The Stereo Years

~ Uitgave van Ernest Ansermet (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Aantekening

An 88-CD collection of Ernest Ansermet's stereo recordings for Decca. Includes a booklet with complete tracklistings and essays; CD wallets have original jacket artwork. The original release had defective discs: CD 20 - the last minute stuttered, CD 37 was the 1957 recording, not the 1964 one. Replacements were available through Deutsche Grammophon support.

Aantekening het laatst bewerkt op 2024-08-15 09:32 UTC.

Nummerlijst

1▶cd: J.S. Bach: Orchestral Suites 2 & 3 / Cantatas “Herr Gott, dich loben wir” / “Halt im Gedächtnis Jesum Christ”
2▶cd: J.S. Bach: Cantatas “Der Himmel lacht! Die Erde jubilieret”: Sinfonia / “Weinen, Klagen, Sorgen, Zagen”: Sinfonia / “Herr, gehe nicht ins Gericht mit deinem Knecht” / “Es ist dir gesagt, Mensch, was gut ist” / “Nimm von uns, Herr, du treuer Gott” (excerpts)
3▶cd: Haydn: Symphonies 82 “L'Ours”, 83 “La Poule”, 84
4▶cd: Haydn: Symphonies 85 “La Reine”, 86, 87
5▶cd: Haydn: Symphonies 22 “Der Philosoph”, 90 / Trumpet Concerto in E-flat / Hummel: Trumpet Concerto in E-flat
6▶cd: W.A. Mozart: Flute Concerto no. 2 / Schumann: Adagio & Allegro / Vivaldi: Bassoon Concerto in A minor, RV 497 / L. Mozart: Trumpet Concerto
7▶cd: Beethoven: Symphonies 1 [1963] & 3
8▶cd: Beethoven: Symphonies 2 & 4 / Coriolan Overture
9▶cd: Beethoven: Symphonies 5 & 6
10▶cd: Beethoven: Symphonies 7 & 8 [1963] / Egmont Overture
11▶cd: Beethoven: Symphony no. 9
12▶cd: Beethoven: Symphony no. 1 [1956]
13▶cd: Weber: Overtures / Bassoon Concerto
14▶cd: Mendelssohn: Symphony no. 4 / Overtures
15▶cd: Mendelssohn: A Midsummer Night's Dream / Schubert: Rosamunde
16▶cd: Beethoven: Symphony no. 8 [1956] / Schumann: Symphony no. 2 / Manfred Overture
17▶cd: Brahms: Symphonies 1 & 3
18▶cd: Brahms: Symphony no. 2 / St. Anthony Variations / Tragic Overture
19▶cd: Brahms: Symphony no. 4 / Academic Festival Overture / Nänie / Alto Rhapsody
20▶cd: Brahms: Ein deutsches Requiem
21▶cd: Wagner: Orchestral Selections: Lohengrin / Götterdammerung / Die Meistersinger von Nürnberg / Parsifal
22▶cd: Liszt: A Faust Symphony / Episode no. 2 from Faust
23▶cd: Liszt: Episode no. 1 from Faust / Hunnenschlacht / Magnard: Symphony no. 3
24▶cd: Berlioz: Symphonie fantastique / 3 Orchestral pieces from La Damnation de Faust
25▶cd: Berlioz: Les Nuits d'été / Overtures
26▶cd: Berlioz: Symphonie fantastique (in rehearsal)
27▶cd: Franck: Symphony in D minor / Les Éolides / Le Chasseur maudit
28▶cd: Delibes: Coppélia (Tableaux I & II)
29▶cd: Delibes: Coppélia (Tableau III & alternate highlights takes) / Sylvia Suite / Ravel: Daphnis et Chloé Suite no. 2 / Shéhérazade [1963]
30▶cd: Bizet: Carmen Suite / L'Arlésienne Suites / Patrie Overture
31▶cd: Bizet: Symphony in C / Petite Suite d'orchestre (Jeux d'enfants) / La Jolie Fille de Perth Suite / Ravel: Le Tombeau de Couperin / Tzigane
32▶cd: Lalo: Symphonie espagnole / Namouna Suite / Andantino / Scherzo
33▶cd: Lalo: Rapsodie norvégienne / Chabrier: Habanera / España / Suite pastorale / Joyeuse marche / Le Roi malgré lui (excerpts)
34▶cd: Fauré: Requiem / Pelléas et Mélisande / Pénélope: Prélude / Masques et bergamasques
35▶cd: Roussel: Symphonies 3 & 4 / Le Festin de l'araignée
36▶cd: Roussel: Petite suite / Dukas: L'Apprenti sorcier / La Péri (1958) / Chausson: Symphony in B-flat
37▶cd: Debussy: La Mer [1964] / Première rhapsodie / Clair de lune / Petite suite / Prélude à l'après-midi d'un faune / Jeux
