Quigley Down Under: Original MGM Motion Picture Soundtrack (35th anniversary edition)

~ Release by Basil Poledouris (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1Main Title
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
3:23
2The Fight
recording engineer and mixer:
Tim Boyle (recording and mixing engineer)
engineer:
Jo Hansch
producer:
Basil Poledouris (American score composer)
editor:
Tom Villano
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
recording of:
The Fight
composer:
Basil Poledouris (American score composer)
5:02
3The Redcoats Move On
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
1:59
4Arrival
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
1:56
5The Test
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
1:06
6Marston’s Game
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
1:04
7Quigley Pans Out
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
0:52
8Quigley Gets Beat Up
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
1:54
9The Stabbing
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
2:07
10The Desert Trek
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
3:02
11Aborigines
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
1:23
12Native Montage
recording engineer and mixer:
Tim Boyle (recording and mixing engineer)
engineer:
Jo Hansch
producer:
Basil Poledouris (American score composer)
editor:
Tom Villano
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
recording of:
Native Montage
composer:
Basil Poledouris (American score composer)
2:15
13Cora’s Story
recording engineer and mixer:
Tim Boyle (recording and mixing engineer)
engineer:
Jo Hansch
producer:
Basil Poledouris (American score composer)
editor:
Tom Villano
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
MGM (Los Angeles) in Los Angeles, California, United States and Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
recording of:
Cora's Story
composer:
Basil Poledouris (American score composer)
3:23
14Marston’s Murderers
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
3:37
15Royus Interrupts
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
1:38
16The Cliff
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
1:10
17The Bodies
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
0:38
18The Baby
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
1:54
19You’ll Be Back
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
1:16
20Rising of the Moon
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
1:36
21Dingo Attack
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
2:48
22The Fire
recording engineer and mixer:
Tim Boyle (recording and mixing engineer)
engineer:
Jo Hansch
producer:
Basil Poledouris (American score composer)
editor:
Tom Villano
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
recording of:
The Fire
composer:
Basil Poledouris (American score composer)
3:03
23Under the Boat
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
3:06
24Quigley and Cora
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
Westside Studio Services Scoring Stage in Culver City, California, United States (from 1990-04-16 until 1990-04-17, on 1990-04-20, from 1990-04-24 until 1990-04-25)
2:42
25The Gift
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
The Burbank Studios Scoring Stage in Burbank, California, United States (from 1990-05-03 until 1990-05-04)
5:31
26The Warning
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
The Burbank Studios Scoring Stage in Burbank, California, United States (from 1990-05-03 until 1990-05-04)
1:42
27The Attack
recording engineer and mixer:
Tim Boyle (recording and mixing engineer)
engineer:
Jo Hansch
producer:
Basil Poledouris (American score composer)
editor:
Tom Villano
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
The Burbank Studios Scoring Stage in Burbank, California, United States (from 1990-05-03 until 1990-05-04)
recording of:
The Attack
composer:
Basil Poledouris (American score composer)
2:54
28The Capture
recording engineer and mixer:
Tim Boyle (recording and mixing engineer)
engineer:
Jo Hansch
producer:
Basil Poledouris (American score composer)
editor:
Tom Villano
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
The Burbank Studios Scoring Stage in Burbank, California, United States (from 1990-05-03 until 1990-05-04)
recording of:
The Capture
composer:
Basil Poledouris (American score composer)
2:49
29Freedom
recording engineer and mixer:
Tim Boyle (recording and mixing engineer)
engineer:
Jo Hansch
producer:
Basil Poledouris (American score composer)
editor:
Tom Villano
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
MGM (Los Angeles) in Los Angeles, California, United States and The Burbank Studios Scoring Stage in Burbank, California, United States (from 1990-05-03 until 1990-05-04)
recording of:
Freedom
composer:
Basil Poledouris (American score composer)
3:40
30The Aborigines Return
recording engineer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
recorded at:
The Burbank Studios Scoring Stage in Burbank, California, United States (from 1990-05-03 until 1990-05-04)
3:02
31Matthew Quigley
recording engineer and mixer:
Tim Boyle (recording and mixing engineer)
engineer:
Jo Hansch
producer:
Basil Poledouris (American score composer)
editor:
Tom Villano
orchestra:
Hollywood Studio Symphony
conductor:
Basil Poledouris (American score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator) and Greig McRitchie
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
MGM (Los Angeles) in Los Angeles, California, United States and The Burbank Studios Scoring Stage in Burbank, California, United States (from 1990-05-03 until 1990-05-04)
recording of:
Matthew Quigley
composer:
Basil Poledouris (American score composer)
5:27

Credits

Release

art direction:Kay Marshall
miscellaneous support:Joe Sikoryak (art director) (task: consultant)
mixer and mastering:Michael Matessino
engineer:Tim Boyle (recording and mixing engineer)
David Luke (engineer)
Joe Tarantino (audio engineer, mastering)
co-producer:Douglass Fake
producer:Roger Feigelson
editor:Frank K. DeWald
Michael Matessino
performer:The Hollywood Studio Symphony
artwork:Stéphane Coëdel (visual artist) (task: cover design)
part of:Special Collection (Intrada) (number: 518) (order: 68)
Discogs:https://www.discogs.com/release/33198480 [info]
purchase for mail-order:https://store.intrada.com/s.nl/it.A/id.13176/.f [info]