101 Power Ballads

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1In the Air Tonight
assistente tecnico:
Nick Launay e Karen Segal (engineer)
tecnico:
Hugh Padgham
assistente produttore:
Hugh Padgham
produttore:
Phil Collins (of Genesis) e Hugh Padgham
chitarra :
Daryl Stuermer (nel 1980)
chitarra basso :
John Giblin (nel 1980)
piano Rhodes, drum machine, batteria, sintetizzatore e vocoder e voce principale:
Phil Collins (of Genesis) (nel 1980)
violino :
Sharokav (nel 1980)
arrangiatore:
Phil Collins (of Genesis)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 35) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 291)
registrazione di:
In the Air Tonight (nel 1980)
paroliere e compositore:
Phil Collins (of Genesis)
editore:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (nel 1980, nel 1981), Hit & Run Music (Publishing) Ltd (nel 1980) e Pun Music, Inc. (nel 1981)
parte di:
Risky Business (film soundtrack)
Phil Collins4.35:29
2You’re the Voice
tecnico di registrazione e tecnico di missaggio:
Doug Brady (engineer)
programmazione degli strumenti:
Dave (Australian score composer), Jack e Ross
assistente tecnico:
Michael Wickow (engineer)
produttore:
Ross Fraser
basso senza tasti :
Roger McLachlan
chitarra :
Brett Garsed
sintetizzatore [Fairlight] e tastiera :
David Hirschfelder (Australian score composer)
voce di accompagnamento:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton e Sandy Weekes
voce principale:
Whispering Jack
arrangiatore:
John Farnham, Ross Fraser e David Hirschfelder (Australian score composer)
diritti fonografici (℗) detenuti da:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (nel 1986), BMG Australia Limited (not for release label use!) (nel 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1986), Wheatley Records Pty. Ltd. (nel 1986) e RCA/Ariola (nel 1987)
registrata presso e mixata presso:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 15)
registrazione di:
You’re the Voice
autore:
Andy Qunta, Keith Reid, Maggie Ryder e Chris Thompson (vocalist with Manfred Mann’s Earth Band)
editore:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing AB (Sweden)
John Farnham4.15:04
3Keep On Loving You
assistente tecnico:
Tom Cummings (engineer) e Jeff Eccles
tecnico:
Kevin Beamish
co-produttore:
Alan Gratzer (drummer)
produttore:
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) e Gary Richrath (guitarist and songwriter)
basso :
Bruce Hall (US bassist for REO Speedwagon)
batteria :
Alan Gratzer (drummer)
chitarra :
Gary Richrath (guitarist and songwriter)
chitarra acustica :
Kevin Cronin (guitarist, singer and songwriter)
organo Hammond :
Neal Doughty (keyboards)
voce di accompagnamento:
Kevin Cronin (guitarist, singer and songwriter), Tom Kelly (songwriter) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arrangiatore:
Kevin Cronin (guitarist, singer and songwriter)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980, nel 1981) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 67)
registrazione di:
Keep On Loving You (il 1980-09-03)
paroliere e compositore:
Kevin Cronin (guitarist, singer and songwriter)
editore:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Taiyō Music
REO Speedwagon3.553:22
4Is This Love
produttore:
Mike Stone (producer and engineer, 1960s–80s)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
è stato produttore per:
Mike Stone Enterprises
registrazione di:
Is This Love (Whitesnake song)
autore:
David Coverdale e John Sykes
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake33:56
5Broken Wings
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1985) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985)
edit di:
Broken Wings di Mr. Mister (American pop rock band)
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister44:23
6Nothing’s Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
registrazione cover di:
Nothing’s Gonna Stop Us Now
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:26
7Fading Like a Flower (Every Time You Leave)
programmazione:
Anders Herrlin e Clarence Öfwerman
tecnico:
Anders Herrlin (nel 1990-07) e Alar Suurna (nel 1990-07)
produttore:
Clarence Öfwerman
tecnico di missaggio:
Per Gessle (Swedish singer and guitarist), Anders Herrlin, Clarence Öfwerman e Alar Suurna
basso elettrico :
Anders Herrlin (nel 1990-07)
basso-tastiera e tastiera [keyboards] :
Clarence Öfwerman (nel 1990-07)
batteria :
Pelle Alsing (nel 1990-07)
chitarra elettrica [electric guitars] :
Jonas Isacsson (nel 1990-07)
chitarra elettrica [rhythm guitar] :
Per Gessle (Swedish singer and guitarist) (nel 1990-07)
voce:
Marie Fredriksson (nel 1990-07), Per Gessle (Swedish singer and guitarist) (nel 1990-07) e Staffan Öfwerman (nel 1990-07)
voce di accompagnamento aggiuntiva:
Staffan Öfwerman (nel 1990-07)
voce principale:
Marie Fredriksson (nel 1990-07) e Per Gessle (Swedish singer and guitarist) (nel 1990-07)
diritti fonografici (℗) detenuti da:
EMI Svenska AB (not for release label use!) (nel 1991)
registrata presso e lavorazione tecnica effettuata presso:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1990-07)
mixata presso:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia
registrazione di:
Fading Like a Flower (Every Time You Leave) (nel 1990-07)
paroliere e compositore:
Per Gessle (Swedish singer and guitarist)
editore:
Jimmy Fun Music e Universal–Songs of PolyGram International, Inc.
Roxette3.153:51
8Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:43
9What’s Love Got to Do With It
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984)
registrazione di:
