Bringing On Back the Good Times

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Build Me Up Buttercup
music videos:
Build Me Up Buttercup by The Foundations (British soul band, active from 1967 to 1970)
part of:
Cachitos Nochevieja 2022 (number: 43) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 252)
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) and Tony Macaulay
publisher:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. and Welbeck Music (publisher)
The Foundations3.52:53
2Love Grows (Where My Rosemary Goes)
producer:
Tony Macaulay
vocals:
Tony Burrows (in 1970)
phonographic copyright (℗) by:
Bell (50s-70s US/UK pop, later became Arista) (in 1970) and Demon Music Group (in 1970)
music videos:
Love Grows (Where My Rosemary Goes) by Edison Lighthouse
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 40) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 416)
recording of:
Love Grows (Where My Rosemary Goes) (in 1970)
writer:
Tony Macaulay and Barry Mason (English songwriter)
publisher:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. and Universal Music Publishing MGB Australia
Edison Lighthouse3.82:49
3Band of Gold
phonographic copyright (℗) by:
Holland Group Productions Inc. (in 1970)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 278) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 391)
recording of:
Band of Gold (Freda Payne song)
writer:
Ronald Dunbar (Songwriter, A&R director and record producer), Edythe Wayne, Edythe Wayne (Motown producer & songwriter) and Edythe Wayne (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Chelsea Music Publishing Co., Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:55
4The Loco-Motion
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 1) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Little Eva22:23
5My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (US drummer) (in 1964)
guitar:
Robert White (US funk/soul guitarist) (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (trumpet player) (in 1964) and Herbert Williams (trumpet player) (in 1964)
vibraphone:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:47
6I Get the Sweetest Feeling
phonographic copyright (℗) by:
Brunswick Recordings (in 1968)
recording of:
I Get the Sweetest Feeling (in 1968)
writer:
Alicia Evelyn (songwriter and performer) and Van McCoy
publisher:
Alley Music, TM Music Ltd., Trio Music (publisher) and Van McCoy Music
Jackie Wilson4.52:54
7Stop! In the Name of Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (from 1965-01-05 until 1965-01-11)
background vocals:
The Andantes (from 1965-01-05 until 1965-01-11), Florence Ballard (from 1965-01-05 until 1965-01-11) and Mary Wilson (from 1965-01-05 until 1965-01-11)
lead vocals:
Diana Ross (from 1965-01-05 until 1965-01-11)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1965-01-05 until 1965-01-11)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 13) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 254)
recording of:
Stop! In the Name of Love (from 1965-01-05 until 1965-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes4.152:53
8Sweet Talkin’ Guy
recording of:
Sweet Talking Guy
writer:
Baer, Greenberg, Morris (record executive) and Schwartz (songwriter for and co-founder of Laurie Records)
The Chiffons2:21
9Rock the Boat
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recording of:
Rock the Boat
lyricist and composer:
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation4.43:02
10You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.854:01
11Everything’s Tuesday
recording of:
Everything’s Tuesday
writer:
Daphne Dumas (songwriter), Ronald Dunbar (Songwriter, A&R director and record producer) and Edith Wayne (songwriting pseudonym used by Holland‐Dozier‐Holland)
Chairmen of the Board2:50
12Kissin’ in the Back Row of the Movies
baritone vocals:
Grant Kitchings
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters)
tenor vocals:
Butch Leake
vocals:
Bill Fredericks and Butch Mann
arranger:
Tony King (songwriter, arranger)
recording of:
Kissin’ in the Back Row of the Movies
composer:
Roger Greenaway and Tony Macaulay
The Drifters3.653:31
13Sugar Sugar
music videos:
Sugar, Sugar by The Archies
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (number: 18), Billboard: Greatest of All Time Hot 100 Songs (number: 90) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 155)
recording of:
Sugar, Sugar (in 1969)
writer:
Jeff Barry and Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner/Chappell Music Ltd. (1996–2019)
The Archies3.52:47
14Hey Baby
recording of:
Hey! Baby
writer:
Bruce Channel and Margaret Cobb (singer, writer, publisher)
publisher:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd., シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.), CBS Unart Catalog, Inc. (in 1961) and Le Bill Music (in 1961)
Bruce Channel2:19
15Elenore
recording of:
Elenore
lyricist and composer:
John Barbata, Howard Kaylan, Al Nichol, Jim Pons and Mark Volman
