Cello Concerto / Enigma Variations / Symphonies 1 & 2 / Sea Pictures / The Dream of Gerontius / Pomp and Circumstance / Falstaff

~ Veröffentlichung von Edward Elgar; Sir John Barbirolli (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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℗ & © «2022 Parlophone Records Limited»
℗ & © «A Warner Classics release»

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Titelliste

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1Cello Concerto in E minor, op. 85: I. Adagio – Moderato
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Cello:
Jacqueline du Pré (cellist) (am 1965-08-19)
Orchester:
London Symphony Orchestra (am 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-19)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-19)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (am 1965-08-19)
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
Edward Elgar7:58
2Cello Concerto in E minor, op. 85: II. Lento – Allegro molto
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Cello:
Jacqueline du Pré (cellist) (am 1965-08-19)
Orchester:
London Symphony Orchestra (am 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-19)
Interpret(in):
Sir John Barbirolli (conductor and cellist)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-19)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto (am 1965-08-19)
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
Edward Elgar4:31
3Cello Concerto in E minor, op. 85: III. Adagio
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Cello:
Jacqueline du Pré (cellist) (am 1965-08-19)
Orchester:
London Symphony Orchestra (am 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-19)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (am 1965-08-19)
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
Edward Elgar5:16
4Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Cello:
Jacqueline du Pré (cellist) (am 1965-08-19)
Orchester:
London Symphony Orchestra (am 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-19)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-19)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (am 1965-08-19)
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
Edward Elgar12:21
5Sea Pictures, op. 37: No. 1. Slumber Song
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: I. Sea Slumber Song (am 1965-08-30)
Texter:
Roden Noel
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
Edward Elgar5:04
6Sea Pictures, op. 37: No. 2. In Haven
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: II. In Haven (Capri) (am 1965-08-30)
Texter:
Alice Elgar (English author, married to Edward Elgar)
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
Edward Elgar2:06
7Sea Pictures, op. 37: No. 3. Sabbath Morning at Sea
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: III. Sabbath Morning at Sea (am 1965-08-30)
Texter:
Elizabeth Barrett Browning
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
Edward Elgar6:18
8Sea Pictures, op. 37: No. 4. Where Corals Lie
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: IV. Where Corals Lie (am 1965-08-30)
Texter:
Richard Garnett
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
Edward Elgar4:11
9Sea Pictures, op. 37: No. 5. The Swimmer
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: V. The Swimmer (am 1965-08-30)
Texter:
Adam Lindsay Gordon
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
Edward Elgar6:06
10Introduction and Allegro, op. 47: I. Moderato
Produzent(in):
Victor Olof
Bratsche / Viola:
Patrick Ireland (violist) (von 1962-05-10 bis 1962-05-11)
Cello:
William Pleeth (cellist) (von 1962-05-10 bis 1962-05-11)
Geige / Violine:
James Barton (violinist) (von 1962-05-10 bis 1962-05-11) und Eli Goren (violinist) (von 1962-05-10 bis 1962-05-11)
Streichquartett:
Allegri Quartet (von 1962-05-10 bis 1962-05-11)
Orchester:
Allegri String Quartet und Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Introduction and Allegro for Strings, op. 47: I. Moderato - (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Sir Edward Elgar (Edward Elgar, composer)
Teil von:
Introduction and Allegro for Strings, op. 47
Edward Elgar3:14
11Introduction and Allegro, op. 47: II. Allegro
Produzent(in):
Victor Olof
Bratsche / Viola:
Patrick Ireland (violist) (von 1962-05-10 bis 1962-05-11)
Cello:
William Pleeth (cellist) (von 1962-05-10 bis 1962-05-11)
Geige / Violine:
James Barton (violinist) (von 1962-05-10 bis 1962-05-11) und Eli Goren (violinist) (von 1962-05-10 bis 1962-05-11)
Streichquartett:
Allegri Quartet (von 1962-05-10 bis 1962-05-11)
Orchester:
Allegri String Quartet und Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Introduction and Allegro for Strings, op. 47: II. Allegro - (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Sir Edward Elgar (Edward Elgar, composer)
