Messiah

~ Release by Georg Friedrich Händel; Boston Baroque, Martin Pearlman, Karen Clift, Catherine Robbin, Bruce Fowler, Victor Ledbetter (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Surely he hath borne our griefs (chorus)
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:48
2And with his stripes we are healed - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:44
3All we like sheep - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:22
4All they that see him - Tenor Recitative
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:44
5He trusted in God - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:16
6Thy rebuke hath broken his heart - Tenor Recitative
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:31
7Behold, and see if there be any sorrow - Tenor Arioso
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:13
8He was cut off out of the land of the living - Tenor Recitative
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:19
9But thou didst not leave his soul in Hell - Tenor Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:42
10Lift up your heads - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:54
11Unto which of the angels - Tenor Recitative
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:15
12Let all the angels of God worship him - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:26
13Thou art gone up on high - Alto Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:53
14The Lord gave the word (chorus)
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:13
15How beautiful are the feet - Soprano Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:04
16The sound is gone out - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:21
17Why do the nations? - Bass Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
bass-baritone vocals:
Victor Ledbetter (baritone) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:41
18Let us break their bonds asunder (chorus)
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:41
19He that dwelleth in heaven - Tenor Recitative
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
tenor vocals:
Bruce Fowler (tenor) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:12
20Thou shall break them - Tenor Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
tenor vocals:
Bruce Fowler (tenor) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:05
21Hallelujah Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:42
22I know that my Redeemer liveth - Soprano Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
mezzo-soprano vocals:
Karen Clift (soprano) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel5:04
23Since by man came death - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel2:05
24Behold, I tell you a mystery - Bass Recitative
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
bass-baritone vocals:
Victor Ledbetter (baritone) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:33
25The trumpet shall sound - Bass Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
bass-baritone vocals:
Victor Ledbetter (baritone) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel8:41
26Then shall be brought to pass - Alto Recitative
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
mezzo-soprano vocals:
Catherine Robbin (Canadian mezzo-soprano) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:14
27O death, where is thy sting? - Alto & Tenor Duet
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
mezzo-soprano vocals:
Catherine Robbin (Canadian mezzo-soprano) (in 1992-05)
tenor vocals:
Bruce Fowler (tenor) (in 1992-05)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel1:09
28But thanks be to God (chorus)
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel2:08
29If God be for us - Soprano Air
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel4:02
30Worthy is the lamb... Amen - Chorus
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston, Massachusetts, United States (in 1992-05)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel7:11

Credits

Release

art direction:Anilda Carrasquillo
Ray Kirschensteiner (Telarc designer)
photography:Erich Lessing (Austrian photographer)
liner notes:Patricia Dussaux (liner notes)
Gila Fox (liner notes)
Martin Pearlman (US conductor, harpsichordist, composer)
executive producer:Robert Woods (classical music producer, founder of TELARC)
harpsichord:Martin Pearlman (US conductor, harpsichordist, composer)
Discogs:https://www.discogs.com/release/3218651 [info]
ASIN:US: B000003CYY [info]