Party Power Pack: Happy Hour

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Volare
Techniker(in):
Daniel Michel (recording engineer)
Produzent(in):
Claude Martinez
Mix:
François Delabrière
Bass:
Gérard Prévost
Gitarre:
Jacques "Paco" Baliardo, Maurice "Diego" Baliardo, Jahloul "Chico" Bouchikhi, André Reyes und Nicolas Reyes
Gitarre [lead guitar]:
Tonino Baliardo
Klavier:
Dominique Droin
membranophone:
Jorge "Negrito" Trasante
Perkussion:
Charles Benarroch und Jorge "Negrito" Trasante
Synthesizer:
Dominique Droin und Jean Musy
Sologesang:
Nicolas Reyes
vocals:
André Reyes
arranger:
Gérard Prévost
cover recording of:
Nel blu dipinto di blu (Volare) (in 1989)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
publisher:
Curci und EMI Robbins Catalog Inc. (ASCAP)
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 1959 winner)
Gipsy Kings4.53:39
2La Bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:54
3New York, Rio, Tokyo
Trio Rio4:36
4Dolce Vita
remixer:
Ben Liebrand
recording of:
Dolce vita
Texter:
Paul Mazzolini
Komponist(in):
Pierluigi Giombini (arranger ,composer and producer)
publisher:
Pianola Music (publisher) (in 1983)
Ryan Paris3:24
5Escape (Pina Colada Song)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1979) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 89)
recording of:
Escape (The Piña Colada Song)
Texter und Komponist(in):
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes23:50
6Kalimba de Luna
cover recording of:
Kalimba de luna
Texter:
Tony Esposito, Gianluigi Di Franco, Remo Licastro und Mauro Malavasi
Komponist(in):
Giuseppe Amoroso, Tony Esposito und Remo Licastro
Boney M.3:47
7La Cuccaracha
Los Muchachos2:30
8Oye Como Va (Old School mix)
Tito Puente, Jr. & The Latin Rhythm5:20
9La Cumbia
Techniker(in):
Al Scott (Oysterband, engineer, song writer)
Produzent(in):
Georg Kajanus und Al Scott (Oysterband, engineer, song writer)
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1991)
recording of:
La Cumbia
Texter und Komponist(in):
Georg Kajanus
publisher:
K Works Music und Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG)
Sailor3:25
10Sweat (A La La La La Long)
Produzent(in):
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) und Roger Lewis (founder and member of Inner Circle)
zusätzliche(r) Produzent(in):
Per Adebratt und Tommy Ekman
remixer:
Per Adebratt und Tommy Ekman
arranger:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) und Roger Lewis (founder and member of Inner Circle)
recording of:
Sweat (A La La La La Long)
Texter und Komponist(in):
Ian Lewis (Inner Circle) und Roger Lewis (founder and member of Inner Circle)
Inner Circle3.353:46
11People From Ibiza
Sandy Marton3:48
12Stop Bajon (Primavera)
Produzent(in):
Willy David
recording of:
Stop bajon
Verfasser(in):
Pino Daniele
publisher:
Costa Est
Tullio De Piscopo7:13
13Kokomo
Techniker(in) und Mix:
Keith Wechsler
Produzent(in):
Terry Melcher
accordion:
Van Dyke Parks (von 1988-03-22 bis 1988-04-06)
Akustikgitarre:
Jeffrey Foskett (von 1988-03-22 bis 1988-04-06)
alto saxophone:
Joel Peskin (von 1988-03-22 bis 1988-04-06)
Bass:
Rod Clark (UK bassist) (von 1988-03-22 bis 1988-04-06)
Schlagzeug:
Jim Keltner (von 1988-03-22 bis 1988-04-06)
Slide-Gitarre [electric slide guitar]:
Ry Cooder (von 1988-03-22 bis 1988-04-06)
Hintergrundgesang:
Al Jardine (guitarist and singer) (von 1988-03-22 bis 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (von 1988-03-22 bis 1988-04-06), Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Sologesang:
Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Interpret(in):
The Beach Boys (American rock band) (von 1988-03-22 bis 1988-04-06)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1988) und Touchstone Pictures (in 1988)
Musikvideos:
Kokomo von The Beach Boys (American rock band)
recording of:
Kokomo (von 1988-03-22 bis 1988-04-06)
Verfasser(in):
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher und John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. und Yamaha Music EH(CM)
The Beach Boys4.253:34
14Que Sera Mi Vida (If You Should Go)
Gibson Brothers4:00
15Black Is Black
cover recording of:
Black Is Black
Verfasser(in):
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) und Steve Wadey (UK songwriter, co-wrote “Black is Black”)
publisher:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
La Belle Epoque5:10
16Good Times
Bass:
Bernard Edwards (American bassist and record producer) (in 1979)
Gitarre:
Nile Rodgers (in 1979)
Hybrid-Piano:
Raymond Jones (in 1979)
Klavier:
Rob Sabino (in 1979)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
Sologesang:
Alfa Anderson (in 1979) und Luci Martin (in 1979)
Interpret(in):
Chic (US disco group) (in 1979)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 68) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 224)
recording of:
Good Times (in 1979)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Chic53:40
17Half a Minute
Techniker(in) und Mix:
Phil Harding (engineer, producer and remixer)
Produzent(in):
Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
baritone saxophone:
Ronnie Ross
Keyboard:
Danny White (keyboardist)
Perkussion:
Robin Jones (latin jazz percussionist)
vocals:
Basia und Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Half a Minute
Verfasser(in):
Kito Poncioni, Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Warner Chappell Music France
Matt Bianco3.253:49
18San José
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
cover recording of:
Do You Know the Way to San Jose
Texter:
Hal David (in 1968)
Komponist(in):
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. und JAC Music Co., Inc.
Frankie Goes to Hollywood43:08
19You Can Get It If You Really Want
recording of:
You Can Get It If You Really Want
Texter und Komponist(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Island Music Ltd. und Polygram Music
Desmond Dekker2:40

Nennungen

Veröffentlichungsgruppe

Teil von:Party Power Pack (Polystar, Germany) (Nummer: 1997.2) (Reihenfolge: 7)