The Sound of Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
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Nr.TitelKünstlerBewertungLänge
11812 Overture
Orchester:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (in 1987)
conductor:
Mariss Jansons (Latvian conductor) (in 1987)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
teilweise recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (in 1987)
Premiere in:
Moscow (Moskau), Russland (am 1882-08-20)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1880-09 bis 1880-11)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 46) und Works of Pyotr Ilyich Tchaikovsky by opus number (Nummer: op. 49)
basiert auf:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Pyotr Tchaikovsky3:37
2Rhapsody in Blue
Flügel:
Wayne Marshall (British pianist, organist and conductor)
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
teilweise recording of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
Orchestrator(in):
Ferde Grofé (pianist, arranger, conductor and composer) (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
was commissioned by:
Paul Whiteman (in 1924)
publisher:
Harms, Inc. (in 1924)
Premiere bei:
Aeolian Hall in New York, New York, Vereinigte Staaten (am 1924-02-12)
Version von:
Rhapsody in Blue (original 1924 two-piano manuscript version)
George Gershwin4:40
3Gayane Suite
Orchester:
Royal Philharmonic Orchestra
conductor:
Yuri Temirkanov (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
Komponist(in):
Aram Khachaturian (Aram Chatschaturjan, Soviet-Armenian composer) (in 1942)
Arrangement von:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance
Komponist(in):
Արամ Խաչատրյան (Aram Chatschaturjan, Soviet-Armenian composer) (in 1942)
Version von:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Teil von:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Aram Khachaturian2:26
4Carnival of the Animals: Fossils
conductor:
Georges Prêtre (French conductor)
recording of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:16
5Toccata and Fugue
Orgel:
Wayne Marshall (British pianist, organist and conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Classic 100: Piano (2025) (Nummer: 30)
Teil von:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach3:24
6Magic Flute: Der Hölle Rache kocht in meinen Herzen
Produzent(in):
Peter Andry (producer)
Soprangesang [Die Königin der Nacht]:
Lucia Popp (soprano) (von 1964-03-24 bis 1964-04-10)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1964-03-24 bis 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (von 1964-03-24 bis 1964-04-10)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1964-03-24 bis 1964-04-10)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1964-03-24 bis 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (von 1964-03-24 bis 1964-04-10)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:16
7The Planets: Jupiter
Orchester:
City of Birmingham Symphony Orchestra und London Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Simon Rattle (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
teilweise recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
Komponist(in):
Gustav Holst (composer) (von 1914 bis 1916)
Orchestrierung von:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
Teil von:
The Planets, op. 32 (Suite for Large Orchestra)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
Komponist(in):
Gustav Holst (composer) (von 1914 bis 1916)
Orchestrierung von:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
Teil von:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst4:53
8Concierto de Aranjuez: II. Adagio (opening)
Gitarre und klassiche Gitarre:
Julian Bream
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
teilweise recording of:
Concierto de Aranjuez: II. Adagio
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Teil von:
Concierto de Aranjuez
Joaquín Rodrigo54:47
9Toy Symphony: I. Allegro
conductor:
Herbert von Karajan (conductor)
recording of:
Berchtesgadener Musik "Toy Symphony": I. Allegro
Komponist(in):
Edmund Angerer
vorher zugeschrieben zu:
Joseph Haydn (composer) und Leopold Mozart (composer)
Teil von:
Berchtesgadener Musik "Toy Symphony"
Leopold Mozart4:45
10On the Way to Bethlehem (Dinaresade)
[anonymous]4:50
11Ride of the Valkyries
Produzent(in):
John Fraser (UK producer)
Orchester:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (von 1991-08-14 bis 1991-08-24)
conductor:
Mariss Jansons (Latvian conductor) (von 1991-08-14 bis 1991-08-24)
Tonmeister(in):
Mark Vigars (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
aufgenommen bei:
Oslo Konserthus (The Oslo Concert Hall) in Oslo, Norwegen (von 1991-08-14 bis 1991-08-24)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt) (von 1991-08-14 bis 1991-08-24)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:51
12Vocalise
Soprangesang:
Natalie Dessay (soprano)
Orchester:
Berliner Sinfonie-Orchester (Konzerthausorchester Berlin, Berliner Sinfonie-Orchester prior to 2006)
conductor:
Michael Schønwandt (Danish conductor)
phonographisches Urheberrecht (℗) von:
EMI Music France (1994–2013) (vom 1998 bis heute), Parlophone (Parlophon) (in 1998) und Warner Music France (in 1998)
recording of:
Vocalise, op. 34 no. 14 (arr. by composer for soprano and orchestra)
Orchestrator(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (in 1916)
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (in 1912)
Orchestrierung von:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Rachmaninov5:23
13Night on the Bare Mountain
Orchester:
Royal Philharmonic Orchestra (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
recording of:
A Night on the Bare Mountain (unknown version, use as last resort) (in 1963)
Komponist(in):
Модест Петрович Мусоргский (Modest Mussorgski, composer)
basiert auf:
St. John’s Night on the Bare Mountain (original version)
recording of:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Eine Nacht auf dem kahlen Berge, orchestrated by Rimsky-Korsakov)
Orchestrator(in):
Nikolai Rimsky-Korsakov (Nikolai Rimski-Korsakow, Russian composer) (in 1886)
Komponist(in):
Modest Mussorgsky (Modest Mussorgski, composer) (von 1867-06-12 bis 1867-06-23)
gewidmet:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
basiert auf:
St. John’s Night on the Bare Mountain (original version)
Modest Mussorgsky7:22
14Ma Vlast
teilweise recording of:
Má vlast, JB 1:112 (Mein Vaterland, My Country / My Fatherland)
Premiere in:
Praha (Prague), Tschechien (am 1882-11-05)
Komponist(in):
Bedřich Smetana (composer) (von 1874 bis 1879)
Teil von:
Tematický katalog skladeb Bedřicha Smetany (Nummer: JB 1:112)
Bedřich Smetana6:02
15Four Seasons - Summer: III. Presto
Geige / Violine:
吕思清 (violinist)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:47
16Jesus bleibet meine Freude
Produzent(in):
John Fraser (UK producer)
Cembalo:
Ian Watson (conductor and keyboardist) (von 1983-06-27 bis 1983-06-28)
Oboe:
Celia Nicklin (oboist) (von 1983-06-27 bis 1983-06-28)
Orchester:
Academy of St Martin in the Fields (von 1983-06-27 bis 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (von 1983-06-27 bis 1983-06-28)
arranger und Orchestrator(in):
Sir Neville Marriner (conductor)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-06-27 bis 1983-06-28)
recording of:
Jesu, Joy of Man’s Desiring (von 1983-06-27 bis 1983-06-28)
Orchestrator(in):
Leopold Stokowski (conductor)
Texter:
Robert Bridges (poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
übersetzte Version von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (von 1983-06-27 bis 1983-06-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (von 1983-06-27 bis 1983-06-28)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach5:13