2:48
6Cruise to the Moon
The Chaperones2:14
7Charlena
The Sevilles2:48
8Sally Green
The Jesters2:13
9I'm With You
The “5” Royales4:24
10My Hero
The Blue Notes2:41
11I Like Love
vocals:
Roy Orbison
recording of:
I Like Love
Texter und Komponist(in):
Jack Clement
publisher:
Universal–Songs of PolyGram International, Inc.
Roy Orbison2:32
12Searchin'
recording of:
Searchin’
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Chappell & Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und Tiger (publisher)
The Coasters2:43
13The Train Kept A-Rollin'
Gitarre:
Paul Burlison (am 1956-07-02) und Johnny Burnette (am 1956-07-02)
Kontrabass:
Dorsey Burnette (am 1956-07-02)
Schlagzeug:
Murray M. "Buddy" Harman, Jr. (Session drummer and songwriter) (am 1956-07-02)
vocals:
Johnny Burnette (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (vom 1956 bis heute)
aufgenommen bei:
Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-07-02)
cover recording of:
The Train Kept A‐Rollin’ (am 1956-07-02)
Verfasser(in):
Tiny Bradshaw, Howard Kay und Lois Mann
publisher:
Bienstock Publishing Company (ASCAP affiliated), Fort Knox Music Co, Quartet Music Inc. und Trio Music, Inc. (publisher)
Teil von:
Twins (1988)
The Johnny Burnette Trio2:17
14Jerry Jerry
Artie Wilson2:03
15Fast Freight
Arvee Allens2:04
16Buzz, Buzz, Buzz
Vince Eager2:02
17Rip It Up
cover recording of:
Rip It Up (am 1957-11-06)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
The Everly Brothers2:14
18Youngblood
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
Techniker(in):
Bunny Robyn (Aufgabe: recording) und Tom Dowd
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Barney Kessel (bis 1957-02-15) und Adolph Jacobs (am 1957-02-15)
Klavier:
Mike Stoller (am 1957-02-15)
Kontrabass [bass]:
Ralph Hamilton (US jazz/R&B bassist) (am 1957-02-15)
Schlagzeug [drums]:
Jesse Sailes (am 1957-02-15)
Tenorsaxophon:
Gil Bernal (am 1957-02-15)
vocals:
The Coasters (am 1957-02-15), Carl Gardner (am 1957-02-15), Billy Guy (r&b vocalist) (am 1957-02-15), Bobby Nunn (US doo‐wop/R&B bass vocalist) (am 1957-02-15) und Young Jessie (am 1957-02-15)
arranger:
Mike Stoller
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 414)
recording of:
Young Blood (am 1957-02-15)
Texter:
Jerry Leiber und Doc Pomus
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Copyright Records, EMI Broadcast Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Pomus Songs Inc. und Sony/ATV Songs LLC
The Coasters2.52:22
19Rock and Roll Is Here to Stay
recording of:
Rock and Roll Is Here to Stay
Texter und Komponist(in):
David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
Danny & the Juniors2:31
20We're Gonna Rock
Gunter Lee Carr2:12
21Jim Dandy
recorded in:
New York, New York, Vereinigte Staaten (am 1955-12-21)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Hintergrundgesang:
The Gliders (UK rock trio) (am 1955-12-21)
Sologesang:
LaVern Baker (US rhythm & blues singer) (am 1955-12-21)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 344)
recording of:
Jim Dandy (am 1955-12-21)
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation und Unichappell Music, Inc.
LaVern Baker4.52:13
22Little Star
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 2)
recording of:
Little Star
Verfasser(in):
Vito Picone und Arthur Venosa (songwriter)
The Elegants2:43
23Rebel Rouser
recording of:
Rebel‐’Rouser
Komponist(in):
Duane Eddy und Lee Hazlewood
Duane Eddy3.52:24
24Down the Line
Ricky Nelson2:33
25Bo Diddley
Gitarre:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Maracas / Rumba-Rasseln:
Jerome Green (am 1955-03-02)
Schlagzeug:
Clifton James (am 1955-03-02)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 62), Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2017) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 277)
recording of:
Bo Diddley (am 1955-03-02)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
Bo Diddley2.452:45
26Early in the Morning
Cliff Richard1:51
27My Man
Dolly Cooper2:10
28Look Out Mabel
G. L. "Davy" Crockett2:36
29Saturday Night
Roy Brown2:22
30Bip Bop Bip
Pretty Boy1:53
31The Purple People Eater
phonographisches Urheberrecht (℗) von:
Bear Family Records (vom 1997 bis heute)
recording of:
The Purple People Eater (in 1958)
Texter und Komponist(in):
Sheb Wooley
publisher:
Channel Music Co. und Peter Maurice Music Co. Ltd.