Teil von:
Introduction and Allegro for Strings, op. 47
Edward Elgar3:38
12Introduction and Allegro, op. 47: III. Fugue. Allegro
Produzent(in):
Victor Olof
Bratsche / Viola:
Patrick Ireland (violist) (von 1962-05-10 bis 1962-05-11)
Cello:
William Pleeth (cellist) (von 1962-05-10 bis 1962-05-11)
Geige / Violine:
James Barton (violinist) (von 1962-05-10 bis 1962-05-11) und Eli Goren (violinist) (von 1962-05-10 bis 1962-05-11)
Streichquartett:
Allegri Quartet (von 1962-05-10 bis 1962-05-11)
Orchester:
Allegri String Quartet und Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Introduction and Allegro for Strings, op. 47: III. Fugue: Allegro (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Sir Edward Elgar (Edward Elgar, composer)
Teil von:
Introduction and Allegro for Strings, op. 47
Edward Elgar7:09
13Serenade for Strings in E minor, op. 20: I. Allegro piacevole
Produzent(in):
Victor Olof
Orchester:
Sinfonia of London (original Gordon Walker formed orchestra) und Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) und Howard Davidson (engineer) (von 1962-05-10 bis 1962-05-11)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: I. Allegro piacevole (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Edward Elgar (composer) (in 1892)
Teil von:
Serenade for Strings in E minor, op. 20
Edward Elgar3:59
14Serenade for Strings in E minor, op. 20: II. Larghetto
Produzent(in):
Victor Olof
Orchester:
Sinfonia of London (original Gordon Walker formed orchestra) und Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) und Howard Davidson (engineer) (von 1962-05-10 bis 1962-05-11)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: II. Larghetto (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Edward Elgar (composer) (in 1892)
Teil von:
Serenade for Strings in E minor, op. 20
Edward Elgar5:59
15Serenade for Strings in E minor, op. 20: III. Allegretto – Come prima
Produzent(in):
Victor Olof
Orchester:
Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) und Howard Davidson (engineer) (von 1962-05-10 bis 1962-05-11)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: III. Allegretto (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Edward Elgar (composer) (in 1892)
Teil von:
Serenade for Strings in E minor, op. 20
Edward Elgar3:18
16Variations on an Original Theme, op. 36 “Enigma”: Theme
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:39
17Variations on an Original Theme, op. 36 “Enigma”: Introduction - Variation I. L’istesso tempo “C.A.E.”
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Caroline Alice Elgar (English author, married to Edward Elgar)
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:39
18Variations on an Original Theme, op. 36 “Enigma”: Variation II. Allegro “H.D.S‐P.”
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Hew David Steuart Powell
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:49
19Variations on an Original Theme, op. 36 “Enigma”: Variation III. Allegretto “R.B.T.”
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Richard Baxter Townshend
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:29
20Variations on an Original Theme, op. 36 “Enigma”: Variation IV. Allegro di molto “W.M.B.”
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
William Meath Baker
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:30
21Variations on an Original Theme, op. 36 “Enigma”: Variation V. Moderato “R.P.A.”
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Richard Penrose Arnold
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:16
22Variations on an Original Theme, op. 36 “Enigma”: Variation VI. Andantino “Ysobel”
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Isabel Fitton
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:16
23Variations on an Original Theme, op. 36 “Enigma”: Variation VII. Presto “Troyte”
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Arthur Troyte Griffith
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:04
24Variations on an Original Theme, op. 36 “Enigma”: Variation VIII. Allegretto “W.N.”
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Winifred Norbury
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:52
25Variations on an Original Theme, op. 36 “Enigma”: Variation IX. Adagio “Nimrod”
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (von 1962-05-09 bis 1962-08-27)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Augustus J. Jaeger
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:30
26Variations on an Original Theme, op. 36 “Enigma”: Variation X. Intermezzo. Allegretto “Dorabella”
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Dora Penny
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:25
27Variations on an Original Theme, op. 36 “Enigma”: Variation XI. Allegro di molto “G.R.S.”
