Piano Transcriptions, Vol. 1

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Violin Partita no. 3 in E major, BWV 1006: I. Preludio
engineer:
Anthony Salvatore (engineer) and Mike Sobel
producer:
John Pfeiffer (producer and engineer) (task: reissue edition)
piano:
Sergei Rachmaninoff (Russian composer) (from 1942-02-26 until 1942-02-27)
phonographic copyright (℗) by:
BMG Music (in 1989)
recording of:
Suite from Partita for Violin in E major, TN iii/1: I. Preludio (for piano, Rachmaninoff) (from 1942-02-26 until 1942-02-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Sergei Rachmaninoff (Russian composer) (in 1933)
is based on:
Suite E-Dur, BWV 1006.2: I. Prélude (former BWV 1006a)
part of:
Suite from Partita for Violin in E major, TN iii/1 (for piano, Rachmaninoff)
3:16
2Violin Partita no. 3 in E major, BWV 1006: II. Gavotte
engineer:
Anthony Salvatore (engineer) and Mike Sobel
producer:
John Pfeiffer (producer and engineer) (task: reissue edition)
piano:
Sergei Rachmaninoff (Russian composer) (from 1942-02-26 until 1942-02-27)
phonographic copyright (℗) by:
BMG Music (in 1989)
recording of:
Suite from Partita for Violin in E major, TN iii/1: II. Gavotte (for piano, Rachmaninoff) (from 1942-02-26 until 1942-02-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
piano arranger:
Sergei Rachmaninoff (Russian composer) (in 1933)
arrangement of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: III. Gavotte en rondeau
is based on:
Suite E-Dur, BWV 1006.2: III. Gavotte en Rondeau (former BWV 1006a)
part of:
Suite from Partita for Violin in E major, TN iii/1 (for piano, Rachmaninoff)
2:54
3Violin Partita no. 3 in E major, BWV 1006: III. Gigue
engineer:
Anthony Salvatore (engineer) and Mike Sobel
producer:
John Pfeiffer (producer and engineer) (task: reissue edition)
piano:
Sergei Rachmaninoff (Russian composer) (from 1942-02-26 until 1942-02-27)
phonographic copyright (℗) by:
BMG Music (in 1989)
recording of:
Suite from Partita for Violin in E major, TN iii/1: III. Gigue (for piano, Rachmaninoff) (from 1942-02-26 until 1942-02-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Sergei Rachmaninoff (Russian composer) (in 1933)
is based on:
Suite E-Dur, BWV 1006.2: VII. Gigue (former BWV 1006a)
part of:
Suite from Partita for Violin in E major, TN iii/1 (for piano, Rachmaninoff)
1:07
4Keyboard Concerto in F minor, BWV 1056, II. Largo: Aria (Largo)
piano:
Alfred Cortot (French pianist) (on 1937-05-18)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1937-05-18)
recording of:
Arioso from Keyboard Concerto no. 5 in F minor, BWV 1056 (for solo piano, Cortot) (on 1937-05-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Alfred Cortot (French pianist)
arrangement of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
3:04
5Toccata (Adagio - Presto)
piano:
Winifred Christie (pianist and composer)
recording of:
Toccata and Fugue in D minor, BWV 565: I. Toccata (for piano, Moór)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Emánuel Moór (composer, pianist, and inventor of musical instruments)
part of:
Toccata and Fugue in D minor, BWV 565 (for piano, Moór)
2:24
6Toccata and Fugue in D Minor, BWV 565: Fugue (Allegro)
piano:
Winifred Christie (pianist and composer)
recording of:
Toccata and Fugue in D minor, BWV 565: II. Fugue (for piano, Moór)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Emánuel Moór (composer, pianist, and inventor of musical instruments)
part of:
Toccata and Fugue in D minor, BWV 565 (for piano, Moór)
5:28
7Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata": Aria "Schafe können sicher weiden"
piano:
Ethel Bartlett (pianist) (on 1940-01-03) and Rae Robertson (pianist) (on 1940-01-03)
recording of:
Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": IX. Aria "Schafe können sicher weiden" (for two pianos, Howe) (on 1940-01-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Mary Howe
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
4:34
8Fugue in G minor, BWV 578: Fugue (Allegro moderato) in G minor from Little Organ Book, BWV 578
piano:
Olga Samaroff (on 1930-06-19)
recording of:
Fugue in G minor, BWV 578 (for piano, Samaroff) (on 1930-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Olga Samaroff
publisher:
Elkan‐Vogel, Inc. (in 1931)
arrangement of:
Fugue in G minor, BWV 578 ("Little")
3:26
9Christ lag in Todes Banden, BWV 4: "Jesus Christus, Gottes Sohn"
piano:
George Copeland (pianist) (on 1938-05-06)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (for piano, Rummel) (on 1938-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Walter Rummel
arrangement of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“