38▶cd: Debussy: Images, Set 3 / Printemps / Nocturnes
39▶cd: Debussy: Le Martyre de saint Sébastien / Dukas: La Péri [1954]
40▶cd: Debussy: La Mer [1957] / Khamma / La Boîte à joujoux / Marche écossaise / Danse
41▶cd: Debussy: Pelléas et Mélisande (Acte I / Acte II / Acte III, Scènes 1 & 2)
42▶cd: Debussy: Pelléas et Mélisande (Acte III, Scènes 3 & 4 / Acte IV / Acte V)
43▶cd: Albéniz: Iberia Suite / Turina: Danzas fantásticas
44▶cd: Falla: El amor brujo / El sombrero de tres picos
45▶cd: Ravel: L'Enfant et les sortilèges / Shéhérazade [1954] / 2 Mélodies hébraïques
46▶cd: Ravel: Boléro / Valses nobles et sentimentales / Rapsodie espagnole / Pavane pour une infante défunte / Ma mère l'Oye Suite
47▶cd: Ravel: Daphnis et Chloé (complete ballet) / Alborada del gracioso / La Valse [1963]
48▶cd: Saint-Saëns: Symphony no. 3 “Organ” / Respighi: Fontane di Roma / Pini di Roma
49▶cd: Honegger: Symphonies 2-4
50▶cd: Honegger: Le Roi David / Pacific 231
51▶cd: Honegger: Une cantate de Noël / Martin: In Terra Pax
52▶cd: The Royal Ballet: Gala Performances (I)
53▶cd: The Royal Ballet: Gala Performances (II)
54▶cd: French Overtures to Auber: Le Domino noir / Fra Diavolo / Boieldieu: La Dame blanche / Hérold: Zampa / Lalo: Le Roi d'Ys / Offenbach: La Belle Hélène / Orphée aux enfers / Thomas: Raymond / Mignon
55▶cd: Mussorgsky: Pictures at an Exhibition [1958] / Ravel: La Valse [1958] / Rossini/Respighi: Rossiniana
56▶cd: Mussorgsky: Pictures at an Exhibition [1959] / Night on the Bare Mountain / Gopak / Prelude & Dance of the Persian Slaves (Khovanshchina) / Balakirev: Tamara
57▶cd: Borodin: Symphonies 2 & 3 / Overture & Polovtsian Dances (Prince Igor) / In the Steppes of Central Asia
58▶cd: Tchaikovsky: Swan Lake (Act I, Act II, Act III beginning)
59▶cd: Tchaikovsky: Swan Lake (Act III conclusion, Act IV) / Symphony no. 6
60▶cd: Tchaikovsky: The Nutcracker (Act I, Act II beginning)
61▶cd: Tchaikovsky: The Nutcracker (Act II conclusion) / Suites 3 & 4
62▶cd: Tchaikovsky: The Sleeping Beauty (Prologue, Act I)
63▶cd: Tchaikovsky: The Sleeping Beauty (Act II, Act III)
64▶cd: Rimsky-Korsakov: Scheherazade [1954] / Scheherazade [1960]
65▶cd: Rimsky-Korsakov: Antar / May Night Overture / The Tale of Tsar Saltan Suite / Flight of the Bumblebee
66▶cd: Rimsky-Korsakov: Russian Easter Fesitval Overture / Christmas Eve Suite / Dubinushka / Episode from the Bylina of Sadko / The Snow MaIden Suite
67▶cd: Glazunov: The Seasons / Concert Waltzes 1 & 2 / Schumann/Glazunov: Carnaval (ballet)
68▶cd: Glazunov: Stenka Razin / Glinka: Kamarinskaya / Waltz-Fantasia / Spanish Overture no. 1 / Ruslan and Lyudmila Overture / A Life for the Tsar Overture / Lyadov: Baba-Yaga / Kikimora / 8 Russian Folksongs
69▶cd: Sibelius: Symphony no. 2 / Tapiola
70▶cd: Sibelius: Symphony no. 4 / Rachmaninoff: Isle of the Dead
71▶cd: Prokofiev: Romeo and Juliet Suites 1 & 2 (excerpts) / The Prodigal Son Suite / Violin Concerto no. 1
72▶cd: Prokofiev: Cinderella Suites 1 & 2 (excerpts) / Scythian Suite / March & Scherzo (From The Love for Three Oranges Suite)
73▶cd: Prokofiev: Violin Concerto no. 2 / Symphonies 1 & 5
74▶cd: Bartók: Concerto for Orchestra / Dance Suite / 2 Portraits / Romanian Folk Dances
75▶cd: Bartók: Music for Strings, Percussion and Celesta / Martin: Concerto for 7 wind instruments, timpani, percussion & string orchestra / Études for string orchestra
76▶cd: Stravinsky: The Firebird [1955] / Petrushka