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
George Robertson Sinclair
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:00
28Variations on an Original Theme, op. 36 “Enigma”: Variation XII. Andante “B.G.N.”
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Basil George Nevinson
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:53
29Variations on an Original Theme, op. 36 “Enigma”: Variation XIII. Romanza. Moderato. “* * *”
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Lady Mary Lygon
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:47
30Variations on an Original Theme, op. 36 “Enigma”: Variation XIV. Finale. Allegro “E.D.U.”
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar5:35
31Cockaigne Overture, op. 40 “In London Town”
Produzent(in):
Victor Olof und James W. Burnett (producer) (in 1962-08)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-08-27)
recording of:
Cockaigne (In London Town), op. 40 (am 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1897)
Premiere bei:
[concert] (1901-06-20)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes) (in 1901)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1901-06-20)
Teil von:
Works of Edward Elgar by opus number (Nummer: op. 40)
Edward Elgar14:40
32Symphony no. 1 in A‐flat major, op. 55: I. Andante nobilmente e semplice - Allegro
Produzent(in):
James W. Burnett (producer) und Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1962-08-28 bis 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-08-28 bis 1962-08-29)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-08-28 bis 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice (von 1962-08-28 bis 1962-08-29)
Komponist(in):
Edward Elgar (composer) (von 1907 bis 1908)
Teil von:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar21:42
33Symphony no. 1 in A‐flat major, op. 55: II. Allegro molto
Produzent(in):
James W. Burnett (producer) und Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1962-08-28 bis 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-08-28 bis 1962-08-29)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-08-28 bis 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: II. Allegro molto (von 1962-08-28 bis 1962-08-29)
Komponist(in):
Edward Elgar (composer) (von 1907 bis 1908)
Teil von:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar7:04
34Symphony no. 1 in A‐flat major, op. 55: III. Adagio
Produzent(in):
James W. Burnett (producer) und Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1962-08-28 bis 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-08-28 bis 1962-08-29)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-08-28 bis 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: III. Adagio (von 1962-08-28 bis 1962-08-29)
Komponist(in):
Edward Elgar (composer) (von 1907 bis 1908)
Teil von:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar12:17
35Symphony no. 1 in A‐flat major, op. 55: IV. IV. Lento - Allegro
Produzent(in):
James W. Burnett (producer) und Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1962-08-28 bis 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-08-28 bis 1962-08-29)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-08-28 bis 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro (von 1962-08-28 bis 1962-08-29)
Komponist(in):
Edward Elgar (composer) (von 1907 bis 1908)
Teil von:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar13:01
36Pomp and Circumstance Marches, op. 39: No. 1 in D major
Produzent(in):
James W. Burnett (producer) und Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-08-29)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963, in 1988)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-08-29)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (am 1962-08-29)
Premiere in:
Liverpool, Merseyside, England, Vereinigtes Königreich (am 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
Teil von:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:40
37Pomp and Circumstance Marches, op. 39: No. 2 in A minor
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1966-07-14)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1966-07-14)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 2 in A minor (am 1966-07-14)
Premiere in:
Liverpool, Merseyside, England, Vereinigtes Königreich (am 1901-10-19)
Komponist(in):
Edward Elgar (composer) (in 1901)
Teil von:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar5:05
38Pomp and Circumstance Marches, op. 39: No. 3 in C minor
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1966-07-14)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1966-07-14)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 3 in C minor (am 1966-07-14)
Komponist(in):
Edward Elgar (composer) (in 1904)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1905-03-08)