What’s Love Got to Do With It
autore:
Graham Lyle e Terence Ernest Britten
editore:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984), WB Music Corp. (1929–2019) (dal 1984 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Tina Turner3:17
10You Can Leave Your Hat On
tecnico:
Brian Reeves
produttore:
Richie Zito
tecnico di missaggio:
Rik Pekkonen
basso e sintetizzatore :
Arthur Barrow
chitarra :
Richie Zito
corno :
Dick Hyde, Steve Madaio e Joel Peskin
membranofono :
Michael Baird
voce di accompagnamento:
Maxine Sharp, Julia Waters e Maxine Waters
voce principale:
Joe Cocker
registrata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
You Can Leave Your Hat On
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (nel 1972), Randy Newman Music (nel 1972, nel 1976) e WB Music Corp. (1929–2019) (nel 1972, nel 1976)
registrazione di:
You Can Leave Your Hat On
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (nel 1972), Randy Newman Music (nel 1972, nel 1976) e WB Music Corp. (1929–2019) (nel 1972, nel 1976)
Joe Cocker3.854:13
11Don’t Shed a Tear
registrazione cover di:
Don’t Shed a Tear
autore:
Rob Friedman e Eddie Schwartz
Paul Carrack53:43
12Kayleigh
tecnico di registrazione:
Thomas Stiehler (dal 1985-03 al 1985-05)
produttore:
Chris Kimsey
tecnico di missaggio:
Mark Freegard e Chris Kimsey
batteria e percussione :
Ian Mosley (dal 1985-03 al 1985-05)
chitarra :
Steve Rothery (dal 1985-03 al 1985-05)
chitarra basso :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (dal 1985-03 al 1985-05)
tastiera :
Mark Kelly (Marillion keyboardist) (dal 1985-03 al 1985-05)
voce principale:
Fish (Derek William Dick, ex‐Marillion frontman) (dal 1985-03 al 1985-05)
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1985)
remix di:
Kayleigh (alternative mix) di Marillion (British progressive rock band)
edit di:
Kayleigh di Marillion (British progressive rock band)
registrazione di:
Kayleigh (dal 1985-03 al 1985-05)
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
editore:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. e Marillion Music
Marillion4.353:33
13The Flame
tecnico:
Phil Kaffel
produttore:
Richie Zito
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1988), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
registrazione di:
The Flame (nel 1988)
autore:
Nick Graham (British singer, songwriter, bassist, keyboardist, Atomic Rooster member) e Bob Mitchell (UK production music composer & songwriter)
editore:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Hit & Run Music (Publishing) Ltd, Lorimar Music Corp., Sony Music Publishing (UK) Limited (2003–2008, 2021–present), Sony/ATV Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cheap Trick4.25:39
14Everytime I Think of You
tecnico di registrazione e produttore:
Ron Nevison
assistente tecnico:
Mike Clink
basso :
Jack Conrad (producer and songwriter)
batteria e percussione :
Tony Brock
chitarra :
Wally Stocker
pianoforte :
Kevin Kelly (piano, organ, accordion player)
voce di accompagnamento:
Diana Lee (credited mostly for backing vocals, does soprano too), Myrna Matthews e Marti McCall (session vocalist)
voce principale:
John Waite
direttore d'orchestra:
Jimmy Haskell
arrangiatore archi e arrangiatore ottoni [horns] :
Jimmy Haskell
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978, nel 1979) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979)
registrazione di:
Every Time I Think of You
autore:
Jack Conrad (producer and songwriter) (nel 1978) e Ray Kennedy (singer, songwriter, and record producer based in L.A.) (nel 1978)
editore:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music e X‐Ray Music
The Babys4.354:02
15We Belong
assistente tecnico:
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
produttore:
Pete Coleman e Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistente tecnico di missaggio:
Murray Dvorkin e Bino Espinoza
armonica (a bocca) e chitarra :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
batteria :
Myron Grombacher
chitarra basso :
Donnie Nossov
chitarra basso ospite aggiunto:
Roger Capps
percussione :
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) e Myron Grombacher
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1981) e Chrysalis Records, Inc. (not for release label use!) (nel 1984)
mixata presso:
Soundcastle (Interactive Studios) in Santa Monica, California, Stati Uniti e The Complex Studios in Los Angeles, California, Stati Uniti
registrazione di:
We Belong
autore:
Eric Lowen e Dan Navarro (singer/songwriter/voice actor)
editore:
Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.43:31
16Sunglasses at Night
tecnico:
Jon Astley, Phil Chapman (engineer) e Andy MacPherson
produttore:
Jon Astley e Phil Chapman (engineer)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 30)
registrazione di:
Sunglasses at Night
paroliere e compositore:
Corey Hart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edition Meridian
Corey Hart3.655:19
17Every Rose Has Its Thorn
edit di:
Every Rose Has Its Thorn di Poison (US glam metal band)
registrazione di:
Every Rose Has Its Thorn
autore:
Bobby Dall, C.C. DeVille, Bret Michaels e Rikki Rockett
compositore:
Siddhartha Khosla (American singer and score composer)
editore:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Songs Inc.
Poison43:46
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Accreditamenti

Pubblicazione

fabbricata a:Europa
stampata a:Europa
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2008)
Discogs:https://www.discogs.com/release/4191290 [info]
ASIN:UK: B001HQ6ZDW [info]