NOW That’s What I Call Punk & New Wave

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▶CD
4▼CD
Nr.TitelKünstlerBewertungLänge
1I Will Follow
assistierende(r) Techniker(in):
Kevin Moloney
Techniker(in):
Paul Thomas (engineer)
Produzent(in):
Steve Lillywhite
E-Bass:
Adam Clayton
E-Gitarre:
The Edge (U2 guitarist David Evans)
Schlagzeug:
Larry Mullen, Jr.
Sologesang:
Bono (singer of U2)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1980)
aufgenommen bei:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
I Will Follow
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Chappell Music (UK), Gallo Music, Island Music (Island Music Ltd.), Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Mother Music, PolyGram International Music Publishing B.V., Polygram Music, Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) und Blue Mountain Music Ltd. (in 1980)
U24.153:36
2The Sound of the Suburbs
recording of:
The Sound of the Suburbs
Texter:
Jean-Marie Carroll und Nicky Tesco
Komponist(in):
Jean-Marie Carroll
The Members53:54
3Babylon’s Burning
recording of:
Babylon’s Burning
Verfasser(in):
Paul Fox (of The Ruts), John Jennings (The Ruts), Malcolm Owen und Dave Ruffy
publisher:
Virgin Music (Publishers) Ltd.
The Ruts2:35
4She’s So Modern
Techniker(in):
Bill Price (UK producer/engineer)
recording of:
She’s so Modern
Texter und Komponist(in):
Johnnie Fingers und Bob Geldof
The Boomtown Rats42:58
5Identity
assistierende(r) Techniker(in):
Andy Pearce (Mastering engineer)
Techniker(in):
John Mackenzie Burns
Produzent(in):
Falcon Stuart
recording of:
Identity
Texter und Komponist(in):
Poly Styrene
X‐Ray Spex2:23
6Christine
Produzent(in):
Nigel Gray (UK producer) und Siouxsie and the Banshees
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (vom 1980 bis heute)
recording of:
Christine
Texter:
Steven Severin
Komponist(in):
Steven Severin und Siouxsie Sioux (Susan Janet Ballion)
publisher:
Chappell (vom 1980 bis heute) und Pure Noise (Siouxsie and the Banshees publisher) (vom 1980 bis heute)
Siouxsie and the Banshees4.653:00
7Down in the Tube Station at Midnight
Produzent(in):
Vic Coppersmith‐Heaven
Bearbeitung von:
Down in the Tube Station at Midnight von The Jam (late 70s/early 80s UK punk/mod revival band)
recording of:
Down in the Tube Station at Midnight
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd. und Stylist Music Ltd.
The Jam4:00
8Baby, I Love You
assistierende(r) Techniker(in):
Bruce Gold (Engineer)
Techniker(in):
Larry Levine und Boris Menart
Produzent(in):
Phil Spector
cover recording of:
Baby, I Love You
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company und Universal–Songs of PolyGram International, Inc.
Ramones43:48
9Denis
Techniker(in):
Rob Freeman (engineer)
Produzent(in):
Richard Gottehrer (American songwriter and music executive)
Bassgitarre:
Frank Infante (von 1977-06 bis 1977-07) und Chris Stein (von 1977-06 bis 1977-07)
E-Gitarre [lead guitar] und Vibraphon:
Chris Stein (von 1977-06 bis 1977-07)
E-Gitarre [rhythm guitar]:
Frank Infante (von 1977-06 bis 1977-07)
Farfisa-Orgel, Flügel, Saiteninstrumente, Synthesizer [Polymoog] und Synthesizer [Roland]:
Jimmy Destri (von 1977-06 bis 1977-07)
Schlagzeug:
Clem Burke (von 1977-06 bis 1977-07)
Hintergrundgesang:
Clem Burke (von 1977-06 bis 1977-07) und Jimmy Destri (von 1977-06 bis 1977-07)
Sologesang:
Deborah Harry (von 1977-06 bis 1977-07)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (von 1977-06 bis 1977-07)
cover recording of:
Denise (von 1977-06 bis 1977-07)
Texter und Komponist(in):
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. und Taking Care of Business Music Inc. (BMI)
Blondie3.552:16
10Kid
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in) und Mix:
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
aufgenommen bei und mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
recording of:
Kid
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Hynde House of Hits Music, Modern Music Publishing Co., Inc., フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Pretenders4.53:05
11Duchess
Produzent(in):
Alan Winstanley (English record producer)
recording of:
Duchess
Texter und Komponist(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
The Stranglers42:29
12Reward
