The Complete Decca Studio Master Takes 1935-1939

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1Once in a While
recorded in:
Los Angeles, California, United States (on 1937-11-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-11-15)
double bass:
Red Callender (on 1937-11-15)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-11-15)
guitar:
Lee Blair (on 1937-11-15)
piano:
Luis Russell (on 1937-11-15)
reeds:
Bingie Madison (on 1937-11-15)
trombone:
J.C. Higginbotham (on 1937-11-15)
trumpet:
Louis Armstrong (on 1937-11-15)
vocals:
Louis Armstrong (on 1937-11-15)
orchestra:
Louis Armstrong & His Orchestra (on 1937-11-15)
recording of:
Once in a While (on 1937-11-15)
lyricist:
Bud Green (in 1937)
composer:
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. and Miller Music Corp.
part of:
New York, New York (1977 musical film soundtrack)
3:13
2On the Sunny Side of the Street
recorded in:
Los Angeles, California, United States (on 1937-11-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-11-15)
double bass:
Red Callender (on 1937-11-15)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-11-15)
guitar:
Lee Blair (on 1937-11-15)
piano:
Luis Russell (on 1937-11-15)
reeds:
Bingie Madison (on 1937-11-15)
trombone:
J.C. Higginbotham (on 1937-11-15)
trumpet:
Louis Armstrong (on 1937-11-15)
vocals:
Louis Armstrong (on 1937-11-15)
orchestra:
Louis Armstrong & His Orchestra (on 1937-11-15)
recording of:
On the Sunny Side of the Street (on 1937-11-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
3:02
3Satchelmouth Swing
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
Satchel Mouth Swing (on 1938-01-12)
writer:
Louis Armstrong and Mary Lou Williams (American jazz pianist and composer)
2:40
4Jubilee
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
Jubilee (Hoagy Carmichael) (on 1938-01-12)
composer:
Hoagy Carmichael
2:41
5Struttin' With Some Barbecue
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
arranger:
Chippie Willett
recording of:
Struttin’ With Some Barbecue (on 1938-01-12)
composer:
Lil Hardin Armstrong
3:03
6Trumpet Player's Lament
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
The Trumpet Player's Lament (on 1938-01-12)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
James V. Monaco
2:58
7I Double Dare You
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
I Double Dare You (on 1938-01-13)
writer:
Jimmy Eaton (songwriter) and Terry Shand (jazz pianist/composer)
3:01
8True Confession
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
bass and double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
True Confession (on 1938-01-13)
composer:
Sam Coslow and Friedrich Hollaender
3:11
9Let That Be a Lesson to You
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
Let That Be a Lesson to You (on 1938-01-13)
lyricist:
Johnny Mercer
composer:
Richard A. Whiting (composer)
2:38
10Sweet as a Song
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
Sweet as a Song (on 1938-01-13)
composer:
Mack Gordon and Harry Revel (British-born American composer)
3:10
11So Little Time (So Much to Do)
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
So Little Time (So Much to Do) (on 1938-05-13)
lyricist:
Billy Hill (US songwriter)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
2:45
12Mexican Swing
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
Mexican Swing (on 1938-05-13)
composer:
Terry Shand (jazz pianist/composer)
2:41
13As Long as You Live
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
As Long as You Live, You'll Be Dead If You Die (on 1938-05-13)
lyricist:
Johnny Mercer
composer:
Bernie Hanighen
2:16
14When the Saints Go Marching In
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (on 1938-05-13)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
2:45
15On the Sentimental Side
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
On the Sentimental Side (on 1938-05-18)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
