Gershwin Jazz

~ Veröffentlichung von George Gershwin (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I Got Rhythm (from the Broadway Musical, “Girl Crazy”)
Interpret(in):
The Benny Goodman Sextet
recording of:
I Got Rhythm
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:52
2Oh! Lady, Be Good! (from Lady, Be Good!)
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1936-11-09)
Produzent(in):
John Hammond (producer)
Klavier:
Count Basie (pianist) (am 1936-11-09)
Kontrabass:
Walter Page (am 1936-11-09)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1936-11-09)
Tenorsaxophon:
Lester Young (saxophonist) (am 1936-11-09)
Trompete:
Carl "Tatti" Smith (trumpeter) (am 1936-11-09)
instrumental recording of:
Oh, Lady Be Good! (am 1936-11-09)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
3:08
3Let’s Call the Whole Thing Off (from Shall We dance)
Interpret(in):
Billie Holiday
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
2:39
4Nice Work If You Can Get It (78 Rpm version)
recorded in:
New York, New York, Vereinigte Staaten (am 1950-05-19)
Produzent(in):
George Treadwell
Bass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-19)
E-Gitarre:
Mundell Lowe (am 1950-05-19)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-19)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-19)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-19)
Schlagzeug:
J.C. Heard (am 1950-05-19)
Solo-Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-19)
Tenorsaxophon:
Budd Johnson (am 1950-05-19)
vocals:
Sarah Vaughan (am 1950-05-19)
Orchester:
George Treadwell & His All Stars und with George Treadwell and his All Stars (am 1950-05-19)
cover recording of:
Nice Work If You Can Get It (am 1950-05-19)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:36
5’S Wonderful (from Funny Face)
Interpret(in):
Ruby Braff (US trumpet & cornet player) und Coleman Hawkins
recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:53
6Our Love Is Here to Stay (from Goldwyn Follies of 1938)
Interpret(in):
J.J. Johnson (jazz/bop trombonist/session leader)
recording of:
Love Is Here to Stay
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
2:45
7The Man I Love (from Lady, Be Good!)
Interpret(in):
Erroll Garner
recording of:
The Man I Love
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
8:11
8Who Cares? (from of Thee I Sing)
Interpret(in):
Bob Brookmeyer und Stan Getz
recording of:
Who Cares? (Of Thee I Sing)
Texter:
Ira Gershwin (in 1931)
Komponist(in):
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Of Thee I Sing: Act II
7:04
9Bess, You Is My Woman Now (from Porgy and Bess)
Interpret(in):
Teddy Wilson
recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp
basiert auf:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
2:34
10I’ve Got a Crush on You (from Strike Up the Band)
Interpret(in):
Ella Fitzgerald (American jazz singer)
cover recording of:
I’ve Got a Crush on You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
2:21
11It Ain’t Necessarily So
alto saxophone:
Cannonball Adderley (von 1958-07-22 bis 1958-08-18)
Bass:
Paul Chambers (US jazz bassist) (von 1958-07-22 bis 1958-08-18)
Bassklarinette:
Danny Bank (reeds) (von 1958-07-22 bis 1958-08-18)
Bassposaune:
Dick Hixson (trombonist) (von 1958-07-22 bis 1958-08-18) und Dick Nixon (von 1958-07-22 bis 1958-08-18)
Flügelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (von 1958-07-22 bis 1958-08-18)
flute:
Phil Bodner (Woodwind player) (von 1958-07-22 bis 1958-08-18) und Romeo Penque (von 1958-07-22 bis 1958-08-18)
Posaune:
Joe Bennett (trombonist) (von 1958-07-22 bis 1958-08-18), Jimmy Cleveland (US jazz trombonist) (von 1958-07-22 bis 1958-08-18) und Frank Rehak (US jazz trombonist) (von 1958-07-22 bis 1958-08-18)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (von 1958-07-22 bis 1958-08-18)
Trompete:
Johnny Coles (US jazz trumpeter) (von 1958-07-22 bis 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (von 1958-07-22 bis 1958-08-18), Bernie Glow (von 1958-07-22 bis 1958-08-18), Louis Mucci (trumpetist) (von 1958-07-22 bis 1958-08-18) und Ernie Royal (von 1958-07-22 bis 1958-08-18)
Tuba:
Bill Barber (Jazz tuba player) (von 1958-07-22 bis 1958-08-18)
Waldhorn:
Willie Ruff (von 1958-07-22 bis 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (von 1958-07-22 bis 1958-08-18) und Julius Watkins (von 1958-07-22 bis 1958-08-18)
conductor:
Gil Evans (Canadian‐American jazz pianist and composer) (von 1958-07-22 bis 1958-08-18)
Interpret(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1958-07-22 bis 1958-08-18)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (von 1958-07-22 bis 1958-08-18)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
4:26
12Liza (All the Clouds’ll Roll Away) (from Show Girl)
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
Klavier:
Thelonious Monk (am 1964-10-06)
Kontrabass [bass]:
Larry Gales (am 1964-10-06)
Schlagzeug:
Ben Riley (American jazz drummer) (am 1964-10-06)
Tenorsaxophon:
Charlie Rouse (am 1964-10-06)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1964-10-06)
instrumental recording of:
Liza (All the Clouds’ll Roll Away) (am 1964-10-06)
Texter:
Ira Gershwin und Gus Khan
Komponist(in):
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
enthalten in:
An American in Paris (2015 Broadway musical)
4:37
13How Long Has This Been Going On? (from Rosalie)
Interpret(in):
Dexter Gordon
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Rosalie
3:16
14Someone to Watch Over Me (from Oh, Kay!)
Interpret(in):
Marcus Roberts (American jazz pianist)
recording of:
Someone to Watch Over Me (Oh, Kay!)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
3:02
15Summertime (from Porgy and Bess (live))
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
7:19
16Somebody Loves Me (from George White’s Scandals of 1924)
Interpret(in):
Roy Eldridge
recording of:
Somebody Loves Me
Texter:
Buddy DeSylva und Ballard MacDonald
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Stephen Ballentine Music Publishing Co.
Teil von:
Broadway Rhythm (film)
9:12

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