Teil von:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:04
39Pomp and Circumstance Marches, op. 39: No. 4 in G major
Produzent(in):
James W. Burnett (producer) und Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-08-29)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-08-29)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (am 1962-08-29)
Komponist(in):
Edward Elgar (composer) (in 1907)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1907-08-24)
Teil von:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar5:24
40Pomp and Circumstance Marches, op. 39: No. 5 in C major
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1966-07-14)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1966-07-14)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 5 in C major (am 1966-07-14)
Komponist(in):
Edward Elgar (composer) (in 1930)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1930-09-20)
Teil von:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:09
41Symphony no. 2 in E‐flat major, op. 63: I. Allegro vivace e nobilmente
Orchester:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente
Komponist(in):
Edward Elgar (composer) (von 1903 bis 1911)
Teil von:
Symphony no. 2 in E-flat major, op. 63
Edward Elgar19:27
42Symphony no. 2 in E‐flat major, op. 63: II. Larghetto
Orchester:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 2 in E-flat major, op. 63: II. Larghetto
Komponist(in):
Edward Elgar (composer) (von 1903 bis 1911)
Teil von:
Symphony no. 2 in E-flat major, op. 63
Edward Elgar13:52
43Symphony no. 2 in E‐flat major, op. 63: III. Rondo. Presto
Orchester:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto
Komponist(in):
Edward Elgar (composer) (von 1903 bis 1911)
Teil von:
Symphony no. 2 in E-flat major, op. 63
Edward Elgar8:20
44Symphony no. 2 in E‐flat major, op. 63: IV. Moderato e maestoso
Orchester:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso
Komponist(in):
Edward Elgar (composer) (von 1903 bis 1911)
Teil von:
Symphony no. 2 in E-flat major, op. 63
Edward Elgar14:31
45Froissart, op. 19
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Froissart Overture, op. 19
Premiere in:
Worcester, Worcestershire, England, Vereinigtes Königreich (am 1890-09-09)
Komponist(in):
Edward Elgar (composer) (in 1890)
Teil von:
Works of Edward Elgar by opus number (Nummer: op. 19)
Edward Elgar14:16
46Sospiri, op. 70
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1966-06-16)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1966-06-16)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1966-06-16)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-06-16)
recording of:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium)) (am 1966-06-16)
Komponist(in):
Edward Elgar (composer) (in 1914)
gewidmet:
William Henry Reed
publisher:
Breitkopf & Härtel
Teil von:
Works of Edward Elgar by opus number (Nummer: op. 70)
Edward Elgar5:13
47Elegy, op. 58
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1966-06-16)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1966-06-16)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1966-06-16)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-06-16)
recording of:
Elegy, op. 58 (am 1966-06-16)
Komponist(in):
Edward Elgar (composer) (in 1909)
Premiere bei:
Mansion House in London (Greater London), England, Vereinigtes Königreich (am 1909-07-13)
Teil von:
Works of Edward Elgar by opus number (Nummer: op. 58)
Edward Elgar4:28
48Falstaff, op. 68: I. Falstaff and Prince Henry
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Orchester:
Hallé Orchestra (am 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1964-06-01)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1964-06-01)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1964-06-01)
recording of:
Falstaff, op. 68: I. Falstaff and Prince Henry (am 1964-06-01)
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar3:16
49Falstaff, op. 68: II. Eastcheap - Gadshill - The Boar’s Head. Revelry and Sleep
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Orchester:
Hallé Orchestra (am 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1964-06-01)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1964-06-01)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1964-06-01)
teilweise recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (am 1964-06-01)
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar13:02
50Falstaff, op. 68: Dream Interlude
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Orchester:
Hallé Orchestra (am 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1964-06-01)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1964-06-01)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1964-06-01)
teilweise recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (am 1964-06-01)