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
recording of:
Reward
Komponist(in):
Julian Cope und Alan Gill
The Teardrop Explodes4.52:42
13Kings of the Wild Frontier
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Akustikgitarre, Klavier, Mundharmonika und Sologesang:
Adam Ant (English new wave singer and actor)
Bassgitarre:
Kevin Mooney
E-Gitarre:
Marco Pirroni (British musician and producer)
Schlagzeug:
Merrick (producer, aka “Merrick”) und Terry Lee Miall
vocals:
Kevin Mooney
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
Musikvideos:
Kings of the Wild Frontier von Adam and the Ants (English new wave band) und Kings of the Wild Frontier (alt) von Adam and the Ants (English new wave band)
Teil von:
The Downloader’s Music Source Book (Nummer: 143)
recording of:
Kings of the Wild Frontier
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
BMG Music Publishing Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
Adam & the Ants3.353:56
14C30 C60 C90 Go
assistierende(r) Produzent(in):
Martin Levan
Produzent(in):
Malcolm McLaren
recording of:
C·30 C·60 C·90 Go
Verfasser(in):
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) und Malcolm McLaren
Bow Wow Wow53:01
15Public Image
Produzent(in):
Pil
recording of:
Public Image
Verfasser(in):
John Wardle, Keith Levene, John Lydon (Johnny Rotten of the Sex Pistols) und Jim Walker (PIL member)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI/Virgin Music Publishing Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Public Image Limited4.652:58
16Shot by Both Sides
Produzent(in):
Mick Glossop (producer & engineer) und Magazine (70s/80s UK post-punk/new wave band)
Bass:
Barry Adamson
Gitarre:
John McGeoch
Schlagzeug:
Martin Jackson
vocals:
Howard Devoto
recording of:
Shot by Both Sides
Texter:
Howard Devoto
Komponist(in):
Howard Devoto und Pete Shelley (Buzzcocks lead singer)
Magazine53:58
17Cherry Bomb
arranger:
Scott Anderson (The Runaways co -writer, -ordinator, -arranger), Kim Fowley und The Runaways (US 1970s all girl rock group)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1976), Phonogram, Inc. (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Criterion Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 52)
recording of:
Cherry Bomb
Texter:
Kim Fowley
Komponist(in):
Joan Jett
publisher:
Careers–BMG Music Publishing, Inc., Jett Pack Music, Inc. und Peermusic Ltd. (BMI)
The Runaways4.152:18
18My Sharona
recording engineer:
Pete Coleman
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Prescott Niles
Gitarre:
Berton Averre und Doug Fieger (in The Knack)
Schlagzeug:
Bruce Gary
Sologesang:
Doug Fieger (in The Knack)
vocals:
Berton Averre
remixer:
Dave Jerden
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 1994, in 2013)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 18), TV Cream: Real 100 Best Singles Ever (Nummer: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 72) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 201)
recording of:
My Sharona
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.14:00
19Do Anything You Wanna Do
recording of:
Do Anything You Wanna Do
Komponist(in):
Graeme Douglas und Ed Hollis (British songwriter and producer)
Eddie & the Hot Rods4:02
20Working for the Yankee Dollar
recording of:
Working for the Yankee Dollar
Texter:
Richard Jobson
Komponist(in):
Stuart Adamson
Skids3:39
21Turning Japanese
Produzent(in):
Vic Coppersmith‐Heaven
E-Bass [bass guitar]:
Steve Smith (UK bassist for the Vapors)
Gitarre und Sologesang:
David Fenton
Gitarre [lead guitar]:
Edward Bazalgette
Schlagzeug:
Howard Smith (UK drummer for the Vapors)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 30)
recording of:
Turning Japanese
Texter und Komponist(in):
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) und Glenwood Music Corp.
The Vapors3.63:43
22Nellie the Elephant
Produzent(in):
Terry Gavaghan und The Toy Dolls (English punk rock band)
Bassgitarre:
Flip (bass guitarist for the Toy Dolls)
Gitarre und Sologesang:
Olga (Toy Dolls)
Schlagzeug:
Happy Bob
cover recording of:
Nellie the Elephant
Verfasser(in):
Ralph Butler und Peter Hart (songwriter)
publisher:
Dash Music Co. Ltd.
Toy Dolls3:00

Nennungen

Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 112)
Discogs:https://www.discogs.com/master/2565101 [Info]