The Hit Box

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 6 disponibili)

Elenco tracce

1CD: The 60's Smash Hits
2CD: The 70’s Smash Hits
#TitoloArtistaValutazioneDurata
1Money, Money, Money
tecnico:
Michael B. Tretow (il 1976-05-17)
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria :
Ola Brunkert (il 1976-05-17)
chitarra :
Björn Ulvaeus (il 1976-05-17)
chitarra basso :
Rutger Gunnarsson (il 1976-05-17)
chitarra elettrica :
Anders Glenmark (il 1976-05-17)
tastiera :
Benny Andersson (ABBA) (il 1976-05-17)
voce solista:
Frida (Swedish singer and member of ABBA) (nel 1976)
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1976) e Union Songs AB (publisher) (nel 1976)
registrata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-05-17)
registrazione di:
Money, Money, Money (il 1976-05-17)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
EMI Music Publishing (do not use as a release label!) (conclusa), Universal Music Publishing Group (conclusa), Union Songs Music e Universal/Union Songs Musikförlag AB
parte di:
Mamma Mia! (1999 musical)
ABBA3.653:09
2I Don’t Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats44:17
3Venus
produttore:
Shocking Blue
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 33)
registrazione di:
Venus (Shocking Blue (I’m Your Venus)) (nel 1969)
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Shocking Blue4.13:03
4Maggie May
produttore:
Rod Stewart
celesta :
Pete Sears (nel 1971)
chitarra a 12 corde , chitarra basso e chitarra elettrica :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971)
chitarra acustica :
Martin Quittenton (guitarist for Steamhammer) (nel 1971)
mandolino :
Ray Jackson (nel 1971) e David Lindley (nel 1971)
membranofono e piatti :
Micky Waller (nel 1971)
organo Hammond :
Ian McLagan (nel 1971)
voce principale:
Rod Stewart (nel 1971)
diritti fonografici (℗) detenuti da:
Mercury Records Inc. (copyrights use only) (nel 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1971) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1971)
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.25:11
5Dreadlock Holiday
produttore:
Graham Gouldman e Eric Stewart
batteria e tamburello :
Stuart Tosh
chitarra basso e chitarra e voce di accompagnamento e voce principale:
Graham Gouldman
chitarra e organo :
Rick Fenn
congas, campanaccio, marimba, timbales e triangolo :
Paul Burgess (UK rock drummer)
pianoforte elettrico, maracas e organo :
Eric Stewart
sintetizzatore :
Duncan Mackay (UK keyboardist/synthesizerist)
voce di accompagnamento:
Rick Fenn, Eric Stewart e Stuart Tosh
registrata da:
Phonogram Ltd. (London) (company name, NOT a label!)
registrata presso:
Strawberry Studios South in Dorking, Surrey, England, Regno Unito (nel 1977)
registrazione di:
Dreadlock Holiday (nel 1977)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. e St. Anne’s Music Ltd.
10cc45:02
6Lola
registrazione di:
Lola
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1970-04)
editore:
Carlin Music Corporation, Carlin (nel 1970, nel 1984) e Davray (publisher) (nel 1970, nel 1984)
The Kinks4:11
7Get It OnMarc Bolan1:14
8Sugar Baby Love
tecnico:
John Mackswith (English sound engineer)
produttore:
Wayne Bickerton
registrazione di:
Sugar Baby Love (The Rubettes)
paroliere:
Wayne Bickerton
compositore:
Tony Waddington
eseguita per la prima volta da:
The Rubettes (nel 1974-01)
editore:
Arlovol Music, Budde Music Inc. (US publisher) e WB Music Corp. (1929–2019)
The Rubettes3:30
9Please Mr. Postman
tecnico:
Ray Gerhardt (Recording and mixing engineer)
produttore:
Richard Carpenter (The Carpenters)
produttore associato:
Karen Carpenter
voce principale:
Karen Carpenter
arrangiatore e orchestratore:
Richard Carpenter (The Carpenters)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1974)
registrazione cover di:
Please Mr. Postman (il 1974-07-22)
autore:
Robert Bateman (R&B singer/songwriter/record producer) (nel 1961), Georgia Dobbins (nel 1961), William Garrett (nel 1961), Freddie Gorman (nel 1961) e Brian Holland (Motown producer & songwriter) (nel 1961)
editore:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
Carpenters42:50
10Girls Can Get It
registrazione di:
Girls Can Get It
paroliere e compositore:
Leslie Pearl
Dr. Hook3:16
11Fox on the Run
registrazione di:
Fox on the Run
autore:
Brian Connolly (Scottish, member of Sweet), Steve Priest, Andy Scott (Member of Sweet) e Mick Tucker (drummer for The Sweet)
editore:
Maxwood Music Ltd., Sweet Publishing Ltd. e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Sweet4:51
12You Ain’t Seen Nothing Yet
tecnico:
Mark Smith (Canadian engineer)
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1974), Phonogram, Inc. (nel 1974, nel 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:31
13Joy
diritti fonografici (℗) detenuti da:
Start Entertainment Ltd (nel 1972)
registrazione di:
Joy (Apollo 100)
autore:
[traditional] (special purpose artist)
arrangiatore:
T. Parker (arranger & multi-instrumentalist)
editore:
Belsize Music Ltd.
arrangiamento di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Apollo 1002:35
14Midnight Train to Georgia
registrazione di:
Midnight Train to Georgia
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4:00
15The Way You Do It
Pussyfoot3:03
16Don’t Let Me Be MisunderstoodGary Moore43:34
17You’re the First, the Last, My EverythingBarry White4.454:34
18Cum on Feel the Noize
registrazione di:
Cum On Feel the Noize
autore:
Noddy Holder e Jim Lea
editore:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Slade4:17
19Beach Baby
registrazione di:
Beach Baby
autore:
John Carter (songwriter & producer, b. 1942) e Gillian Shakespeare (songwriter)
editore:
Image Music (Australian) e Peermusic Pty. Ltd. (Australia)
First Class5:02
20Paranoid
tecnico:
Tom Allom e Brian Humphries
produttore:
Rodger Bain (dal 1970-06 al 1970-07)
basso elettrico :
Geezer Butler (dal 1970-06-16 al 1970-06-21)
batteria e percussione :
Bill Ward (dal 1970-06-16 al 1970-06-21)
chitarra elettrica :
Tony Iommi (dal 1970-06-16 al 1970-06-21)
voce principale:
Ozzy Osbourne (nel 1970)
diritti fonografici (℗) detenuti da:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (nel 1970), Interworld Communications (nel 1970), Sanctuary Copyrights Ltd. (nel 1970), NEMS (UK label, 1976–1983) (nel 1976) e Icarus Music (Argentinian metal label and distributor) (nel 2006)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (nel 1970) e Regent Sound Studios in London (Greater London), England, Regno Unito (dal 1970-06-16 al 1970-06-21)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 13), TV Cream: Real 100 Best Singles Ever (numero: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 250) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 338)
registrazione di:
Paranoid (dal 1970-06-16 al 1970-07-08)
paroliere:
Geezer Butler
compositore:
Geezer Butler, Tony Iommi, Ozzy Osbourne e Bill Ward
editore:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. e Westminster Music Ltd. (nel 1970)
Black Sabbath4.62:46
3CD: The 80’s Smash Hits
4CD: Classic Love Songs
5CD: The Dance Hits

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