77▶cd: Stravinsky: Apollon musagète / Chant du rossignol / Rite of Spring
78▶cd: Stravinsky: Renard [1955, French] / Renard [1964, English] / Soldier's Tale Suite / Pulcinella Suite
79▶cd: Stravinsky: Symphony in C / Symphony in 3 Movements / Symphonies of Wind Instruments
80▶cd: Stravinsky: Piano Concerto / Capriccio / Suites 1 & 2 / 4 Studies / Scherzo à la russe
81▶cd: Stravinsky: Symphony of Psalms / Mavra / Les Noces
82▶cd: Stravinsky: Le Baiser de la fée / Pulcinella
83▶cd: Stravinsky: The Firebird [1968]
84▶cd: Stravinsky: Ansermet rehearses The Firebird [1968]
85▼cd: “What everyone should know about music”
#TitelWaarderingDuur
1“You all speak a language…” Music as language
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen)
3:26
2“You hear a violinist…” The perception of pitch: pitch as tonal position
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen)
2:16
3“On the other hand, the ear perceived the successive sounds…” The birth of melody
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
piano en gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen, piano)
2:15
4“Now, in nature, there is nothing that propels the sound from one position to another…” Melody and feeling
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen, piano)
2:39
5“What goes through the creative musician's mind…” Feeling as “affective tension”
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen)
1:43
6“But what deceives us, and what makes music so mystifying, is this…” Music as feeling brought into play in the presence of sound
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen)
2:44
7“But such transitions give rise to different kinds of effective tensions…” Extrovert vs introvert tensions, passive vs active tensions
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen)
3:39
8Rhythm and respiratory cadence; binary and ternary cadences. “The fact that melody is an incidence of feeling will now make clear to us why it has a rhythmic structure…”
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen)
2:55
9Rhythm and respiratory cadence; binary and ternary cadences. “Thus time in music is cadential…”
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen)
2:48
10Rhythm and respiratory cadence; binary and ternary cadences. “Nut how does musical feeling constitute the tonal world in which it is able to express itself?…”
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
piano en gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen, piano)
3:35
11Rhythm and respiratory cadence; binary and ternary cadences. “Thus, from its very birth, music introduced the musician into a structured sound space…”
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
piano en gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen, piano)
2:30
12Rhythm and respiratory cadence; binary and ternary cadences. “The movements if fourth and fifth are the mainsprings of the mvements of feeling…”
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen)
1:53
13Rhythm and respiratory cadence; binary and ternary cadences. “In the age of monody, the various tonal perspectives were termed modes…”
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
piano en gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen, piano)
4:01
14Enharmonic relations: tonal positions vs tonal meaning; modulation. “At this point, the relational power of musical auditory consciousness comes to a halt…”
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
