| # | Title | Rating | Length |
|---|
| 1 | Sexual Healing- assistant engineer:
- Henri Van Durme and Didier Leonard
- engineer:
- Dan Bates (wind instruments [horns]), Mike Butcher and John Kovorak
- executive producer:
- Larkin Arnold
- producer:
- Marvin Gaye
- mixer and editor:
- Harvey Fuqua
- bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
- Marvin Gaye
- guitar:
- Gordon Banks
- wind instruments [horns]:
- The L.A. Horn Section and David Stout
- background vocals:
- Gordon Banks, Harvey Fuqua and Marvin Gaye
- vocals:
- Marvin Gaye
- conductor:
- McKinley T. Jackson (wind instruments [horns])
- wind instruments [horns] arranger:
- McKinley T. Jackson
- phonographic copyright (℗) by:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (in 1982)
- recorded at:
- Arco Studios in München , Bayern , Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium and Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium (lead vocals, background vocals)
- mixed at:
- Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium
- edited at and remixed at:
- Devonshire Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (number: 231)
- recording of:
- Sexual Healing
- writer:
- Odell Brown, Marvin Gaye and David Ritz
- publisher:
- April Music Publishing Inc., Blackwood Music Inc. , Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
| 3.65 | 4:00 |
| 2 | Let’s Get It On- engineer:
- William McMeekin and Art Stewart
- producer:
- Marvin Gaye and Ed Townsend
- mixer:
- Cal Harris
- bass guitar:
- Wilton Felder (on 1973-03-22)
- bongos and congas:
- Eddie “Bongo” Brown (on 1973-03-22) and Bobbye Hall (on 1973-03-22)
- drums (drum set):
- Paul Humphrey (on 1973-03-22)
- guitar family:
- Don Peake (on 1973-03-22), Louie Shelton (on 1973-03-22), David T. Walker (on 1973-03-22) and Melvin “Wah Wah” Watson (on 1973-03-22)
- percussion:
- Emil Richards (on 1973-03-22)
- piano:
- Marvin Gaye (on 1973-03-22), Marvin Jenkins (on 1973-03-22) and Joe Sample (on 1973-03-22)
- saxophone:
- Plas Johnson (on 1973-03-22) and Ernie Watts (on 1973-03-22)
- vibraphone:
- Victor Feldman (on 1973-03-22) and Emil Richards (on 1973-03-22)
- background vocals and lead vocals:
- Marvin Gaye (on 1973-03-22)
- conductor:
- René Hall (on 1973-03-22)
- recorded at:
- Motown Studios - Hitsville West in West Hollywood, California, United States (on 1973-03-22)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 167) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 264)
- recording of:
- Let’s Get It On (on 1973-03-22)
- writer:
- Marvin Gaye and Ed Townsend
- publisher:
- Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and Stone Diamond Music Corporation
| 4.05 | 4:52 |
| 3 | I Want You | 3 | 4:33 |
| 4 | Too Busy Thinking About My Baby | 2.5 | 2:56 |
| 5 | Inner City Blues (Make Me Wanna Holler) | | 5:27 |
| 6 | The End of Our Road | | 2:45 |
| 7 | That’s the Way Love Is | | 3:35 |
| 8 | Abraham, Martin and John | 2 | 4:14 |
| 9 | I’ll Be Doggone | 2 | 2:50 |
| 10 | Come Get to This | 3.5 | 2:41 |
| 11 | Chained | | 2:35 |
| 12 | Got to Give It Up, Part 1 | 3.4 | 4:12 |
| 13 | When Did You Stop Loving Me, When Did I Stop Loving You | 2 | 6:16 |
| 14 | Ain’t That Peculiar | 3.25 | 2:59 |
| 15 | ’Til Tomorrow- assistant engineer:
- Henri Van Durme and Didier Leonard
- engineer:
- Dan Bates (wind instruments [horns]), Mike Butcher and John Kovorak
- executive producer:
- Larkin Arnold
- producer:
- Marvin Gaye
- mixer and editor:
- Harvey Fuqua
- bass guitar, drums (drum set) and guitar:
- Gordon Banks
- solo tenor saxophone:
- Bobby Stern
- synthesizer:
- Marvin Gaye
- wind instruments [horns]:
- The L.A. Horn Section and David Stout
- vocals:
- Marvin Gaye
- conductor:
- McKinley T. Jackson (wind instruments [horns])
- wind instruments [horns] arranger:
- McKinley T. Jackson
- recorded at:
- Arco Studios in München , Bayern , Germany (lead vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium and Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium (lead vocals)
- mixed at:
- Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium
- edited at and remixed at:
- Devonshire Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- ’Til Tomorrow
- lyricist and composer:
- Marvin Gaye
- publisher:
- April Music Inc. (in 1982)
| 2 | 4:57 |
| 16 | Distant Lover | | 6:21 |