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1CD
#TitoloArtistaValutazioneDurata
1Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:39
2Wake Me Up Before You Go-Go
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984, nel 2006) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
video musicali:
Wake Me Up Before You Go di Wham! (British pop-duo)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 28) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 269)
registrazione di:
Wake Me Up Before You Go‐Go
paroliere e compositore:
George Michael
editore:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:52
3I’m Still Standing
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
basso elettrico :
Dee Murray
batteria :
Nigel Olsson
chitarra elettrica :
Davey Johnstone
pianoforte , sintetizzatore e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
voce di accompagnamento:
Davey Johnstone, Dee Murray e Nigel Olsson
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1983)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (il 1983-06-26)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
video musicali:
I’m Still Standing di Elton John (English singer, songwriter, pianist, and composer)
registrazione di:
I’m Still Standing
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd. (publisher) e Universal–Songs of PolyGram International, Inc.
Elton John3.93:00
4Karma Chameleon
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club3.754:00
5Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
esecutore:
Duran Duran (English rock band) (nel 1982)
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (nel 1982) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 398)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran3.353:26
6That’s Entertainment
tecnico:
George Chambers (engineer a/k/a George “Chappie” Chambers) e Alan Douglas (Scottish born engineer)
produttore:
Vic Coppersmith‐Heaven e The Jam (late 70s/early 80s UK punk/mod revival band)
chitarra acustica , chitarra elettrica [backwards] e voce principale:
Paul Weller (English singer‐songwriter and musician) (il 1980-10-22)
chitarra basso :
Bruce Foxton (il 1980-10-22)
tamburello e tamburo rullante :
Rick Buckler (il 1980-10-22)
voce:
Bruce Foxton (il 1980-10-22)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (il 1980-10-22)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 306)
registrazione di:
That’s Entertainment (il 1980-10-22)
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
And Son Music Ltd. (, dal 1980 a oggi), BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Stylist Music Ltd.
The Jam3.453:35
7Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.253:48
8Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:57
9Stand and Deliver
tecnico:
Alan Douglas (Scottish born engineer)
produttore:
Chris Hughes (producer, aka “Merrick”)
batteria :
Chris Hughes (producer, aka “Merrick”) e Terry Lee Miall
chitarra :
Marco Pirroni (British musician and producer)
chitarra basso e voce principale:
Adam Ant (English new wave singer and actor)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1981) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1981)
parte di:
The Downloader’s Music Source Book (numero: 145)
registrazione di:
Stand and Deliver
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:07
10Rock the Casbah
tecnico:
Bob Clearmountain
produttore:
Guy Stevens
tecnico di missaggio:
Glyn Johns
batteria :
Topper Headon
chitarra :
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
chitarra basso :
Paul Simonon
voce:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
video musicali:
Rock the Casbah di The Clash (70s–80s British punk rock band)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 58)
registrazione di:
Rock the Casbah
autore:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
The Clash4.653:42
11Addicted to LoveRobert Palmer44:13
12Baby I Don’t Care
registrazione di:
Baby I Don’t Care (Transvision Vamp)
paroliere e compositore:
Nick Christian Sayer
editore:
Notting Hill Music (publisher)
Transvision Vamp3:44
13The Love Cats
produttore:
Steve Nye (producer, engineer and pianist), Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Phil Thornalley
tecnico di missaggio:
Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Phil Thornalley
batteria :
Andy Anderson (drummer for The Cure)
chitarra basso :
Phil Thornalley
chitarra e tastiera e voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
vibrafono :
Lol Tolhurst
diritti fonografici (℗) detenuti da:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 448)
