Der Ganze Mozart

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Le nozze di Figaro, K. 492: Sinfonia
harpsichord:
John Constable (pianist) (in 1971-04)
orchestra:
BBC Symphony Orchestra (in 1971-04)
conductor:
Sir Colin Davis (English conductor) (in 1971-04)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Le nozze di Figaro: Sinfonia (in 1971-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
4:09
2Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante
recorded in:
Great Britain (from 1985-11-08 until 1985-11-09)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1985-11-08 until 1985-11-09)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-08 until 1985-11-09)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1985-11-08 until 1985-11-09)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (from 1985-11-08 until 1985-11-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
6:10
3Concerto for Piano no. 23 in A major, K. 488: II. Andante
recording engineer:
Hans Lauterslager
producer:
Erik Smith (British producer, pianist and harpsichordist)
piano:
Alfred Brendel (Austrian pianist) (from 1971-06-28 until 1971-06-30)
orchestra:
Academy of St Martin in the Fields (from 1971-06-28 until 1971-06-30)
conductor:
Sir Neville Marriner (conductor) (from 1971-06-28 until 1971-06-30)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1971-06-28 until 1971-06-30)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) (from 1971-06-28 until 1971-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
6:52
4Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
3:36
5Serenade B-dur, K. 361 - Grant Partita
recorded in:
London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
producer:
Michael Bremner (producer/engineer)
basset horn:
Hale Hambleton (from 1984-07-25 until 1984-07-27) and Angela Malsbury (clarinettist) (from 1984-07-25 until 1984-07-27)
bassoon:
Graham Sheen (bassoonist) (from 1984-07-25 until 1984-07-27) and Felix Warnock (from 1984-07-25 until 1984-07-27)
clarinet:
Antony Pay (clarinetist) (from 1984-07-25 until 1984-07-27) and Richard West (clarinettist, Academy of St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
double bass:
Raymund Koster (violist) (from 1984-07-25 until 1984-07-27)
horn:
Julian Baker (horn player) (from 1984-07-25 until 1984-07-27), Timothy Brown (UK horn player) (from 1984-07-25 until 1984-07-27), Nicholas Hill (horn player) (from 1984-07-25 until 1984-07-27) and Colin Horton (Horn player, St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
instruments and orchestra:
Wind Ensemble of the Academy of St Martin in the Fields (from 1984-07-25 until 1984-07-27)
oboe:
Barry Davis (classical oboist) (from 1984-07-25 until 1984-07-27) and Celia Nicklin (oboist) (from 1984-07-25 until 1984-07-27)
conductor:
Neville Marriner (conductor) (from 1984-07-25 until 1984-07-27)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: VII. Rondo (from 1984-07-25 until 1984-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
3:23
6Concerto for Clarinet in A major, K. 622: II. Adagio
recording engineer:
Onno Scholtze (sound engineer) (in 1988-09)
producer:
Mike Bremner (producer/engineer)
clarinet:
Karl Leister (German clarinetist) (in 1988-09)
orchestra:
Academy of St Martin in the Fields (in 1988-09)
conductor:
Sir Neville Marriner (conductor) (in 1988-09)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
7:46
7Symphonie Nr. 34 C-dur, K. 338: Finale
orchestra:
Academy of St Martin‐in‐the‐Fields (Academy of St Martin in the Fields) (in 1980-01)
conductor:
Sir Neville Marriner (conductor) (in 1980-01)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1980)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1980-01)
recording of:
Symphony no. 34 in C major, K. 338: III. Finale. Allegro vivace (in 1980-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1780 until 1780-08-29)
part of:
Symphony no. 34 in C major, K. 338
5:41
8Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus"
producer:
Vittorio Negri (conductor)
organ:
John Constable (pianist) (in 1971-04)
choir vocals:
London Symphony Chorus (in 1971-04)
vocals:
London Symphony Chorus (in 1971-04)
orchestra:
London Symphony Orchestra (in 1971-04)
conductor:
Sir Colin Davis (English conductor) (in 1971-04)
chorus master:
Arthur Oldham (chorus master)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1972)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (in 1971-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
3:56
9Requiem in D minor, K. 626: I. Introitus: "Requiem aeternam"
choir vocals:
MDR Rundfunkchor Leipzig (in 1982-04)
soprano vocals:
Margaret Price (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1982-04)
conductor:
Peter Schreier (German tenor and conductor) (in 1982-04)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo) (in 1982-04)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
is based on:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
5:14
10Kyrie
choir vocals:
MDR Rundfunkchor Leipzig (in 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1982-04)
conductor:
Peter Schreier (German tenor and conductor) (in 1982-04)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (Süßmayr Edition; choir) (in 1982-04)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
revision of:
Requiem in D minor, K. 626: II. Kyrie (original version, fragment)
2:43
11Die Zauberflöte, K. 620: Ouverture
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
7:16
12Concerto no. 5 in A major for Violin, K. 219 "Turkish": I. Allegro aperto
violin:
Henryk Szeryng (violinist) (in 1966-04)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-04)
conductor:
Sir Alexander Gibson (conductor) (in 1966-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1966-04)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: I. Allegro aperto (in 1966-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
9:50
13Messe e-moll, K. 427 "Große Messe"
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K. 427/417a ('Große Messe'): I. "Kyrie" (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe') (reconstr. Gardiner & Schmitt)
7:20

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ASIN:DE: B000BLJPZ4 [info]