Les Triomphes de Mozart

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Une petite musique de nuit, K 525, Allegro
producer:
Michael Bremner (producer/engineer)
cello:
Denis Vigay (cellist) (in 1984-01)
double bass:
Raymund Koster (violist) (in 1984-01)
instruments:
Academy of St Martin in the Fields Chamber Ensemble (in 1984-01)
viola:
Stephen Shingles (in 1984-01)
violin:
Malcolm Latchem (violinist) (in 1984-01) and Kenneth Sillito (violinist) (in 1984-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-01)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:50
2Divertimento K 136, Presto
recorded in:
Great Britain (in 1984-01)
cello:
Denis Vigay (cellist) (in 1984-01)
double bass:
Raymund Koster (violist) (in 1984-01)
instruments:
Academy of St. Martin-in-the-Fields Chamber Ensemble (in 1984-01)
viola:
Stephen Shingles (in 1984-01)
violin:
Malcolm Latchem (violinist) (in 1984-01) and Kenneth Sillito (violinist) (in 1984-01)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: III. Presto (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
2:41
3Concerto pour piano N 23, K 488, Adagio
recording engineer:
Hans Lauterslager
producer:
Erik Smith (British producer, pianist and harpsichordist)
piano:
Alfred Brendel (Austrian pianist) (from 1971-06-28 until 1971-06-30)
orchestra:
Academy of St Martin in the Fields (from 1971-06-28 until 1971-06-30)
conductor:
Sir Neville Marriner (conductor) (from 1971-06-28 until 1971-06-30)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1971-06-28 until 1971-06-30)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) (from 1971-06-28 until 1971-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
6:55
4Sonate pour piano K 331, Alla Turca
producer:
Erik Smith (British producer, pianist and harpsichordist)
piano:
Mitsuko Uchida (pianist) (in 1983-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1983-10)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1983-10)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
3:37
5Serenade N 10 "Gran Partita", K 361, Finale
recorded in:
London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
producer:
Michael Bremner (producer/engineer)
basset horn:
Hale Hambleton (from 1984-07-25 until 1984-07-27) and Angela Malsbury (clarinettist) (from 1984-07-25 until 1984-07-27)
bassoon:
Graham Sheen (bassoonist) (from 1984-07-25 until 1984-07-27) and Felix Warnock (from 1984-07-25 until 1984-07-27)
clarinet:
Antony Pay (clarinetist) (from 1984-07-25 until 1984-07-27) and Richard West (clarinettist, Academy of St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
double bass:
Raymund Koster (violist) (from 1984-07-25 until 1984-07-27)
horn:
Julian Baker (horn player) (from 1984-07-25 until 1984-07-27), Timothy Brown (UK horn player) (from 1984-07-25 until 1984-07-27), Nicholas Hill (horn player) (from 1984-07-25 until 1984-07-27) and Colin Horton (Horn player, St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
instruments and orchestra:
Wind Ensemble of the Academy of St Martin in the Fields (from 1984-07-25 until 1984-07-27)
oboe:
Barry Davis (classical oboist) (from 1984-07-25 until 1984-07-27) and Celia Nicklin (oboist) (from 1984-07-25 until 1984-07-27)
conductor:
Neville Marriner (conductor) (from 1984-07-25 until 1984-07-27)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: VII. Rondo (from 1984-07-25 until 1984-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
3:24
6Concerto Pour Clarinette K 622, Adagio
recording engineer:
Onno Scholtze (sound engineer) (in 1988-09)
producer:
Mike Bremner (producer/engineer)
clarinet:
Karl Leister (German clarinetist) (in 1988-09)
orchestra:
Academy of St Martin in the Fields (in 1988-09)
conductor:
Sir Neville Marriner (conductor) (in 1988-09)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
7:49
7Divertimento, K 137, Allegro Di Molto
producer:
Michael Bremner (producer/engineer)
cello:
Denis Vigay (cellist) (in 1986-06)
viola:
Stephen Shingles (in 1986-06)
violin:
Malcolm Latchem (violinist) (in 1986-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-06)
recording of:
Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony no. 2": II. Allegro di molto (in 1986-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony no. 2"
3:31
8Symphonie, N25, K 183, Allegro Con Brio;Requiem, K 626
orchestra:
Academy of St Martin‐in‐the‐Fields (Academy of St Martin in the Fields) (in 1978-06)
conductor:
Sir Neville Marriner (conductor) (in 1978-06)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1979) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1979)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio (in 1978-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor"
7:45
9Introitus : Requiem
choir vocals:
MDR Rundfunkchor Leipzig (in 1982-04)
soprano vocals:
Margaret Price (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1982-04)
conductor:
Peter Schreier (German tenor and conductor) (in 1982-04)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo) (in 1982-04)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
is based on:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
5:14
10Kyrie
choir vocals:
MDR Rundfunkchor Leipzig (in 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1982-04)
conductor:
Peter Schreier (German tenor and conductor) (in 1982-04)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (Süßmayr Edition; choir) (in 1982-04)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
revision of:
Requiem in D minor, K. 626: II. Kyrie (original version, fragment)
2:46
11La Flute enchantée, K 620, Ouverture
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
7:18
12Divertimento, K 138, Allegro
recording of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3": I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3"
3:43
13Concerto pour violon N 3, K 216, Allegro
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1969-11)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-11)
conductor:
Sir Alexander Gibson (conductor) (in 1969-11)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (in 1969-11)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: I. Allegro aperto (in 1969-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: II. Adagio (in 1969-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
10:05
14Grande Messe en Ut Mineur, K 427, Kyrie
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K. 427/417a ('Große Messe'): I. "Kyrie" (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe') (reconstr. Gardiner & Schmitt)
7:22