Bach 333: Sacred Cantatas IV

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1CD: Cantatas 168, 137, 164, 79, 110 (1725)
2CD: Cantatas 57, 151, 28, 16 (1725-1726)
3CD: Cantatas 32, 13, 72, 43 (1726)
4CD: Cantatas 146, 129, 39 (1726)
5CD: Cantatas 88, 170, 187, 45 (1726)
6CD: Cantatas 102, 35, 17, 19 (1726)
#TitleRatingLength
1"Herr, deine Augen sehen nach dem Glauben", BWV 102: 1. [Chorus:] "Herr, deine Augen sehen nach dem Glauben!"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
5:42
2"Herr, deine Augen sehen nach dem Glauben", BWV 102: 2. Recitativo "Wo ist das Ebenbild, das Gott uns eingepräget"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": II. Recitativo (Bass) "Wo ist das Ebenbild, das Gott uns eingepräget" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
1:00
3"Herr, deine Augen sehen nach dem Glauben", BWV 102: 3. Aria "Weh der Seele, die den Schaden"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
countertenor vocals:
Robin Blaze (countertenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": III. Aria (Alt) "Weh der Seele, die den Schaden" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
5:20
4"Herr, deine Augen sehen nach dem Glauben", BWV 102: 4. Arioso: "Verachtest du den Reichtum seiner Gnade"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": IV. Arioso (Bass) "Verachtest du den Reichtum deiner Gnad" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
2:52
5"Herr, deine Augen sehen nach dem Glauben", BWV 102: 5. Aria: "Erschrecke doch"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
tenor vocals:
Gerd Türk (German tenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
revision of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (for tenor, flauto traverso and continuo)
3:23
6"Herr, deine Augen sehen nach dem Glauben", BWV 102: 6. Recitative: "Beim Warten ist Gefahr"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
countertenor vocals:
Robin Blaze (countertenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VI. Recitativo (Alt) "Beim Warten ist Gefahr" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
1:07
7"Herr, deine Augen sehen nach dem Glauben", BWV 102: 7. Chorale: "Heut lebst du, heut bekehre dich"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 320)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
1:33
8"Geist und Seele wird verwirret" BWV 35: 1. Concerto
assistant recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
producer:
Jean‐Martial Golaz
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, I. Sinfonia (in 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
5:39
9"Geist und Seele wird verwirret" BWV 35: 2. Aria: "Geist und Seele wird verwirret"
assistant recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
producer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1997-07)
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, II. Aria (Alto) "Geist und Seele wird verwirret" (in 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
7:19
10"Geist und Seele wird verwirret" BWV 35: 3. Recitative: "Ich wundre mich"
assistant recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
producer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1997-07)
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, III. Recitativo (Alto) "Ich wundre mich, denn alles, was man sieht" (in 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
1:19
11"Geist und Seele wird verwirret" BWV 35: 4. Aria: "Gott hat alles wohlgemacht"
assistant recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
producer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1997-07)
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, IV. Aria (Alto) "Gott hat alles wohlgemacht" (in 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
3:13
12"Geist und Seele wird verwirret" BWV 35: 5. Sinfonia
assistant recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
producer:
Jean‐Martial Golaz
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, V. Sinfonia (in 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
3:27
13"Geist und Seele wird verwirret" BWV 35: 6. Recitative: "Ach, starker Gott, lass mich"
assistant recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
producer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1997-07)
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, VI. Recitativo (Alto) "Ach, starker Gott, laß mich doch" (in 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
1:01
14"Geist und Seele wird verwirret" BWV 35: 7. Aria: "Ich wünsche nur, bei Gott zu leben"
assistant recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
producer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1997-07)
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, VII. Aria (Alto) "Ich wünsche mir, bei Gott zu leben" (in 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
3:08
15"Wer Dank opfert, der preiset mich", BWV 17: 1. Chorus: "Wer Dank opfert, der preiset mich"
choir vocals:
