The Ultimate Chick Flick Soundtrack

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Medium
#TitleArtistRatingLength
1It's Raining Men
membranophone programming:
Andy Duncan (UK drummer and producer)
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
strings arranger:
Nick Ingman
cover recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Geri Halliwell34:11
2Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 411) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
LaBelle3.33:54
3Can't Fight the Moonlight
miscellaneous support:
Sara Lind (task: technical assistant) and Robert Orton (task: technical assistant)
additional engineer:
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach and Tim Weidner (engineer)
engineer and mixer:
Steve MacMillan
producer:
Trevor Horn
bass:
Lee Sklar (bassist, session musician) and Jamie Muhoberac
drums (drum set) [drums]:
Curt Bisquera and John Robinson (session drummer)
guitar:
Tim Pierce (US session guitarist)
keyboard [keyboards]:
Jamie Muhoberac
piano:
Alan Pasqua
background vocals:
Sue Ann Carwell and Niki Harris (US singer and dancer)
orchestrator:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
Curb Records, Inc. (holding company - do not use as release label) (in 2000) and Curb Records, Inc. (holding company - do not use as release label) (in 2020)
recorded at:
Royal Tone Studios in North Hollywood, Los Angeles, California, United States and Sarm West Coast in Los Angeles, California, United States
music videos:
Can't Fight the Moonlight (longer version) by LeAnn Rimes (US country & pop singer)
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 56)
recording of:
Can’t Fight the Moonlight
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Realsongs and Universal/MCA Music Ltd. (not for release label use!)
LeAnn Rimes2.853:35
4Why Does My Heart Feel So Bad?
engineer, producer and mixer:
Moby (electronic musician Richard Melville Hall)
choir vocals and guest choir vocals:
The Shining Light Gospel Choir
music videos:
Why Does My Heart Feel So Bad? (Animated) by Moby (electronic musician Richard Melville Hall)
recording of:
Why Does My Heart Feel So Bad?
lyricist and composer:
Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Moby43:43
5Every You Every Me
additional recording engineer:
Téo Miller and Phil Vinall (UK producer)
additional engineer:
Paul Corkett and Téo Miller
engineer:
Adrian Bushby
producer:
Steve Osborne (producer)
mixer:
Phil Vinall (UK producer)
remixer:
Placebo (UK alternative rock band) and Phil Vinall (UK producer)
recording of:
Every You Every Me
lyricist:
Paul Campion and Brian Molko
composer:
Placebo (UK alternative rock band)
publisher:
BMG Consortium Music Publishing Germany, BMG FM Music Limited, BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Elevator Lady Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mukka Music, Sony/ATV Music Publishing LLC (1995–2020), Stage Three Music Publishing Limited, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Placebo43:34
6Have You Met Miss Jones?
recording engineer and mixer:
Al Schmitt
additional engineer:
Jim Brumby (UK engineer) and Tom Jenkins (English sound engineer)
engineer:
Jim Brumby (UK engineer) and Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Steve Genewick
alto saxophone [alto saxophones]:
Iain Dixon and Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Phil Todd (UK flautist/saxophonist)
bass trombone:
Dave Stewart (trombonist)
double bass:
Sam Burgess
drums (drum set) [drums]:
Ralph Salmins
electric guitar:
Mitch Dalton
piano:
Dave Arch (pianist, conductor, arranger and composer)
tenor saxophone [tenor saxophones]:
Dave Bishop (saxophonist) and Chris White (UK jazz saxophonist)
trombone [trombones]:
Gordon Campbell (UK trombone player; BBC Big Band), Richard Edwards (trombonist) and Neil Sidwell
trumpet [trumpets]:
John Barclay (trumpeter), Stuart Brooks (trumpet and horn player), Simon Gardner (trumpet player) and Paul Spong (trumpetist)
vibraphone:
Anthony Kerr
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Robbie Williams3.42:33
7When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:14
8Pure Shores
programming:
Sean Spuehler
producer:
William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
vocals:
Melanie Blatt and Shaznay Lewis
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 2000)
part of:
The Downloader’s Music Source Book (number: 380)
recording of:
Pure Shores
composer:
Shaznay Lewis and William Orbit (English musician, composer and record producer)
All Saints3.654:25
9Cruel Summer
producer:
Steve Jolley and Tony Swain (songwriter, producer)
lead vocals:
Sara Dallin (in 1983-04), Siobhan Fahey (in 1983-04) and Keren Woodward (in 1983-04)
performer:
Bananarama (in 1983-04)
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1983) and London Records Ltd. (not release label) (in 1984)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 44) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 414)
recording of:
Cruel Summer (in 1983-04)
lyricist:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) and Keren Woodward
composer:
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) and Keren Woodward
publisher:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:30
10Angel Eyes
Tamara Walker3:58
11Why
programming:
Marius de Vries, Stephen Lipson and Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
engineer:
Heff Moraes
producer:
Stephen Lipson
assistant mixer:
Will O'Donovan
guitar:
Stephen Lipson
keyboard:
Marius de Vries, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Stephen Lipson and Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
recorder:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographic copyright (℗) by:
BMG Ariola Muenchen GmbH (in 1992) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1992)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom and The Church Studios in London (Greater London), England, United Kingdom
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
recording of:
Why
lyricist and composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Records (not for release label use! primarily named as distributor in the UK), La Lennoxa Music Co. Ltd. and Universal Music Publishing MGB Ltd.
Annie Lennox3.54:52
12Turn Back Time
producer and mixer:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
phonographic copyright (℗) by:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group)
recording of:
Turn Back Time
writer:
Claus Norreen and Søren Rasted
publisher:
MCA Music Scandinavia AB and Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.554:04
13All the Love in the World
recording of:
All the Love in the World
writer:
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr and Robert John “Mutt” Lange (Robert John Lange)
The Corrs4:05
14It Must Have Been Love
programming:
Clarence Öfwerman (from 1987 until 1990)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990) and Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990) and EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 466)
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:18
15The Ballad of Lucy Jordan
Marianne Faithfull3:55
16American Pie
programming:
Rico Conning and Sean Spuehler
engineer:
Jake Davies, Mark Endert and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
keyboard:
Damian LeGassick
background vocals [backup vocals]:
Rupert Everett
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2000)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
cover recording of:
American Pie
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Madonna3.24:29
17Show Me Heaven
phonographic copyright (℗) by:
MCA (1967–2003; name as in imprint during 1972–1990) (in 1990) and The David Geffen Company (legal rights relating to Geffen Records) (in 1990)
recording of:
Show Me Heaven
writer:
Eric Rackin (Production music composer), Maria McKee and Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:44
18The Grease Megamix
lead vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist) and John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ-mixer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1990, in 2003)
DJ-mix of and mash-up of:
You’re the One That I Want by John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin' by John Travolta (American actor and singer) and Summer Nights by John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
recording of:
The Grease Megamix
writer:
Warren Casey, John Farrar and Jim Jacobs
medley of:
You’re the One That I Want (Grease, 1978 film)
medley of:
Greased Lightnin’ (Grease, 1971 musical)
medley of:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:48
19Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1982) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:52
2▶Medium