4:28
10Jesus nahm zu sich die Zwolfe, BWV 22: Chorale "Ertodt' uns durch dein' Gute"
piano:
Harriet Cohen (pianist) (in 1928-04)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte" (for piano, Cohen) (in 1928-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Harriet Cohen (pianist)
arrangement of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte"
2:38
11Herzlich tut mich verlangen, BWV 727
piano:
Alexander Kelberine (pianist)
recording of:
Herzlich tut mich verlangen, BWV 727 (for piano, Kelberine)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Alexander Kelberine (pianist)
publisher:
Elkan-Vogel Co. (in 1930)
arrangement of:
Herzlich tut mich verlangen, BWV 727
2:42
12Herz und Mund und Tat und Leben, BWV 147: "Jesu bleibet meine Freude"
recorded in:
New York, New York, United States (on 1939-04-05)
piano:
Walter Gieseking (classical pianist 1895–1956) (on 1939-04-05)
recording of:
Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess) (on 1939-04-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Dame Myra Hess (pianist)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:12
13Christmas Oratorio, BWV 248: Pastorale
piano:
Wilhelm Backhaus (pianist) (in 1934-11)
recording of:
Christmas Oratorio, BWV 248: Pastorale (for piano, Lucas) (in 1934-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Clarence Lucas
arrangement of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
4:49
14Prelude (Moderato)
piano:
Byron Janis (pianist) (on 1947-11-24)
recorded at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1947-11-24)
recording of:
Preludes and Fugues by J. S. Bach, S. 462: No. 1 in A minor, BWV 543: Prelude (for piano, Liszt) (on 1947-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
arrangement of:
Präludium und Fuge a-Moll, BWV 543.2: I. Präludium (former BWV 543)
part of:
Preludes and Fugues by J. S. Bach, S. 462: No. 1 in A minor, BWV 543 (for piano, Liszt)
3:03
15Prelude and Fugue in A minor, BWV 643: Fugue (Allegretto moderato)
piano:
Byron Janis (pianist) (on 1947-11-24)
recorded at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1947-11-24)
recording of:
Preludes and Fugues by J. S. Bach, S. 462: No. 1 in A minor, BWV 543: Fugue (for piano, Liszt) (on 1947-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
arrangement of:
Präludium und Fuge a-Moll, BWV 543.2: II. Fuge (former BWV 543)
part of:
Preludes and Fugues by J. S. Bach, S. 462: No. 1 in A minor, BWV 543 (for piano, Liszt)
5:35
16Toccata, Adagio and Fugue in C major, BWV 564: Preludio, quasi improvvisando (Tempo moderato)
producer:
Fred Gaisberg
piano:
Arthur Rubinstein (pianist) (from 1934-11-26 until 1934-11-28)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1934-11-26 until 1934-11-28)
recording of:
Toccata, Adagio and Fugue in C major, BWV 564, BV B 29 no. 1: I. Prelude (for piano, Busoni) (from 1934-11-26 until 1934-11-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Ferruccio Busoni (Italian composer, pianist, conductor, editor, writer, and teacher)
arrangement of:
Toccata, Adagio, and Fugue in C major, BWV 564: I. Toccata
part of:
Toccata, Adagio and Fugue in C major, BWV 564, BV B 29 no. 1 (for piano, Busoni)
6:39
17Toccata, Adagio and Fugue in C major, BWV 564: Intermezzo (Adagio)
producer:
Fred Gaisberg
piano:
Arthur Rubinstein (pianist) (from 1934-11-26 until 1934-11-28)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1934-11-26 until 1934-11-28)
recording of:
Toccata, Adagio and Fugue in C major, BWV 564, BV B 29 no. 1: II. Intermezzo (Adagio) (for piano, Busoni) (from 1934-11-26 until 1934-11-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Ferruccio Busoni (Italian composer, pianist, conductor, editor, writer, and teacher)
arrangement of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio
part of:
Toccata, Adagio and Fugue in C major, BWV 564, BV B 29 no. 1 (for piano, Busoni)
4:39
18Toccata, Adagio and Fugue in C major, BWV 564: Fuga (Moderatamente scherzando, un poco umoristico)
producer:
Fred Gaisberg
piano:
Arthur Rubinstein (pianist) (from 1934-11-26 until 1934-11-28)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1934-11-26 until 1934-11-28)
recording of:
Toccata, Adagio and Fugue in C major, BWV 564, BV B 29 no. 1: III. Fugue (for piano, Busoni) (from 1934-11-26 until 1934-11-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Ferruccio Busoni (Italian composer, pianist, conductor, editor, writer, and teacher)
arrangement of:
Toccata, Adagio, and Fugue in C major, BWV 564: III. Fugue
part of:
Toccata, Adagio and Fugue in C major, BWV 564, BV B 29 no. 1 (for piano, Busoni)
4:27