Star Wars: A New Hope (Remastered, 24 bit/192kHz)

~ Veröffentlichung von John Williams & London Symphony Orchestra (alle Versionen dieser Veröffentlichung ansehen, 33 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Main Title
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
recording of:
End Title (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV und Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Main Title (Star Wars)
Komponist(in):
John Williams (American score composer and conductor) (beendet)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teil von:
Star Wars Holiday Special (television soundtrack)
Teil von:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
Teil von:
Star Wars, Episode II: Attack of the Clones (2002 film score)
Teil von:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
Teil von:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
Teil von:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
Teil von:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
Teil von:
Star Wars, Episode VII: The Force Awakens (2015 film score)
Teil von:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
Teil von:
Star Wars: Shadows of the Empire
John Williams55:26
2Imperial Attack
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
teilweise recording of:
Imperial Attack, Part 1 (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc. und Muziekuitgeverij Artemis B.V.
sub-publisher:
Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Imperial Attack, Part 2 (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams6:20
3Princess Leia’s Theme
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas und Tom Null
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra (von 1977-03-05 bis 1977-03-16)
conductor:
John Williams (American score composer and conductor) (von 1977-03-05 bis 1977-03-16)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
aufgenommen bei:
Anvil Studios in Denham, Buckinghamshire, England, Vereinigtes Königreich (von 1977-03-05 bis 1977-03-16) und Abravanel Hall in Salt Lake City, Utah, Vereinigte Staaten (von 1983-06-21 bis 1983-06-22)
recording of:
Princess Leia’s Theme (Star Wars, Episode IV: A New Hope) (von 1977-03-05 bis 1977-03-16)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams2.754:24
4The Desert / The Robot Auction
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
recording of:
The Desert (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music, Fox Fanfare Music Inc., Muziekuitgeverij Artemis B.V. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV und Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Robot Auction (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV und Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams2:54
5Ben’s Death / TIE Fighter Attack
Orchester:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
recording of:
Ben’s Death (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
TIE Fighter Attack (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV und Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams3:55
6The Little People Work
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
recording of:
The Little People Work (Star Wars)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV und Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:10
7Rescue of the Princess
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
recording of:
Chasm Crossfire (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Arthur Morton
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc. und Muziekuitgeverij Artemis B.V.
sub-publisher:
Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Shootout in the Cell Bay (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV und Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:49
8Inner City
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
recording of:
Tales of a Jedi Knight, Part 1 (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Arthur Morton
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music, Fox Fanfare Music Inc., Muziekuitgeverij Artemis B.V. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV und Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Death Star (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Arthur Morton
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
teilweise recording of:
The Millennium Falcon (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV und Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:16
9Cantina Band
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra (von 1977-03-05 bis 1977-03-16)
conductor:
John Williams (American score composer and conductor) (von 1977-03-05 bis 1977-03-16)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
aufgenommen bei:
Anvil Studios in Denham, Buckinghamshire, England, Vereinigtes Königreich (von 1977-03-05 bis 1977-03-16)
recording of:
Cantina Band (Star Wars, Episode IV: A New Hope) (von 1977-03-05 bis 1977-03-16)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc. und Muziekuitgeverij Artemis B.V.
sub-publisher:
Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams3.92:46
10The Land of the Sand People
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
teilweise recording of:
Attack of the Sand People (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music, Fox Fanfare Music Inc., Muziekuitgeverij Artemis B.V. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV und Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Landspeeder Search (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV und Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams2:58
11Mouse Robot / Blasting Off
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
teilweise recording of:
Blasting Off (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bregman, Vocco & Conn, Inc., Fox Fanfare Music Inc., Muziekuitgeverij Artemis B.V. und WC Music Corp.
sub-publisher:
Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Mouse Robot (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Arthur Morton
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:05
12The Return Home
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
recording of:
The Return Home (Star Wars)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams2:52
13The Walls Converge
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
recording of:
Dianoga (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Trash Compactor (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV und Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:38
14The Princess Appears
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
recording of:
Binary Sunset (Star Wars, Episode IV: A New Hope)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV und Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
Revision von:
Binary Sunset (alternate) (Star Wars archival bonus track)
recording of:
The Hologram (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:09
15The Last Battle
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
Kompilation von:
The Last Battle, Part 1 von John Williams (American score composer and conductor) und The Last Battle, Part 2 von John Williams (American score composer and conductor)
recording of:
Detention Block Ambush (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Al Woodbury
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Tractor Beam (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV und Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Use the Force (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Angela Morley
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc. und Muziekuitgeverij Artemis B.V.
sub-publisher:
Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
X-Wings Draw Fire (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Arthur Morton
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams12:11
16The Throne Room / End Title
Sound-Engineering:
Eric A. Tomlinson (British recording engineer)
Produzent(in):
George Lucas
Mix:
John Neal (engineer)
Orchester:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
recording of:
End Title (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV und Warner Chappell Music México
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Throne Room (Star Wars, Episode IV: A New Hope)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Throne Room / Finale (Star Wars, published suite with extensions)
Komponist(in):
John Williams (American score composer and conductor)
basiert auf:
End Title (Star Wars, Episode IV: A New Hope)
basiert auf:
The Throne Room (Star Wars, Episode IV: A New Hope)
John Williams5:34

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