Sheb Wooley3.352:15
32Crazy Man Crazy
E-Gitarre:
Art Ryerson (in 1953)
Gitarre:
Bill Haley (in 1953)
Klavier:
Johnny Grande (in 1953)
Kontrabass:
Marshall Lytle (in 1953)
membranophone:
Billy Gussak (in 1953)
Steel-Gitarre:
William F. ‘Billy’ Williamson (in 1953)
vocals:
Bill Haley (in 1953)
recording of:
Crazy Man, Crazy (in 1953)
Texter und Komponist(in):
Bill Haley
Bill Haley & His Comets2:39
33Pick a Bale of Cotton
Laurie London2:16
34Rockin' the Joint
Produzent(in):
Ken Nelson (US record producer (’48‐’76) Capitol Records, country music)
Klavier:
Esquerita
vocals:
Esquerita
Esquerita2:00
35Slow Down
baritone saxophone:
Jewell Grant (US saxophonist) (am 1957-09-11)
Bass:
Ted Brinson (am 1957-09-11)
Gitarre:
Rene Hall (am 1957-09-11)
Klavier:
Larry Williams (1950s rocker) (am 1957-09-11)
Saxophon:
John E. Oliveri (am 1957-09-11)
Schlagzeug:
Earl Palmer (am 1957-09-11)
Tenorsaxophon:
Plas Johnson (am 1957-09-11)
vocals:
Larry Williams (1950s rocker) (am 1957-09-11)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-09-11)
recording of:
Slow Down (am 1957-09-11)
Texter und Komponist(in):
Larry Williams (1950s rocker)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), ATV Music Corp., Sony/ATV Music Publishing (UK) Ltd., TRO Essex Music Ltd., Venice Music und Westminster Music Ltd.
Larry Williams2:44
36Jump, Jive an' Wail
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Jump, Jive an’ Wail (am 1956-04-19)
Texter:
Louis Prima
Komponist(in):
Louis Prima (in 1956)
Louis Prima53:28
37Mean Mean Man
Wanda Jackson & The Party Timers2:12
38Rock-A-Billy
recording of:
Rock-a-Billy
Verfasser(in):
Eddie Deane und Woody Harris
Guy Mitchell2:14
39Hello Josephine
recording of:
My Girl Josephine (am 1960-07-18)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Verfasser(in):
Dave Bartholomew und Fats Domino
publisher:
EMI United Partnership Ltd. und J. Albert & Son Pty. Ltd.
Fats Domino2:07
40Great Balls of Fire
recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis1:51
41A Wonderful Time Up There
Pat Boone2:07
42Singing the Blues
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 37)
cover recording of:
Singing the Blues
Texter und Komponist(in):
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) und Acuff-Rose Music Limited (UK)
Guy Mitchell2:26
43Love Letters in the Sand
Produzent(in):
Randy Wood (producer)
Bass:
Larry Breen (am 1956-11-24)
Gitarre:
Barney Kessel (am 1956-11-24) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-11-24)
Klarinette:
Ryland Weston (am 1956-11-24)
Klavier:
Milt Rogers (bandleader, arranger and composer) (am 1956-11-24)
Saxophon:
Babe Russin (am 1956-11-24) und Justin Gordon (am 1956-11-24)
Schlagzeug:
Dick Shanahan (am 1956-11-24)
Vibraphon:
Bernie Mattinson (am 1956-11-24)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-11-24)
vocals:
Pat Boone (am 1956-11-24)
conductor:
Billy Vaughn (am 1956-11-24)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-11-24)
cover recording of:
Love Letters in the Sand (am 1956-11-24)
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
Pat Boone2:15
44Calendar Girl
recording of:
Calendar Girl
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Universal Music Careers
Neil Sedaka42:40
45Stay
Kontrabass:
Albert Hill (double bassist)
Schlagzeug [drums]:
Willie Morrow
Baritongesang:
Charles Thomas (The Zodiacs)
Sologesang:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
Tenor-Gesang:
Wiley Bennett
Tenor-Gesang [falsetto tenor]:
Henry Gaston
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 1)
recording of:
Stay
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. und Cherio Corp. (in 1960)
Maurice Williams & the Zodiacs51:41
46Hey Baby (radio version)
Produzent(in):
Major Bill Smith
Mundharmonika:
Delbert McClinton
vocals:
Bruce Channel
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
recording of:
Hey! Baby
Verfasser(in):