publisher:
Doraflo Music, Inc., EMI Longitude Music and High Concept Music
The Turtles52:30
16Freedom Come, Freedom Go
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971)
recording of:
Freedom Come, Freedom Go
writer:
Roger Cook (US‐based British singer, songwriter and producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) and Mike Hazlewood (in 1971)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and PolyGram Music Publishing
The Fortunes3:21
17The Shoop Shoop Song (It’s in His Kiss)
cover recording of:
It’s in His Kiss (The Shoop Shoop Song) (in 1964)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. and Trio Music Company
Betty Everett42:10
18It’s My Party
producer:
Quincy Jones
arranger:
Claus Ogerman
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 353)
recording of:
It’s My Party (on 1963-03-30)
writer:
John Gluck, Jr., Wally Gold, Seymour Gottlieb and Herb Weiner
publisher:
A. Schroeder Music Ltd. and Chappell & Co., Inc. (USA)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore4.352:17
19Then I Kissed Her
engineer:
Chuck Britz
producer:
Brian Wilson (Beach Boys co‐founder)
bass guitar:
Carol Kaye (on 1965-05-03) and Brian Wilson (Beach Boys co‐founder) (on 1965-05-03)
castanets:
Frank Capp (on 1965-05-03)
double bass [upright bass]:
Jimmy Bond (on 1965-05-03)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1965-05-03)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1965-05-03), René Hall (on 1965-05-03), Al Jardine (guitarist and singer) (on 1965-05-03) and Carl Wilson (Beach Boys) (on 1965-05-03)
instruments:
Bill Pitman (on 1965-05-03)
organ:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (on 1965-05-03) and Leon Russell (on 1965-05-03)
piano:
Brian Wilson (Beach Boys co‐founder) (on 1965-05-03)
tambourine:
Ron Swallow (on 1965-05-03)
lead vocals:
Al Jardine (guitarist and singer) (on 1965-05-03)
vocals:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (on 1965-05-03), Mike Love (Beach Boys) (on 1965-05-03), Brian Wilson (Beach Boys co‐founder) (on 1965-05-03), Carl Wilson (Beach Boys) (on 1965-05-03) and Dennis Wilson (Beach Boys) (on 1965-05-03)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-05-03)
cover recording of:
And Then I Kissed Her (on 1965-05-03)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
revision of:
Then He Kissed Me
The Beach Boys3.62:17
20Another Day
assistant recording engineer:
Ted Brosnan (from 1970-10-12 until 1971-01)
recording engineer:
Tim Geelan (from 1970-10-12 until 1971-01)
producer:
Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01)
mixer:
Dixon Van Winkle (on 1971-02-08)
acoustic guitar and electric guitar:
Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01) and David Spinozza (from 1970-10-12 until 1971-01)
bass guitar, tambourine and lead vocals:
Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01)
drums (drum set):
Denny Seiwell (US drummer) (from 1970-10-12 until 1971-01)
percussion:
Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01) and Denny Seiwell (US drummer) (from 1970-10-12 until 1971-01)
background vocals:
Linda McCartney (from 1970-10-12 until 1971-01) and Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01)
vocals:
Paul McCartney (The Beatles)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 2012) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2012)
additionally recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1971-01)
recorded at:
CBS Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (on 1970-10-12) and A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1971-01)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1971-02-08)
recording of:
Another Day (1970 McCartney song) (from 1970-10-12 until 1971-01-21)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), McCartney Music Inc. and Northern Songs
Paul McCartney3.33:43
21Make Me Smile (Come Up and See Me)
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:54
22Rock Your Baby
vocals:
George McCrae
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae3.253:18
23That’s the Way (I Like It)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) and T.K. Records (Miami‐based disco label) (in 1975)
edit of:
That’s the Way (I Like It) by KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:01
24This Will Be (an Everlasting Love)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 316)
recording of:
This Will Be (an Everlasting Love)
writer:
Chuck Jackson (songwriter/producer) and Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) and Jay’s Enterprises Inc.
Natalie Cole3.52:50
25Rock Me Gently
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 1992)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 91)
recording of:
Rock Me Gently
lyricist and composer:
Andy Kim (pop singer & songwriter)
Andy Kim53:22
26Bringing On Back the Good Times
recording of:
Bringing on Back the Good Times
writer:
John Cokell and Phillip Goodhand-Tait
Love Affair3:24
2▶CD

Credits

Release

ASIN:UK: B000EF7WG6 [info]