James V. Monaco
2:27
16It's Wonderful
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-18) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
It’s Wonderful (on 1938-05-18)
lyricist:
Mitchell Parish (in 1937)
composer:
Stuff Smith (jazz violinist) (in 1937)
2:38
17Something Tells Me
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
Something Tells Me (on 1938-05-18)
lyricist:
Johnny Mercer
composer:
Harry Warren (US composer and lyricist)
2:32
18Love Walked In
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
Love Walked In (on 1938-05-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
2:32
19The Flat Foot Floogie
recorded in:
New York, New York, United States (on 1938-06-10)
guitar:
Norman Brown (Jazz guitar player active in the 1930s & 1940s) (on 1938-06-10)
trumpet:
Louis Armstrong (on 1938-06-10)
baritone vocals:
Harry Mills (on 1938-06-10)
bass vocals:
John Mills, Sr. (on 1938-06-10)
tenor vocals:
Donald Mills (on 1938-06-10) and Herbert Mills (on 1938-06-10)
vocals:
Louis Armstrong (on 1938-06-10)
recording of:
The Flat Foot Floogie (on 1938-06-10)
composer:
Slim Gaillard, Bud Green and Slam Stewart
3:02
20The Song Is Ended (But the Melody Lingers on)
recorded in:
New York, New York, United States (on 1938-06-13)
guitar:
Norman Brown (Jazz guitar player active in the 1930s & 1940s) (on 1938-06-13)
trumpet:
Louis Armstrong (on 1938-06-13)
baritone vocals:
Harry Mills (on 1938-06-13)
bass vocals:
John Mills, Sr. (on 1938-06-13)
tenor vocals:
Donald Mills (on 1938-06-13) and Herbert Mills (on 1938-06-13)
vocals:
Louis Armstrong (on 1938-06-13) and The Mills Brothers (on 1938-06-13)
recording of:
The Song Is Ended (but the Melody Lingers On) (on 1938-06-13)
lyricist:
Irving Berlin
composer:
Irving Berlin (in 1927)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
3:16
21My Walking Stick
recorded in:
New York, New York, United States (on 1938-06-13)
guitar:
Norman Brown (Jazz guitar player active in the 1930s & 1940s) (on 1938-06-13)
trumpet:
Louis Armstrong (on 1938-06-13)
baritone vocals:
Harry Mills (on 1938-06-13)
bass vocals:
John Mills, Sr. (on 1938-06-13)
tenor vocals:
Donald Mills (on 1938-06-13) and Herbert Mills (on 1938-06-13)
vocals:
Louis Armstrong (on 1938-06-13) and The Mills Brothers (on 1938-06-13)
recording of:
My Walking Stick (on 1938-06-13)
lyricist and composer:
Irving Berlin
2:45
22Shadrack
recorded in:
New York, New York, United States (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Shadrack (on 1938-06-14)
lyricist and composer:
R. MacGimsey
2:33
23Going to Shout All Over God's Heaven
recorded in:
New York, New York, United States (on 1938-06-14)
bell, drums (drum set), vibraphone and xylophone:
Paul Barbarin (jazz drummer from New Orleans) (on 1938-06-14)
double bass:
George "Pops" Foster (on 1938-06-14)
guitar:
Lee Blair (on 1938-06-14)
piano:
Luis Russell (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Going to Shout All Over God’s Heaven (on 1938-06-14)
writer:
[traditional] (special purpose artist)
2:52
24Nobody Knows the Trouble I've Seen
recorded in:
New York, New York, United States (on 1938-06-14)
bell, drums (drum set), vibraphone and xylophone:
Paul Barbarin (jazz drummer from New Orleans) (on 1938-06-14)
double bass:
George "Pops" Foster (on 1938-06-14)
guitar:
Lee Blair (on 1938-06-14)
piano:
Luis Russell (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Nobody Knows the Trouble I’ve Seen (on 1938-06-14)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
C. Mose Music
3:16
25Jonah and the Whale
recorded in:
New York, New York, United States (on 1938-06-14)
bell, drums (drum set), vibraphone and xylophone:
Paul Barbarin (jazz drummer from New Orleans) (on 1938-06-14)
double bass:
George "Pops" Foster (on 1938-06-14)
guitar:
Lee Blair (on 1938-06-14)
piano:
Luis Russell (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Jonah and the Whale (on 1938-06-14)
lyricist and composer:
Robert MacGimsey
2:45
4▶CD