Bruce Channel und Margaret Cobb (singer, writer, publisher)
publisher:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd., シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.), CBS Unart Catalog, Inc. (in 1961) und Le Bill Music (in 1961)
Bruce Channel52:28
47Pretty Little Angel Eyes (radio version)
Curtis Lee2:44
48The Swiss Maid (radio version)
cover recording of:
Swiss Maid (am 1962-05-09)
Texter und Komponist(in):
Roger Miller (US singer/songwriter/actor, “King of the Road”)
Del Shannon32:08
49Woo Hoo (radio version)
The Rock-A-Teens2:27
50The Great Pretender
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
Sologesang:
Tony Williams (lead singer for The Platters)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 352)
recording of:
The Great Pretender (in 1955-09)
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters52:39
51Dance to the Bop
recording of:
Dance to the Bop
Texter und Komponist(in):
Floyd Edge
Gene Vincent2:17
52Yes Tonight, Josephine
recording of:
Yes Tonight Josephine
Verfasser(in):
Dorothy Goodman und Winfield Scott
Johnnie Ray2:33
53Just Walking in the Rain
vocals:
Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (am 1956-06-29)
Orchester:
Ray Conniff, His Orchestra & Chorus (am 1956-06-29)
cover recording of:
Just Walkin’ in the Rain (am 1956-06-29)
Verfasser(in):
Johnny Bragg, Buddy Killen und Robert Riley
Johnnie Ray42:41
54Mr. Sandman
Produzent(in):
Archie Bleyer
Interpret(in):
The Chordettes
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
recording of:
Mr. Sandman
Texter und Komponist(in):
Pat Ballard
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
The Chordettes4.32:26
55Maybelline
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1955-05-21)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1955-05-21)
Kontrabass:
Willie Dixon (am 1955-05-21)
Maracas / Rumba-Rasseln [possibly]:
Leonard Chess (am 1955-05-21) und Jerome Green (am 1955-05-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-05-21)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 102)
recording of:
Maybellene (am 1955-05-21)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Salee Music Company
Chuck Berry3.92:22
56Ain't She Sweet
cover recording of:
Ain’t She Sweet
Texter:
Jack Yellen
Komponist(in):
Milton Ager
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music (do not use as release label! this is a music publisher), Lawrence Wright Music Co., Ltd., Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Gene Vincent2:31
57Tennessee
recording of:
Tennessee
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Carl Perkins Music Inc., Knox Music und Wren Music Co.
Carl Perkins3:05
58Rock
recording of:
R-o-c-k
Verfasser(in):
Bill Haley und Rusty Keefer
Bill Haley2:21
59Guitar Boogie
Arthur Smith3:26
60Let the Jukebox Keep on Playing
recording of:
Let the Jukebox Keep On Playing
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
Carl Perkins2:54
61Twenty Flight Rock
recording of:
Twenty Flight Rock
Verfasser(in):
Eddie Cochran (US rock and roll musician active in 1950s) und Ned Fairchild
Eddie Cochran1:46
62Mary, Mary-Lou
Bill Haley & His Comets2:43
63Rip It Up
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-05-09)
Bassgitarre:
Frank Fields (am 1956-05-09)
Gitarre:
Edgar Blanchard (am 1956-05-09)
Klavier und Sologesang:
Little Richard (am 1956-05-09)
Schlagzeug:
Earl Palmer (am 1956-05-09)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-05-09)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-05-09)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 4)
recording of:
Rip It Up (am 1956-05-09)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
Little Richard4.52:26
64I Fought the Law
recording of:
I Fought the Law
Texter und Komponist(in):
Sonny Curtis
publisher:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Crickets2:16
65Living Doll
recording of:
Living Doll
Texter und Komponist(in):
Lionel Bart
publisher:
J. Albert & Son Pty. Ltd.
Cliff Richard2:37
66Little Bitty Pretty One
Thurston Harris2:23
67Rock and Roll Music
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
E-Gitarre und Sologesang:
Chuck Berry (von 1957-05-06 bis 1957-05-15)
Klavier:
Lafayette Leake (von 1957-05-06 bis 1957-05-15)
Kontrabass:
Willie Dixon (von 1957-05-06 bis 1957-05-15)
Schlagzeug:
Fred Below (von 1957-05-06 bis 1957-05-15)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1957-05-06 bis 1957-05-15)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 19), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 128)
recording of:
Rock and Roll Music (von 1957-05-06 bis 1957-05-15)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.352:30
68Voo-Vee-Ah-Bee
recording of:
Voo Vee Ah Vee (in 1954)
Texter und Komponist(in):
Jim Williams (songwriter for The Platters)
The Platters32:13
69Thirty Days
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Bass:
Willie Dixon (in 1955-09)
Gitarre und Sologesang:
Chuck Berry (in 1955-09)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1955-09)
Maracas / Rumba-Rasseln:
Jerome Green (in 1955-09)
Schlagzeug:
Ebby Hardy (in 1955-09)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (in 1955-09)
recording of:
Thirty Days (in 1955-09)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3.52:26
70Teenage Doll
recording of:
Teenage Doll
Texter und Komponist(in):
George Lendhurst und Pearl Lendhurst
Ricky Nelson1:42
71Someday (You'll Want Me to Want You)
cover recording of:
Someday (You’ll Want Me to Want You)
Texter und Komponist(in):
Jimmie Hodges (Songwriter, composer, author, producer and publisher) (in 1944)
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., Songs of Universal, Inc. (BMI) und Main Street Songs, Inc. (am 1944-12-29)
Ricky Nelson42:54
72The Sun Keeps Shining
The Everly Brothers3:10
73Roses of Picardy
cover recording of:
Roses of Picardy
Texter:
Frederick Edward Weatherly
Komponist(in):
Haydn Wood (composer)
publisher:
Chappell & Co., Inc. (USA)
The Platters32:09
74Rock House
Produzent(in):
Sam Phillips (founder of Sun Records)
recording of:
Rock House
Texter und Komponist(in):
Harold Lloyd Jenkins
Roy Orbison52:07
75Rock 'n' Roll Ruby
recording of:
Rock and Roll Ruby
Texter und Komponist(in):
John R. Cash (country music legend)
Johnny Cash1:46
76Reelin' and Rockin'
Produzent(in):
Leonard & Phil Chess (legendary US production duo) (in 1957-12)
E-Gitarre und Sologesang:
Chuck Berry (von 1957-12-29 bis 1957-12-30)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1957-12-29 bis 1957-12-30)
Kontrabass:
Willie Dixon (von 1957-12-29 bis 1957-12-30)
Schlagzeug:
Jasper Thomas (von 1957-12-29 bis 1957-12-30)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (von 1957-12-29 bis 1957-12-30)
recording of:
Reelin’ and Rockin’ (von 1957-12-29 bis 1957-12-30)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry3.53:19
77Riot in Cell Block #9
Bass:
Ralph Hamilton (US jazz/R&B bassist) (in 1954)
Gitarre:
Barney Kessel (in 1954)
Klavier:
Mike Stoller (in 1954)
Saxophon:
Gil Bernal (in 1954)
Schlagzeug:
Jesse Sailes (in 1954)
Sologesang:
Richard Berry (US singer/songwriter, composed “Louie Louie”) (in 1954)
vocals:
Carl Gardner (in 1954), Bobby Nunn (US doo‐wop/R&B bass vocalist) (in 1954), Billy Richard (of The Robins) (in 1954), Roy Richard (from The Robins) (in 1954) und Ty Terrell (in 1954)
arranger:
Mike Stoller
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1954)
recording of:
Riot in Cell Block #9 (in 1954)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
The Coasters2.53:06
78The Purple People Eater Meets the Witch Doctor
The Big Bopper2:17
79Poor Little Fool
Ricky Nelson2:33
80Problem Child
recording of:
Problem Child
Texter und Komponist(in):
Sam Phillips (founder of Sun Records)
Roy Orbison2:23
81Pretty Betty
Bobby Darin1:47
82Maybe Baby
cover recording of:
Maybe Baby
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Pub und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Conway Twitty2:15
83Poison Ivy
recording of:
Poison Ivy
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Carlin Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC und Warner/Chappell Music Ltd. (1996–2019)
The Coasters2:46
84Mona Lisa
recording of:
Mona Lisa
Texter:
Raymond B. Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1950 winner)
Conway Twitty42:29
85My Way
Bassgitarre:
Connie “Guybo” Smith (bass player) (am 1959-01-17)
Gitarre:
Irving Asby (am 1959-01-17) und Eddie Cochran (US rock and roll musician active in 1950s) (am 1959-01-17)
Klavier:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (am 1959-01-17)
Saxophon:
Jewell Grant (US saxophonist) (am 1959-01-17), Plas Johnson (am 1959-01-17) und Jackie Kelso (am 1959-01-17)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1959-01-17)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-01-17)
recording of:
My Way (am 1959-01-17)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
Cross Music Ltd.