registrazione di:
The Lovecats
paroliere e compositore:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
editore:
APB Music Co.
The Cure3.83:42
14Never Gonna Give You Up
programmazione degli strumenti:
Ian Curnow (nel 1986-10)
assistente tecnico:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman e Waterman
tecnico di missaggio:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (il 1987-01-01)
batteria [drums] :
A Linn (Linn 9000) (nel 1986-10)
chitarra [guitars] :
Matt Aitken (nel 1986-10)
tastiera [keyboards] :
Matt Aitken (nel 1986-10) e Mike Stock (of Stock Aitken Waterman) (nel 1986-10)
voce di accompagnamento [backing vocals]:
Dee Lewis (nel 1986-10), Shirley Lewis (nel 1986-10), Mae McKenna (vocalist) (nel 1986-10) e Suzanne Rhatigan (nel 1986-10)
voce principale:
Rick (English singer, songwriter and radio personality) (nel 1986-10)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
BMG Records (UK) Ltd. (1987–1996) (dal 1987 a oggi), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1987), Pete Waterman Ltd. (copyrights holder) (nel 1987) e PWL (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1986-10), PWL Studio 2 (nel 1986-10) e PWL Studios (London) in London (Greater London), England, Regno Unito (nel 1986-10)
mixata presso:
PWL Studio 1 (il 1987-01-01) e PWL Studio 2 (il 1987-01-01)
video musicali:
Never Gonna Give You Up di Rick Astley (English singer, songwriter and radio personality)
parte di:
Cachitos Nochevieja 2022 (numero: 48) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 244)
registrazione di:
Never Gonna Give You Up (nel 1986-10)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Terrace Music (nel 1987)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.43:33
15We Close Our Eyes
produttore:
Gary Stevenson
remixer:
Tom Lord‐Alge
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1985)
video musicali:
We Close Our Eyes di Go West
registrazione di:
We Close Our Eyes
autore:
Peter Cox (Artist and songwriter) e Richard Drummie
editore:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Go West3.23:48
16Don’t Leave Me This Way
produttore:
Mike Thorne (UK producer & keyboardist)
voce:
Sarah Jane Morris
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:32
17The Only Way Is Up
produttore:
Coldcut (Matt Black & Jonathan More)
diritti fonografici (℗) detenuti da:
Big Life (UK indie/dance) (nel 1988)
è stato produttore per:
Ahead Of Our Time Productions
registrazione cover di:
The Only Way Is Up
autore:
Johnny Henderson (southern soul songwriter) e George Jackson (US soul songwriter/vocalist)
editore:
Big Life Music (nel 1988) e Malaco Music (publisher related to Malaco Records) (nel 1988)
Yazz & The Plastic Population2.654:02
18The Look of Love
video musicali:
The Look of Love di ABC (English 80s pop group)
registrazione di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3:12
19Frankie
produttore:
Nile Rodgers
registrazione di:
Frankie
paroliere e compositore:
Denise Rich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:17
20Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J Geils Band43:38
21Break My Stride
programmazione degli strumenti:
John Gilston (nel 1983)
produttore:
Peter Bunetta, Rick Chudacoff e Bill Elliott (keyboardist/composer)
batteria , drum machine [Oberheim DMX] e percussione :
Peter Bunetta (nel 1983)
chitarra :
Dennis Herring (nel 1983)
sintetizzatore analogico [Prophet-5] :
Bill Elliott (keyboardist/composer) (nel 1983) e Matthew Wilder (nel 1983)
voce di accompagnamento:
Greg Prestopino (nel 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (nel 1983) e Matthew Wilder (nel 1983)
voce principale:
Matthew Wilder (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrata presso:
Pasha Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 39)
registrazione di:
Break My Stride (nel 1983)
autore:
Greg Prestopino e Matthew Wilder
editore:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (nel 1983), No Ears Music (nel 1983) e Streetwise Music (US publisher) (nel 1983)
Matthew Wilder3.43:01
22Come On Eileen
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners3:51
2CD

Accreditamenti

Pubblicazione

fotografia:Fin Costello
Gered Mankowitz
Sam Newman (photographer)
Michael Ochs
David Redfern
Sten Rosenhund (photographer)
Charlyn Zlotnik (phoographer)
fabbricata da:Disctronics UK (Blackburn)
distribuito da e commercializzata da:Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 2003)
licenziata a:Universal Music TV (UK, a division of Universal Music Operations Limited)
Discogs:https://www.discogs.com/release/3700526 [info]
ASIN:UK: B00006S04C [info]