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar2:19
51Falstaff, op. 68: III. Falstaff’s March - The Return to Gloucestershire
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Orchester:
Hallé Orchestra (am 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1964-06-01)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1964-06-01)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1964-06-01)
teilweise recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (am 1964-06-01)
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar4:24
52Falstaff, op. 68: Interlude. Shallow’s Orchard - The New King - The Hurried Ride to London
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Orchester:
Hallé Orchestra (am 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1964-06-01)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1964-06-01)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1964-06-01)
teilweise recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (am 1964-06-01)
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar2:39
53Falstaff, op. 68: IV. King Henry V’s Progress - The Repudiation of Falstaff and His Death
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Orchester:
Hallé Orchestra (am 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1964-06-01)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1964-06-01)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1964-06-01)
recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death (am 1964-06-01)
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar8:46
54The Dream of Gerontius, op. 38, Pt. 1: Prelude. Lento, mistico
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part I, I. Prelude (cues 1–21) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar10:14
55The Dream of Gerontius, op. 38, Pt. 1: Jesu, Maria, I Am Near to Death (Gerontius)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Tenor-Gesang [Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar3:59
56The Dream of Gerontius, op. 38, Pt. 1: Kyrie eleison - Holy Mary, Pray for Him (Gerontius, Chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar2:21
57The Dream of Gerontius, op. 38, Pt. 1: Rouse Thee, My Fainting Soul (Gerontius, Chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (cues 33–39) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar1:00
58The Dream of Gerontius, op. 38, Pt. 1: Be Merciful (Gerontius, Chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (cues 33–39) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar3:21
59The Dream of Gerontius, op. 38, Pt. 1: Sanctus fortis, Sanctus Deus (Gerontius)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Tenor-Gesang [Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar5:31
60The Dream of Gerontius, op. 38, Pt. 1: I Can No More (Gerontius, chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar2:07
61The Dream of Gerontius, op. 38, Pt. 1: Rescue Him, O Lord - Noe from the Waters (Gerontius, Chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar2:11
62The Dream of Gerontius, op. 38, Pt. 1: Novissima hora est (Chorus, Gerontius)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar1:32
63The Dream of Gerontius, op. 38, Pt. 1: Proficiscere, anima Christiana (Priest)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Bass-Gesang [Priest]:
Kim Borg (operatic bass) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar1:56
64The Dream of Gerontius, op. 38, Pt. 1: Go in the Name of Angels and Archangels (Chorus, Priest)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Bass-Gesang [Priest]:
Kim Borg (operatic bass) (von 1964-12-27 bis 1964-12-30)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Interpret(in):
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar4:43
65The Dream of Gerontius, op. 38, Pt. 2: Andantino
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
recording of:
The Apostles, op. 49: Part II: Introduction (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Apostles, op. 49: Part II
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar1:57
66The Dream of Gerontius, op. 38, Pt. 2: I Went to Sleep (Soul of Gerontius)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Tenor-Gesang [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar4:10
67The Dream of Gerontius, op. 38, Pt. 2: My Work Is Done (Soul, Angel)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang [Angel]:
Janet Baker (mezzo‐soprano and alto) (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar2:32
68The Dream of Gerontius, op. 38, Pt. 2: It Is a Member of That Family - All Hail! My Child and Brother (Angel, Soul)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang [Angel]:
Janet Baker (mezzo‐soprano and alto) (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar4:20