Eddie Cochran2:17
86I Forgot to Remember to Forget
recording of:
I Forgot to Remember to Forget
Verfasser(in):
Charlie Feathers und Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Jerry Lee Lewis3:08
87I'm Walkin'
cover recording of:
I’m Walkin’
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Verfasser(in):
A. Domino/D. Bartholomew (duo)
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. und Rolf Budde Musikverlag (aka Budde Music)
Ricky Nelson2:00
88Honey, 'Cause I Love You
recording of:
Honey ’Cause I Love You
Verfasser(in):
Mel Tillis und Wayne Walker
Carl Perkins2:21
89Gonna Back Up Baby
recording of:
Gonna Back Up Baby
Verfasser(in):
Danny Wolfe
Danny & the Juniors2:28
90Hey Little Lucy
recording of:
Hey Little Lucy
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter), Sharon Silbert und George David Weiss
Conway Twitty1:52
91Heartbreak Hotel
cover recording of:
Heartbreak Hotel
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Conway Twitty2:18
92Gone, Gone, Gone
recording of:
Gone, Gone, Gone
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Carl Perkins Music Inc., Knox Music und Wren Music Co.
Carl Perkins2:56
93Don't Talk to Him
recording of:
Don't Talk to Him (1963 song)
Verfasser(in):
Cliff Richard und Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard2:58
94Domino Stomp
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
recording of:
Domino Stomp (Twistin’ the Stomp) (am 1953-04-18)
Komponist(in):
Antoine Dominique Domino (Fats Domino)
Fats Domino51:56
95Can't Believe You Wanna Leave
recording of:
Can’t Believe You Wanna Leave
Texter und Komponist(in):
Leo Price
Verfasser(in):
Little Richard
publisher:
ATV Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Venice Music
Little Richard2:28
96Brown-Eyed Handsome Man
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1956-04-19)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-04-19)
Kontrabass:
Willie Dixon (am 1956-04-19)
Schlagzeug:
Melvin Billups (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-04-19)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 375)
recording of:
Brown Eyed Handsome Man (am 1956-04-19)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Chuck Berry32:07
97Be Bop a Lula
Produzent(in):
Scotty Moore (American guitarist and recording engineer) und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1962-06-14)
Gitarre:
Roland Janes (am 1962-06-14) und Scotty Moore (American guitarist and recording engineer) (am 1962-06-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-06-14)
Orgel:
Shirley Sisk (am 1962-06-14)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1962-06-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-06-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
Remix von:
Be‐Bop‐A‐Lula (stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Be‐Bop‐a‐Lula (am 1962-06-14)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Jerry Lee Lewis2:31
98Back to the Hop
recording of:
Back to the Hop
Verfasser(in):
Joseph Terranova und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
Danny & the Juniors2:10
99All Night Long
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-13)
Bassgitarre:
Frank Fields (am 1955-09-13)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-13)
Klavier:
Melvin Dowden (am 1955-09-13)
Schlagzeug:
Earl Palmer (am 1955-09-13)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-13)
Sologesang:
Little Richard (am 1955-09-13)
recording of:
All Night Long (song of Richard Penniman) (am 1955-09-13)
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-02)
Little Richard2:16
100Dream Lover
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1959)
recording of:
Dream Lover
Texter und Komponist(in):
Bobby Darin
publisher:
Screen Gems–EMI Music Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Bobby Darin3.752:32