Chorus Viennensis (in 1971-12) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
chorus master:
Hans Gillesberger (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
5:04
16"Wer Dank opfert, der preiset mich", BWV 17: 2. Recitative: "Es muss die ganze Welt ein stummer Zeuge werden"
alto vocals:
Paul Esswood (countertenor) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, II. Recitativo (Alto) "Er muß die ganze Welt ein stummer Zeuge werden" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
1:02
17"Wer Dank opfert, der preiset mich", BWV 17: 3. Aria: "Herr, deine Güte reicht, so weit der Himmel ist"
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, III. Aria (Soprano) "Herr, deine Güte reicht, so weit der Himmel ist" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
3:49
18"Wer Dank opfert, der preiset mich", BWV 17: 4. Recitative: "Einer aber unter ihnen"
tenor vocals:
Kurt Equiluz (tenor) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, IV. Recitativo (Tenore) "Einer aber unter ihnen" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
0:41
19"Wer Dank opfert, der preiset mich", BWV 17: 5. Aria: "Welch Übermaß der Güte"
tenor vocals:
Kurt Equiluz (tenor) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, V. Aria (Tenore) "Welch Übermaß der Güte" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
4:12
20"Wer Dank opfert, der preiset mich", BWV 17: 6. Recitative: "Sieh meinen Willen an, ich kenne, was ich bin"
bass vocals:
Max van Egmond (bass-baritone) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, VI. Recitativo (Basso) "Sieh meinen Willen an" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
1:07
21"Wer Dank opfert, der preiset mich", BWV 17: 7. Chorale: "Wie sich ein Vatr erbarmet"
choir vocals:
Chorus Viennensis (in 1971-12) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
chorus master:
Hans Gillesberger (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, VII. Choral "Wie sich ein Vat'r erbarmet" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Gramann (in 1530)
part of:
Breitkopf 389 Choralgesänge (number: 271)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
1:58
22"Es erhub sich ein Streit", BWV 19: 1. [Chorus:] "Es erhub sich ein Streit"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-29)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": I. Coro "Es erhub sich ein Streit" (on 2000-09-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
3:50
23"Es erhub sich ein Streit", BWV 19: 2. Recitative: "Gottlob! der Drache liegt"
bass vocals:
Peter Harvey (bass-baritone) (on 2000-09-29)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": II. Recitativo (Basso) "Gottlob! der Drache liegt" (on 2000-09-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
0:52
24"Es erhub sich ein Streit", BWV 19: 3. Aria: "Gott schickt uns Mahanaim zu"
soprano vocals:
Malin Hartelius (Swedish soprano) (on 2000-09-29)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": III. Aria (Soprano) "Gott schickt uns Mahanaim zu" (on 2000-09-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
4:38
25"Es erhub sich ein Streit", BWV 19: 4. Recitative: "Was ist der schnöde Mensh, das Erdenkind?"
tenor vocals:
James Gilchrist (British tenor) (on 2000-09-29)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": IV. Recitativo (Tenore) "Was ist der schnöde Mensch, das Erdenkind?" (on 2000-09-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
0:52
26"Es erhub sich ein Streit", BWV 19: 5. Aria: "Bleibt, ihr Engel, bleibt bei mir!"
tenor vocals:
James Gilchrist (British tenor) (on 2000-09-29)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": V. Aria (Tenore) "Bleibt, ihr Engel, bleibt bei mir!" (on 2000-09-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
8:02
27"Es erhub sich ein Streit", BWV 19: 6. Recitative: "Lasst uns das Angesicht"
soprano vocals:
Malin Hartelius (Swedish soprano) (on 2000-09-29)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VI. Recitativo (Soprano) "Laßt uns das Angesicht" (on 2000-09-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
0:35
28"Es erhub sich ein Streit", BWV 19: 7. Chorale: "Lass dein Engel mit mir fahren"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-29)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VII. Choral "Laß dein' Engel mit mir fahren" (on 2000-09-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 99)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
1:43
7CD: Cantatas 27, 47, 169, 56 (1726)
8CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
9CD: Cantatas 82, 157, 84 (1727)
10CD: Cantatas 34, 193, 117, 188 (1727-1728)
11CD: Cantatas 171, 156, 159, 120a (1729)
12CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
13CD: Cantatas 29, 140, 36 (1731)
14CD: Cantatas 177, 9, 97, 14 (1732-1735)
15CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
16CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
17CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]