piano en gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen, piano)
4:21
15Enharmonic relations: tonal positions vs tonal meaning; modulation. “The major and minor chords are called perfect…”
opgenomen in:
Geneva, Genève (Canton of Geneva), Zwitserland (van 1966-04 tot 1966-12)
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
orgel:
Pierre Segond (van 1966-04 tot 1966-12)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen)
4:23
16“I have been concerned so far only with melodic or harmonic movements of tonal duration…” Music as continuous discourse: Beethoven's Coriolan Overture
opgenomen in:
Geneva, Genève (Canton of Geneva), Zwitserland (van 1966-04 tot 1966-12)
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
orkest:
Orchestre de la Suisse Romande (OSR) (van 1966-04 tot 1966-12)
was dirigent:
Ernest Ansermet (conductor) (van 1966-04 tot 1966-12)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen)
1:31
17“Why is the first motif sounded three times?…” Motifs, repition and the relation of identity
opgenomen in:
Geneva, Genève (Canton of Geneva), Zwitserland (van 1966-04 tot 1966-12)
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
orkest:
Orchestre de la Suisse Romande (OSR) (van 1966-04 tot 1966-12)
was dirigent:
Ernest Ansermet (conductor) (van 1966-04 tot 1966-12)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen)
6:09
18“I have said that at this point we are due for something new…” Repitition and variety
opgenomen in:
Geneva, Genève (Canton of Geneva), Zwitserland (van 1966-04 tot 1966-12)
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
orkest:
Orchestre de la Suisse Romande (OSR) (van 1966-04 tot 1966-12)
was dirigent:
Ernest Ansermet (conductor) (van 1966-04 tot 1966-12)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen)
4:13
19“This middle section has transported us back to the very beginning of the overture…” Exposition, commentary, resolution, music as dialectic
opgenomen in:
Geneva, Genève (Canton of Geneva), Zwitserland (van 1966-04 tot 1966-12)
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
orkest:
Orchestre de la Suisse Romande (OSR) (van 1966-04 tot 1966-12)
was dirigent:
Ernest Ansermet (conductor) (van 1966-04 tot 1966-12)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen)
6:22
20“I said at the start that musical feeling is as clear to itself in lived experience as thought is clear to itself in spoken language…” The sources of musical meeaning
technicus:
Colin Moorfoot (engineer)
producent:
John Mordler (producer)
gesproken vocalen:
Ernest Ansermet (conductor) (van 1966-08-23 tot 1966-08-26)
opgenomen bij:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (van 1966-08-23 tot 1966-08-26: gesproken vocalen)
3:14
86▶cd: “Ce que chacun devrait savoir sur la musique”
87▶cd: „Was jeder über Musik wissen sollte”
88▶cd: Ernest Ansermet: A Memoir

Relaties

Uitgave

fotografie:Hans Wild (photographer)
diverse ondersteuning:Andrew Dalton (Research (Repertoire, Publishing & Data), liner notes and compiler at Decca.) (taak: repertoire, publishing & data)
Edward Weston (Catalogue Manager, Decca Classics) (taak: project management)
verzorgde de mastering:Chris Bernauer (freelance multi-instrumentalist, producer, and engineer)
Paschal Byrne
samensteller:Ray Granlund
verzorgde het ontwerp:Paul Chessel (art director)
Discogs:https://www.discogs.com/release/30266201 [info]
AllMusic:https://www.allmusic.com/album/release/mr0005918349 [info]