69The Dream of Gerontius, op. 38, Pt. 2: A Presage Falls (Angel, Soul)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang [Angel]:
Janet Baker (mezzo‐soprano and alto) (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar1:54
70The Dream of Gerontius, op. 38, Pt. 2: But Hark! - Low‐Born Clods of Brute Earth (Soul, Angel, Chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Mezzosoprangesang [Angel]:
Janet Baker (mezzo‐soprano and alto) (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar1:35
71The Dream of Gerontius, op. 38, Pt. 2: Dispossessed, Aside Thrust (Chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar1:24
72The Dream of Gerontius, op. 38, Pt. 2: The Mind Bold and Independent (Chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar2:18
73The Dream of Gerontius, op. 38, Pt. 2: I See Not These False Spirits - There Was a Mortal (Soul, Angel)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang [Angel]:
Janet Baker (mezzo‐soprano and alto) (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
vocals:
Dame Janet Baker (mezzo‐soprano and alto) und Richard Lewis (Welsh tenor)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar3:31
74The Dream of Gerontius, op. 38, Pt. 2: Praise to the Holiest (Angel, Chorus, Soul)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Mezzosoprangesang [Angel]:
Janet Baker (mezzo‐soprano and alto) (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar3:20
75The Dream of Gerontius, op. 38, Pt. 2: Glory To Him - But Hark! A Grand Mysterious Harmony (Sould, Angel, Chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Mezzosoprangesang [Angel]:
Janet Baker (mezzo‐soprano and alto) (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar2:20
76The Dream of Gerontius, op. 38, Pt. 2: And Now the Threshold - Praise for the Holiest (Soul, Angel, Chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Mezzosoprangesang [Angel]:
Janet Baker (mezzo‐soprano and alto) (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar8:06
77The Dream of Gerontius, op. 38, Pt. 2: Thy Judgement Now Is Near (Angel, Soul)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang [Angel]:
Janet Baker (mezzo‐soprano and alto) (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar3:20
78The Dream of Gerontius, op. 38, Pt. 2: Jesu! By That Shuddering Dread (Angel of the Agony, Soul, Chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar4:11
79The Dream of Gerontius, op. 38, Pt. 2: I Go Before My Judge - Be Merciful, Be Gracious (Angel of the Agony, Soul, Chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar1:34
80The Dream of Gerontius, op. 38, Pt. 2: Praise to His Name! - Take Me Away (Angel, Soul, Chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Mezzosoprangesang [Angel]:
Janet Baker (mezzo‐soprano and alto) (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar4:57
81The Dream of Gerontius, op. 38, Pt. 2: Lord, Thou Hast Been Our Refuge (Angel, Soul, Chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Mezzosoprangesang [Angel]:
Janet Baker (mezzo‐soprano and alto) (von 1964-12-27 bis 1964-12-30)
Tenor-Gesang [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar1:07
82The Dream of Gerontius, op. 38, Pt. 2: Softly and Gently (Angel, Chorus)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Mezzosoprangesang [Angel]:
Janet Baker (mezzo‐soprano and alto) (von 1964-12-27 bis 1964-12-30)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul (cues 127–137) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar6:55
83Dream Children, op. 43: I. Andante
Orchester:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Dream Children, op. 43: I. Andante
Komponist(in):
Edward Elgar (composer) (in 1902)
Teil von:
Dream Children, op. 43
Edward Elgar3:39
843 Bavarian Dances, op. 27: No. 2, Lullaby
Orchester:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Three Bavarian Dances: No. 2. Lullaby
Komponist(in) und arranger:
Edward Elgar (composer)
Arrangement von:
From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach)
Teil von:
Three Bavarian Dances, op. 27a
Edward Elgar3:39
85Caractacus, op. 35, Scene 4: “Oh! My Warriors” (Caractacus)
vocals:
Peter Dawson (Australian bass-baritone / songwriter)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Caractacus, op. 35: Scene IV, The Malven Hills: “O My Warriors” (Caractacus, Chorus)
Komponist(in):
Sir Edward Elgar (Edward Elgar, composer)
Teil von:
Caractacus, op. 35
Edward Elgar3:34
86Caractacus, op. 35, Scene 2: Sword Song. “Leap, Leap to Light” (Caractacus)
vocals:
Peter Dawson (Australian bass-baritone / songwriter)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Caractacus, op. 35: Scene II, The Sacred Oak Grove by the Tomb of the Kings: “Leap to Light” (Caractacus, Chorus)
Komponist(in):
Sir Edward Elgar (Edward Elgar, composer)
Teil von:
Caractacus, op. 35
Teil von:
Caractacus, op. 35
Edward Elgar2:42